An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 1/1
Fandom: QSMP | Quackity SMP
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Ángel Missael Castañeda Vega | MissaSinfonia/Phil Watson | Philza, Ángel Missael Castañeda Vega | MissaSinfonia & Chayanne & Tallulah (QSMP) & Phil Watson | Philza
Characters: Ángel Missael Castañeda Vega | MissaSinfonia, Phil Watson | Philza, Chayanne (QSMP), Tallulah (QSMP)
Additional Tags: Hurt/Comfort, Emotional Hurt/Comfort, Nightmares, Implied/Referenced Character Death, Minor Violence, Avian Phil Watson | Philza, Winged Phil Watson | Philza, Reaper Ángel Missael Castañeda Vega | MissaSinfonia, Good Parent Phil Watson | Philza, Married Ángel Missael Castañeda Vega | MissaSinfonia/Phil Watson | Philza, Phil and Kristin are married too but in a goddess and immortal way, Alternate Universe - Time Travel, Protective Phil Watson | Philza, Protective Ángel Missael Castañeda Vega | MissaSinfonia, Selectively Mute Chayanne (QSMP), Selectively Mute Tallulah (QSMP), Bubvy's Time Travel AU, Immortal Phil Watson | Philza, Immortal Ángel Missael Castañeda Vega | MissaSinfonia, Also Missa is a lil kitty kitty cause reapers are bone kitty kitties in Bubvy's world, and I shall not deny her the bone kitty kitty Missa, Missa is a self-sacrificial and guilt-ridden idiot in this, He wants to protect Phil not because he can't bear to lose him, but because he can't bear to leave Phil alone again
Series: Part 1 of A desperate cry, met with no sound
Summary:
Those things didn't matter to Missa, not truly. He noted them in passing, felt them, but they didn't matter. They were byproducts of the one fact that truly mattered to him, the only thing that ran through his mind despite the noise, despite the chaos.
They had Philza.
------
Long ago there was a angel touched by death, building alone in a world of only gods. Then a reaper fell into his arms, calling him husband and swearing he's from the future, worming his way into his heart, only to be forced to leave him to travel back to the future once more. The angel waited for millennia to see his reaper again.
Even when he laid eyes on his reaper once more, he had to wait for the reaper to know, to remember. He waited, and waited, until his reaper rushed to him one morning crying that he was back, he had returned. He knew.
Finally, finally, they could look at each other and know their full stories, only for a new mob to sweep in and slay the angel a week later.
Missa has made Philza wait two thousand years for him. He can't let Phil lose him again.
------
Welcome to my addition to @bubvy‘s Time Travel AU
romance didn't really go hand in hand with his whole anarchistic slash fighter slash father persona. he rolls his eyes at public affection. he brushes off the friendly flirting from his peers. he's always at a lost for words whenever tallulah asks for a love story at bedtime.
phil never considered himself a romantic.
but phil does have multiple pages in a photo album filled with memories he captured at cellbit and roier's wedding. he does smile warmly and poke fun at foolish when the topic of vegetta's generosity and physique comes up. he helps the kids' put together gifts when the island's couples start having anniversaries. he does have a purposefully placed skull on his backpack for commemoration.
phil thinks about romance sometimes.
as he tucks away the armor that he had displayed for months for missa's return, he thinks about romance in his life. has he experienced romance? courtship? has he courted?
when cellbit and roier hold hands as a group of them walk towards the movie theater, phil remembers the times missa would grab his arm in fear when mobs would come at them. phil remembers how the touches startled him at first. the closeness, the warm squeeze of their hands, it was new. not unwelcome, just new.
when baghera plays her ukulele at a campfire get together, everyone huddles together and basks in her soft voice and sweet tunes. phil sits with his kids, his back rested against a tree trunk, eyes closed as he takes in the peace. he begins to reminisce about missa playing his guitar for chayanne's nightly lullaby. they'd sit in their front yard, chayanne and phil crisscrossed on the grass, looking up at missa who sang spanish melodies.
---
deciding to not let my writing drabbles collect dust and share them with the community :) this one's clearly unfinished but i enjoy the softness of it
i wrote this in september of last year so it doesn't quite match the recent lore lol
When Juanaflippa died, she was the first. No one knew how to react. Charlie and Mariana expressed the rage, the denial, and it was a spectacle of roleplay followed up by a wacky trial made for laughs. At this point, the rest of the server were still getting used to their eggs, so only Charlie and Mariana felt that twinge of pain from losing an egg. But when you remember Juanaflippa, you remember an explosion. A marvel.
Next Trump died. Maxo made you feel heartbroken with the image of a grieving father wallowing in misery and self destruction. But it was all still early, and most people didn't even notice. Trump died from neglect. Dan never saw him after adoption day. The server didn't come together like they did Juanaflippa. It was all very quiet. To this day, not many people in the community could tell you anything about Maxo's kid. About how hard his father bargained for his life between the gods. About how he failed. Trump was a whisper in the wind that only his father and those who watched him could bother to hear.
Then Tilín. At this point, the server was becoming more accustomed to the eggs. They were becoming attached. When Tilín died, it was depressing in every sense of the word. Quackity was somber, he barely spoke a word when he heard what had happened. A grave was built for Tilín by others with a heavy heart. There was no spectacle, and this time most people were involved in some way. Luzu came on to meet Tilín, and had to deal with that grief of being told his child was dead, something so heavy on him that he shut down completely. In life and in death, Tilín was the embodiment of sadness.
