Fëanor and the Silmarils: like creator, like creation?
"The heart of Fëanor was fast bound to these things that he himself had made."
Art can take many shapes and forms, hold many different meanings, and tell many different stories. It can be appreciated for what it is on its own, or what it means within the context of how it came to be.
But despite the many different approaches to art, one thing is certainly true in general: there will always be at least a small connection between a piece of art and its creator, because without the creator it would not exist. This fundamental importance at least is the imprint of any creator on their creation.
Fëanor and his Silmarils are no exception.
”Silmarils of Feanor” by Nikulina-Helena on DeviantArt
With the Silmarils Fëanor undoubtetly left a markt on the world, and it's fascinating to explore some of the similarities between Arda's most famous elf and most famous jewels, but also the aspects where they are fundamentally different.
Uniqueness
Fëanor was a very exceptional elf. He was made “the mightiest in all parts of body and mind, in valour, in endurance, in beauty, in understanding, in skill, in strength and in subtlety alike”¹ and no other elf has ever been described in a way that could be compared to this. In a similar way there were no other gems created that were like the three Silmarils: they are exceptional as well.
Fëanor did not create the Silmarils in a vortex of course: without the Two Trees it's basically impossible to recreate such jewels. But even while the Trees were ailve it was very unlikely that jewels as these could be recreated. Even Fëanor said that “never again shall [he] make their like”¹. With Fëanor being gone as well, it's basically impossible.
Attraction
People have intense feelings for both Fëanor and the Silmarils. There is hardly someone that does not feel some kind of interest, attraction or love for them – or intens hate. They are basically impossible to ignore.
Fëanor has the love and loyalty of many people – first and foremost his father, but also his seven sons, and a large part of the Noldor. He was said to be "a master of words, and his tongue had great power over hearts when he would use it"¹. As a result he had a large following amon the Noldor.
Even Melkor has an eye on him and picks him as his main focus for the corruption he’s spreading among the Noldor. And he’s not the only Vala who pays attention to Fëanor, the others “mourned not more for the death of the Trees than for the marring of Fëanor: of the works of Melkor one of the most evil”¹ – and that is quite a statement. Even ages later, Fëanor comes up when Gandalf talks to Pippin about what or who he would like to see if he would use the Palantíri:
“Even now my heart desires to test my will upon it, to see if I could not wrench it from him and turn it where I would-to look across the wide seas of water and of time to Tirion the Fair, and perceive the unimaginable hand and mind of Fëanor at their work, while both the White Tree and the Golden were in flower!”²
The Silmarils are even worse when it comes to their power of attraction, everyone wants them: Fëanor himself of course, but the Elves and Valar want to see the Silmarils at festivals as well. Melkor obviously wants them, and once they’re stolen the sons of Fëanor want them back. Thingol wants them, Lúthien and Beren want them, Dior wears it, Elwing too, and eventually Eärendil. Almost noone is ready to give them up.
Disaster
What the Silmarils and Fëanor also have in common is for almost all people that come in contact with them to somehow end up involved in one disaster or another.
Fëanor already has an unfortunate start when his birth demands so much energy from his mother that she eventually dies. His father Finwë dies as well, protecting Fëanor’s Silmaril in their house in exil – an exil that Finwë had taken upon himself for the sake of being with his son. All of Fëanor's sons join him in taking the Oath, and end up suffering as a result. The Noldor that follow Fëanor’s rebellion suffer as well, and so do the Teleri that stand in his way. And while Nerdanel herself may remain unharmed, she loses all her son's to Fëanor's quest.
The Silmarils have that effect to some extent as well: once Melkor sets his sight on it, they are a major reason why he specifically targets Fëanor, they are also the reason why Finwë is killed when he tries to defend them against Melkor, and they burn Melkor when he steals them. In a way they become a curse for Fëanor’s sons who cannot rest until they get them back, they are the excuse for Thingol to send Beren to Angband which eventually leads to Beren’s and Lúthien’s death (they get better), it leads to Thingol’s death, to Dior’s, the fall of Doriath and to Elwing’s death. Their main redeeming quality is then that they help Eärendil get to Aman.
The distruction they cause is closely connected to Fëanor: the oath that he and his sons swore seem to be not unlike a curse on the Silmarils. And maybe it is only this powerful of a curse because in origin they are Fëanor's creation. Why else should they bring so much pain and suffering to whoever keeps them? Then Melkor’s desire, Dragon gold and a dwarve’s curse make it even worse.
Impact
Fëanor and the Silmarils both leave the world in a way. Fëanor is dead, and although one of the Silmarils can still be seen in the night sky, it can no longer be reached by the inhabitants of Middle-earth.
Fëanor and his creation, despite being now largely absent in Middle-earth itself, had a huge impact on Middle-earth. For Fëanor it can be said that without him, the Noldor probably wouldn't have returned to Middle-earth. He was the central figure in this movement. Without him, the history of Middle-earth would be drastically different, and we can only speculate what would have happened. The dominion of Melkor in Middle-earth? The early destruction of Beleriand through the interventing army of the Valar? It's hard to say.
The Simarils also left their marks of course. Many people in Middle-earth had been motivated to do something because of the Silmarils – includign Fëanor himself, his sons, Melkor, Thingol, Beren, and so on. Especially relevant is the impact of the Silmaril that Eärendil gets his hands on – without the Silmaril, he would never have reached Aman. Even in later ages, the light of the Silmarils continues to play a role: without its light, Frodo and Sam would never have been able to face Shelob head on.
The Silmaril's impact is Fëanor's impact as well, since he is their maker. In addition, he also has created many other things that lasted through the ages and had an impact on history – the best example after the Silmarils being the Palantirí.
Differences
I'm sure there are many differences to be found between Fëanor and his Silmarils, but I only want to point out what to me is the most important one:
Despite everything that was laid on the Silmarils, they were never corrupted. Their light was never dimmed, they never turned evil – they were made out of some unkown and unbreakable material, and hallowed by Varda herself, protecting them against all evil.
Fëanor wasn’t like that. There was no protection against Melkor’s subtle corruption after the Valar had set melkor free in Valinor, and Fëanor by his firey nature may have been especially receptive for it. Murder, lies, rebellion – “evil” on that scale hadn’t been seen before in Valinor.
The Silmarils couldn’t be corrupted, but Fëanor could fall.
(On a less serious note: my family’s questionable contribution to this topic was that if you take Fëanor’s ashes and press them into a diamond he becomes more similar to a Silmaril.)
FOOTNOTES
¹ J. R. R. Tolkien, edited by Christopher Tolkien. The Silmarillion. ² J. R. R. Tolkien. The Lord of the Rings, The Two Towers.
