Cesare Pavese, (1947), Foreword in Dialogues with Leucò, Translated by William Arrowsmith and D. S. Carne-Ross, Designed by Quentin Fiore, University of Michigan Press, Ann Arbor, MI, 1965
seen from Türkiye

seen from United States
seen from United States
seen from Romania
seen from United States

seen from United States
seen from United States
seen from Russia
seen from Türkiye

seen from United States
seen from China

seen from United States
seen from China

seen from India

seen from United States
seen from United States
seen from United States
seen from United States
seen from Maldives
seen from Guatemala
Cesare Pavese, (1947), Foreword in Dialogues with Leucò, Translated by William Arrowsmith and D. S. Carne-Ross, Designed by Quentin Fiore, University of Michigan Press, Ann Arbor, MI, 1965
Electric circuitry has overthrown the regime of "time" and "space" and pours upon us instantly and continuously the concerns of all other men. It has reconstituted dialogue on a global scale. Its message is Total Change, ending psychic, social, economic, and political parochialism. The old civic, state, and national groupings have become unworkable. Nothing can be further from the spirit of the new technology than "a place for everything and everything in its place." You can't go home again.
Marshall McLuhan, Quentin Fiore, Jerome Agel, The Medium is the Massage: An Inventory of Effects
Marshall McLuhan y Quentin Fiore - El medio es el masaje (1967).
Quentin Fiore (1967) • Vinyl Front and Back Cover Design for "The Medium is the Massage with Marshall McLuhan" (Columbia CL 2701) ○ Source : discogs
Whence did the wond'rous mystic art arise, Of painting SPEECH, and speaking to the eyes? That we by tracing magic lines are taught, How to embody, and to colour THOUGHT?
Marshall McLuhan & Quentin Fiore, The Media is the Massage: An Inventory of Effects (1967)