Bobby. The first death since Tilín. The first death in a long time. Everything had changed for the server. The eggs are their babies, their world. Everyone gathered to grieve Bobby, because they're a community now unlike ever before. But its different this time, they aren't there to witness a marvel from a distance, or grieve in sympathy. Bobby was a celebration. Music and dancing and memories. Toasts and cheering his name until the final moment. And having a final clap in his name after. Bobby was life. Because they're all scared now, terrified for their children. But they know what to expect this time. They're ready. They knew not to watch Jaiden and Roier grieve from the sidelines, they knew not to turn their backs on the two, and they would be sad but by god would they be happy as well. The server celebrated Roier and Jaiden, celebrated Bobby, and accepted his death with his name being shouted into the sky.
✨INTRODUCING OUR AMAZING CONTRIBUTORS!✨
Each of these awesome creators have joined the team to create Chronicles, a tribute zine to the QSMP eggs and their stories.
Check them out, and follow us for further news and for sneak peeks of Chronicles!
(tags and roles for each contributor under the cut!)
This is written in mind for people writing fic in MCYT/QSMP/DSMP/Life series/etc kind of fandoms. But if anyone finds it useful for anything else, well then, hell yeah.
Character voice is big in all, uh, fiction, and mimicking it in any fanwork is big. But I think it’s especially big in these fandoms where the voices are so distinct – it’s usually how a Real Person Somewhere (the streamer) talks, versus something very scripted that you’d see in a TV show or novel. And it can be a big difference in your character sounding generic versus really feeling true to the original.
Listen to a bunch of your subject talking. If you want to write a character well, watch vods from their point of view, or episodes where they show up a bunch. Take note of what they say and how.
2. If you don’t know how to start doing that: try literally writing down what they say. Transcribe an actual exchange in fic-format. You probably won’t want to publish a literal exchange from canon, but it will give you a sense of how to physically write what they say.
3. If you do this (or just pay attention to how they talk), you will get a lot of: Stumbling, pauses, repeating words, filler words, weird sentence constructions, fragments, etc. I love em! Here’s something that comes through in improv much more than in novels or movies: Most people, even very charismatic people, are not very eloquent when they speak. Writing out conversations or sentences will give you a sense of the unique and delightful way in which your subject is not eloquent.
vvvvv way more under cut vvvvv
(People use a LOT of filler/etc when they speak. It’s reasonable to cut back on this if it’s interfering with a nice-looking or readable result. I believe this is the eternal struggle of people who write transcripts – you want the transcript to be accurate, but there are also a lot of things you can obviously simplify and not lose the meaning. So you’ll end up falling somewhere on this spectrum either way. But I do think a lot of mediocre/generic fic dialogue is very stylized – it doesn’t sound like your guy because your guy literally wouldn’t say that. They would say it worse and more confusingly.)
(I’m serious, if you’ve never sat down with a short non-completely-scripted clip or real conversation or whatever and just written out exactly what was said, do it. It will make you better at writing.)
4. Wonda-cat made a really incredible list [link] of characterizing speech patterns for the Dream SMP members. But you can also do your own reconnaissance and come up with your own patterns, common phrases, etc.
5. You do not have to get EVERYTHING right. You’re not going to, like, get so deep into the speaker’s brain that you can produce “exactly what they would have said if they were somehow in your fic.” That is impossible. You’re just trying to evoke a character, and if you get a few turns of phrase to ring true, you’re doing great.
6. A lot of these people are popular because they are hilarious. Include jokes. Yes, even if your thing is angsty or serious. A lot of the most serious lore I can think of from, e.g., the Dream SMP or 3rd Life or the QSMP - the really story-defining, life-and-death moments - were absolutely hysterical. If you’re writing characters who are usually funny, then add some humor. It can heighten angst via contrast and a sense of realism.
Ask yourself what a funny streamer would make jokes about if they were possessing a character in this situation.
7. Some people have the mystical ability to “hear” character voices in their head, and read things in their voice. If you can, do this with all of your dialogue during the editing process. This won’t always get you there, but sometimes it can catch things that sound wrong by invoking "that's really hard to imagine them saying". If you don’t have this power, try recruiting a friend who does.
8. So there’s dialogue and then there’s narration that’s still from a character’s point of view. I’ve mostly given you tips about dialogue, but a lot of this is also true for narration. IMO, narration is less about phrasing things the way the subject would, and more about recreating the way they think. I don’t have concrete rules on how to do this, but here is my wisdom:
You can get eloquent again - narration is more of an abstract and artistic process than dialogue.
Spend time with your subject’s source material.
Pay attention to what they notice and care about. How do you think they think?
Don’t be afraid to get weird with it.
That last one also applies to all art ever.
9. MCYT tends to give you a great boon you don’t see in other media: what the speaker says to their chat/audience when nobody else is listening. This can be incredibly characterizing even if you’re writing a story where people don’t have chats. It’s your person talking about their thought processes and feelings! Mine that shit.
10. Some questions that might help guide both characterizing narration and dialogue (that you’d get from dialogue):
How open are they about their feelings?
How often do they lie? What do they lie about?
What kind of metaphors do they use, if any?
How quickly does their mood change?
How can you tell when they’re in different moods?
What kind of things do they pay attention to?
How formal is their speech?
11. Finally, this is a little odd, but I find it’s much, much easier to write a character that sounds good if I, the author, like them and am rooting for them at least a little bit. If a character needs to be there who you don’t love, try to love them. Or at least get a sense of what other people love about them. It just makes everything else easier. I swear to god.