Jun 25, 2018
Monochrome painting at AGNSW
Mel Ramsden, secret painting > like Rosemary’s black on black text
Ian Burn, Blue premiss no 1 > “using light to break up the surface, regardless of the colour” and “reflection allows more and more chance, less structure”
Overheard: “here’s another one, another black canvas, it’s become a thing, although this black canvas is better than the other black canvas”
Dale Frank > synthetic polymer paint with varnish over top
Judy Miller > the tension between the two layers requires the viewer to “disentangle” the info // this requirement is crucial to mine