I was inspired by Lord Dunsany's novel, The King of Elfland's Daughter, to make images of fairies showing up in modern settings. This one was one of the larger sugar-lift etchings I made on this theme at about 11" x 14". 2003 maybe?
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I was inspired by Lord Dunsany's novel, The King of Elfland's Daughter, to make images of fairies showing up in modern settings. This one was one of the larger sugar-lift etchings I made on this theme at about 11" x 14". 2003 maybe?
Sorry for the multiple posting the Tumblr so is messing with me 😑
Amyway here's all of 30 days of inktober/printober!!
Another sugar-lift pixie print. I think this was the first one on this subject I made. Tennis ball recovery from roof gutter.
My MFA show in involved varying amounts of hand working for each print. Some, like the circle trees, involved small touches like added highlights or color washes. Others involved printing on a much larger paper and drawing full images outside the print area.
In grad school I started making prints that were series of images on single matrices. This was a 2 color litho. Lots of posts and tethers, apparently.
Once I bought my first press, I was able to start making prints in my home studio. These were some of the first etchings, made for exchanges. They are both small, around 4" on their longest sides. I had fun using bagged rosin. That lumpy Goya texture has it's uses.
One of the reasons I like printmaking so much is the ability to preserver earlier states of images. In this case, I like the richness of the finished, darker plate, but there is a lot to be said for the details and textures in the earlier state proof.
This is a plate I took in for a session of figure drawing, probably around 2001 or 2002.