looking forward to rosie jones' new show but my god looking for geniunely good audience reactions for her new show is sad bcuz when u look up rosie jones in twt, reddit, etc its always about how ppl are bullying her for her disability. i get the criticisms for her sense of humor bcuz not everybody gets her jokes and ppl have diff tastes in comedy but... the criticisms ive seen ppl put out on her being "disabled = bad comedian" pisses me off. like, move on if you find rosie annoying or overrated, just like how y'all feel about most comedians in the telly, esp romesh ranganathan who is also the subject of miserable trolls online (although i think popular comedians like walliams and lucas deserve much harsher criticism 🤢). the trolls including glinner all need to die a very painful death 😤
😡 Ugh, people are so gross. You're totally right - it's the fact that they feel the need to post about it instead of just moving on and watching another comedian; that's such a red flag.
Even threads on Reddit that are like "she's a bad comedian because she talks too slowly and ruins the pacing" - what's the goal in posting that??? It's so frustrating that people feel like that's the way to react to that situation - like it makes them feel better to say "this is bad for comedy" instead of being like "hey I've noticed I get uncomfortable when someone with a disability speaks differently; let me see if I can work on that."
I really hope more people on Tumblr at least (and maybe a positive corner of Reddit or Bluesky or something? idk) can get hyped about the show and put some good vibes out there. Even though it won't be half of what the show deserves.
In Pushers, the comedian and actor plays a disabled woman from Yorkshire who turns to crime after her benefits are cut. She talks about beat
Jones wrote the script and stars as the main character, Emily. How much of it is influenced by her own life? There are, undoubtedly, similarities. “From the very beginning,” Jones says, referring to when she originally came up with the idea, back in 2018, “we knew my character would be northern, working class and disabled.” That was important for two reasons: firstly, Jones’s favourite sitcoms growing up all featured “gritty” northern characters; and secondly, those sitcoms lacked any representation of disability.
That’s where the similarities end, though. “Not to get too political too quickly,” she says with a grin, “but we wanted to show what it’s like to be working class and disabled right now – because, well, basically it’s shit for a lot of people. I think Emily is very different from me because, unlike me, she’s not had opportunities. She’s not really had supportive family. She’s gone under the radar. When we meet her, she’s almost invisible.” Invisible is definitely not a word you would use to describe Jones, but that’s the point: she wants to highlight the reality of life for the disabled people who aren’t on national TV.
“Obviously I want the sitcom to be entertaining,” says the 34-year-old as we chat over Zoom. “But in my opinion, the best comedy engages with reality and says something about the state of affairs in the country. When we came up with the concept, there was a Conservative government and I had just had my benefits cut, so it’s rooted in that reality. We wanted to say something about how the Tories were treating disabled people.” She pauses. “It won’t surprise any reader that I am on the left. I am liberal. I’m a Labour-voter, so when Labour came in last year, personally I was like, ‘Yes! Come on!’ But in terms of the sitcom, I knew it wouldn’t be out until nearly a year into a Labour government. I thought we would be living in a utopia where every disabled person gets the funding and services they need, and there wouldn’t be a need for a sitcom about benefits.”
She’s joking, but her disappointment with the direction the government has taken is evident. “Sadly,” she says, “now I think we need it more than ever. I’m incredibly angry.” Consequently, she is quite happy for Pushers to be seen as a commentary on what’s happening politically.
Since March, when Labour announced sweeping cuts to Pip, the main disability payment, as well as the health-related top-up for people on universal credit, Jones has been at the forefront of opposition. Last month, she was one of more than 100 celebrities and prominent disabled people who signed an open letter to the prime minister, calling the cuts “inhumane”. She doesn’t see any tension between being famous for comedy and taking a political stand. In fact, she thinks they go hand in hand.
“My hero is Billy Connolly. And I think the most intelligent people in the world aren’t politicians – they’re comedians, because we have the power to say something true and real and political and topical, but still make people laugh. It’s disarming. It gets people’s guard down. A lot of people say to me, ‘You should be a politician.’ And I say no, because I have too much fun making people laugh, but also because I fundamentally believe I can make more change and have more influence being a comedian – because people listen to me. And when they watch the sitcom or come to one of my gigs, they can say they had a great night but also, ‘I’ve never thought before about what it’s like to be a disabled person, or what it’s like to be disabled under this government.’ So I’m slowly chipping away. It’s not hard to have politics in comedy. It’s actually a no-brainer.”
That’s certainly true of her forthcoming standup tour, called I Can’t Tell What She’s Saying – a refrain Jones, who has a speech impediment, hears all the time. “It’s a reference to a lot of the haters I get online, who say they can’t tell what I’m saying, quickly followed by, ‘She’s not funny.’ I’m like, ‘How do you know I’m not funny if you can’t bloody tell what I’m saying?’ So, like everything I do in life, it’s me facing the haters full-on and saying, ‘This is me. You can’t hurt me. Stop your silly comments because I’m just going to keep doing a job that I adore.’”
Politics also features in the show’s content, which marries jokes about being single with jokes about being treated as a spokesperson for vast swathes of the population. (“Oh,” the press release cheerfully adds, “and boobs.”)
“It’s about the struggles of trying to find love while navigating the weird world of TV and fame and success and power. It’s also about the pressure of feeling the need to represent disabled people, even though I am a bit of an idiot. First and foremost, I want to make people laugh. There’s so much bad stuff happening, if people give me their evening, I want to give them a giggle. But I do touch on politics and how disabled people are being affected right now. Being a disabled person with a platform means I have to talk about the bloody government. Of course I do.”
It’s not all politics though. “As a good Yorkshire lady, my new show is about gravy!” she adds, speaking more seriously than at any other point in our interview. “Because I love gravy. Cut me open and I’d bleed gravy.”
These days, it’s not only comedy keeping Jones busy. “Sometimes,” she says, “I feel a little bit overwhelmed by the fact that I’m a writer who writes books but who also writes sitcoms. I’m also a standup comedian, and an actor, and also a presenter. I’m also a founder and trustee of my own foundation.”
The Rosie Jones Foundation was launched in April to “empower lives and change minds so that no person living with cerebral palsy (CP) ever feels alone or unheard”. It aims to tackle the high prevalence of mental health issues among teenagers and adults with CP. A 2019 study found that “the risk of depression was 44% higher and the risk of anxiety 55% higher” in adults with the condition than among their non-disabled peers.
Jones emanates a sense of drive. It shines from her. Just before we say goodbye, she tells me something that seems to characterise everything she does. “I’m a proud, passionate disabled woman,” she says. Her work makes sure we know it.
The Trashy Sussex Family: when I see their smug expressions I simply re-play this clip of Tom Bower airing their dirty laundry.
For Harry, Meghan, Dorito & Thirsty Tyler Perry to behave as though they are the superior royal brand is just laughable. Tyler Perry had the audacity to say Meghan had worse stories to share about the brf but she was just too classy to talk about them on NOprah. He's dumb like Harry. Another man she researched & played just like a fiddle. Trashy is NOT classy.
I want to dedicate my life to mastering the art of making the people around me feel seen and loved. I want to wake up every morning and know that I am making a difference, even if in small fragmented moments of this existence. I want to plant seeds of softness wherever and in whomever I can. I cannot stop myself, I want to romanticize everything! I want to be made of love and light.
The flag of the Cart Pushers of America #Backthevest
from /r/vexillology
Top comment: The flag is a parody of the American cops thin blue line flag, the colors of the bars represents common colors of vests worn by cart pushers
