Sides for Remembering Story (it’s all okay now), Alex Underhill, December 2020,35mm projection installation, duration: 1.40 watch here

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Sides for Remembering Story (it’s all okay now), Alex Underhill, December 2020,35mm projection installation, duration: 1.40 watch here
Close up and before and after of ‘Splinters’ (Queer memories series), Alex Underhill, December 2020, Bleached Black and White photograph prints, nail polish, 500x 500mm
Splinters (Queer memories series), Alex Underhill, December 2020, Framed Bleached Black and White photograph prints, nail polish, wall emulsion, glass, tape, acrylic paint, 500x 500mm
AT BETVIVLE DET UNIVERSELLE Min anmeldelse af Sara Ahmeds Killjoy Manifest på dansk er endelig udkommet i Kvinder, Køn & Forskning. Swipe for at læse. #killjoy #QueerArtOfFailure #SayNo #NotInTheMood #SaraAhmed #ValerieSolanas #manifest https://www.instagram.com/p/BsxOodzngNQUP91qNuF8N_NNBdwqSALVaugGm80/?utm_source=ig_tumblr_share&igshid=8wjrwcrild9h
This is not a bad time to experiment with disciplinary transformation on behalf of the project of generating new forms of knowing, since the fields that were assembled over one hundred years ago to respond to new market economies and the demand for narrow expertise, as Foucault described them, are now losing relevance and failing to respond either to real-world knowledge projects or student interests.
Judith Halberstam, The Queer Art of Failure