Séverine Pierron, 40 years after, the secrets of a now-iconic logo, Centre Pompidou, Paris, November 10, 2020
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Séverine Pierron, 40 years after, the secrets of a now-iconic logo, Centre Pompidou, Paris, November 10, 2020
The Temple of Janus, perhaps by Sir Peter Paul Rubens, a preparatory study for the engraved frontispiece by Lucas Vorsterman to Volume III of Franciscus Haraeus’ Annales Ducum Brabantiae (Annals of the Dukes of Brabant)
Flemish, c. 1620-1623
pen and brown ink with brown wash over black chalk
Royal Collection Trust
Auguste Rodin - Study of a Hand, last quarter 19th-early 20th century.
Rodin was fascinated by the expressive possibilities of hands: hands gesturing in anguish as in The Burghers of Calais, small studies of hands pulsing with life, giant enigmatic hands sufficient unto themselves. The poet Rainer Maria Rilke (1875–1926), who was for a time Rodin's secretary, wrote: "There are among the works of Rodin's hands, single small hands, which without belonging to a body, are alive. Hands that rise, irritated and in wrath; hands whose five bristling fingers seem to bark like the five jaws of a dog of Hell."
Credit: The Metropolitan Museum of Art
Art Through Time
Ootje Oxenaar, Kleurstudie voor postzegels Nederland 1964 Kinderpostzegels, Maskerade, 1964 [Postzegelontwerpen, postzegels en affiches, Nationaal Archief, Den Haag]
Ootje Oxenaar, Schetsontwerp voor postzegels Nederland 1992 Technische Universiteit Delft, 1991 [Postzegelontwerpen, postzegels en affiches, Nationaal Archief, Den Haag]
Jiří Rathouský, Italo Calvino: Kosmické grotesky. N: ČS, n.d. [Moravská galerie, Brno]
Jiří Rathouský, Italo Calvino: Kosmické grotesky. N: ČS, n.d. [Moravská galerie, Brno]
Jan Sluijters, Drukproef voor de Kinderpostzegels Nederland 1928, H.A. Lorentz, October 1928 [Postzegelontwerpen, postzegels en affiches, Nationaal Archief, Den Haag]