Camboo Bamboo Landmark
We are proud to receive a honourable mention for our competition entry “The SHADOWMAKER” as a proposal for a temporary pavilion for the International Bamboo Festival in Phnom Penh, Cambodia.
For more information!

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Camboo Bamboo Landmark
We are proud to receive a honourable mention for our competition entry “The SHADOWMAKER” as a proposal for a temporary pavilion for the International Bamboo Festival in Phnom Penh, Cambodia.
For more information!
Back after a long long break. This one if from Phnom Penh.
Phnom Penh
Keeping with our tradition of overnight transport we booked the midnight bus from Ho Chi Minh to Phnom Phen. Having learned that they don't like overnight transport two of our group went in search of sleeping tablets. Upon discovering that you can't buy sleeping tablets over the counter in Vietnam they turned to a more, well traditional remedy. Long story short half a bottle of vodka didn't result in either of them being the most graceful travel companions, a fact that we let them know the next morning, but thats all i'll say about that. Despite this little episode the journey did bring with it one bit of excitement, this was to be our first land border crossing. Apart from Mike we had all crossed land borders before however coming from a country "girt by sea" I still find land borders to be an intriguing concept. Fingerprint scanners, photo identification and the satisfaction involved in having your passport stamped provided great pre-breakfast entertainment.
Upon arriving in Pnom Penh we were disappointed to learn that the hotel we had booked was rather removed from the central tourist district, especially since we were offered cheaper accommodation right in the hart upon arrival. Nevertheless the tuk tuk ride through the suburbs was enjoyable as we saw much more of the city than we would have otherwise seen. Having been to Phnom Penh before Chippy, Ben and myself were able to foresee that there is not actually that much to do in the city and my time there largely consisted of eating and reminiscing. On our second and final night we visited the weekend night market where despite already having had dinner I felt the need to order something. Lyeing on our backs on the mats provided in the middle of the market was the only position that my loaded stomach felt comfortable and had it not been for the others leaving I could quite happily have lay there until the market closed, or at least until I had digested enough to allow room for more food.
Cambodia's population of around 15 million is comparatively smaller than Thailand's 67 million or Vietnam's 91.5 million and after traveling through these countries this difference was noticeable. While Bangkok, Hanoi and Ho Chi Minh are constantly bustling Phnom Penh is quieter with the irregular high-rise, wide footpaths and less traffic. It's common to see groups of monks walking the streets and at certain times of day they seem to outnumber the other residents. The other major difference is the notorious and evident Cambodian drug culture. Although illicit drugs can be found in both Thailand and Vietnam the exceptionally tight drug laws in these countries pushes the drug trade underground and forces tourists to be wary of involving themselves. In Cambodia however this is not the case, every Tuk Tuk driver is a dealer and if they don't have anything on them then they certainly know someone who does. The word 'Happy' is added as a prefix to any type of food that you might fancy and refers to the addition of marajuana, the most common food type is 'Happy Pizza'.
The killing Fields is probably the biggest attraction in Pnom Penh. The name describes the location where thousands of cambodians were executed during the Khmer Rouge regime lead by Pol Pot. I had already visited the site in 2009 and so decided not to visit again but those who had not been went after breakfast. Chippy Ben and myself spent most of the day at Browns, a coffee house that made real coffee had free wifi, not very cultural I know, but air-conditioning, choc-hazlnut frappes and Facebook were far too enticing. We later discovered that we had gotten a little too comfortable. On our leisurely stroll back to meet the others at the tourist office we suddenly heard yells from a passing Tuk Tuk that we were half an our late for the bus and we needed to run. Apparently the Bus left at 5:00 not 5:30. After sprinting to pick up our bags then pleading with our driver to go faster we made it and climbed into the mini bus that would drive us 350km north-west to Siam Reap. During this time we heard the others thoughts on the killing fields and I was reminded of just how confronting the experience had been. Various key points in the execution process were signposted and the tour weaved you between mass graves where, every now and then, you would stumble across some clothes or teeth belonging to the fallen protruding from the earth. At the entrance to the compound stands a huge memorial consisting of shelves of skulls and items that had been excavated from one of the burial pits. The small museum we had visited at the end of the tour was filled with pictures and stories of those who had suffered at the hands of the brutal regime and there was even a small memorial to the one Australian that had been executed.
Stillness and Motion
in Southeast Asia
I was late, dare I say resistant, to the whole Facebook thing. As I have come to embrace my tendency towards voyeurism, learned to navigate through the mundane ramblings and cat memes, I have found that there can be true value in many of the connections I have made. One of those connections is a former college friend and fellow filmmaker, Todd.
Todd currently lives in Phnom Pen Cambodia where he runs The Asia Media Lab producing powerful and compelling videos for international and national non-governmental organizations (NGOs) in the Southeast Asian region. Todd also happens to be an acclaimed photographer and in his spare time uses his ex-patriot backdrop to create some phenomenal imagery. He recently posted, to Facebook, a series of long exposures taken in Myanmar and Thailand that are nothing short of stunning. I could wax poetic about the juxtaposition of stillness and motion, but I will let the images speak for themselves.
Here is a little insight into the concept behind the series and his process:
"For me, one of the most exciting things about living in this part of the world is the life on the streets, there is so much action and movement. Thus, when I decided to do a photography series I wanted to employ a technique that captured the pace of the city. Most of these images are form Yangon, Myanmar, one is from Bangkok. In order to capture the movement, I put the camera on a tripod, when necessary, I used a neutral density filter to stop the light down enough to open the shutter for periods long enough to show movement. I found that by switching between .3 of a second and 2 seconds, I was both able to capture the blur I desired but also keep open the possibility to catch a person standing still allowing them to be sharp and in focus in the photo."
Todd is shooting with a Canon 5D Mark II, and most of the shots where with a 24-105 f4 or a 35mm f2.