#photobookjousting

[suassi]

JM Ramírez-Suassi. From Malparaíso photobook.

[brownowlpress]

Our new title, Letting Go by Anastasia Davis is up for preorder now 🦉

PREORDER HERE

Released 20/02/2026 Edition of 50 32 pages 163 x 203mm Saddle stitched Black and white/colour After great pain, a formal feeling comes – The Nerves sit ceremonious, like Tombs – The stiff Heart questions ‘was it He, that bore,’ And ‘Yesterday, or Centuries before’? The Feet, mechanical, go round – A Wooden way Of Ground, or Air, or Ought – Regardless grown, A Quartz contentment, like a stone – This is the Hour of Lead – Remembered, if outlived, As Freezing persons, recollect the Snow – First – Chill – then Stupor – then the letting go – Emily Dickinson - After great pain, a formal feeling comes,

[photobookjunkies]

📚 From our personal bookshelf:

Intimate Distance by @toddhido - published by Aperture, 2016

Photobookjunkies 👀

[rubenvega]

horses

[jankobosch]

I’m so excited to announce my new book.

In 2020, I started a new photo project in his new photo studio. In this project, I explored my love for fetish and women's clothing without making obvious fetish pictures. 

This book is printed in a softcover edition using a Swiss binding and comes with a foil stamped cover. The book is printed in a high-quality manner on high-quality paper.

https://zaptronic.nl/books/dressed

[peterghoffman]

20140127_0103

From Glass Corner

[verschaevejoselito]

From If I Call Stone Blue It Is Because Blue Is The Precise Word Published by VOID (ATH)

22 x 26,5 cm

80 Pages

750 copies

Softcover with Japanese folds

ISBN 978-618-5479-22-0

Joselito Verschaeve

Available Here: www.void.photo

[artbookdap]

Thanks to @photoeyebooks for this selection of images from ‘Elaine Mayes — The Haight-Ashbury Portraits 1967–1968’ Elaine Mayes was a young photographer living in San Francisco’s lively Haight-Ashbury District during the 1960s. She had photographed the Monterey Pop Festival in 1967 and, later that year, during the waning days of the Summer of Love, embarked on a set of portraits of youth culture in her neighborhood. By that time, the hippie movement had turned from euphoria to harder drugs, and the Haight had become less of a blissed-out haven for young people seeking a better way of life than a halfway house for runaway teens. Realizing the gravity of the cultural moment, Mayes shifted from the photojournalistic approach she had applied to musicians and concert-goers in Monterey to making formal portraits of people she met on the street. Mayes’ familiarity with her subjects helped her to evade mediatized stereotypes of hippies, presenting instead an understated and unsentimental group portrait of the individual inventors of a fleeting cultural moment. New Arrival, available through the @photoeyebooks instashop ✨ #Repost・・・ @elainemayesphoto @damiani_books #photobookjousting #haightashbury https://www.instagram.com/p/CnmRM7ruv19/?igshid=NGJjMDIxMWI=