Article Spotlight
THE DANCE OF JUSTICE: A RAWLSIAN PERSPECTIVE IN SRIVIDYA NATARAJAN'S THE UNDOING DANCE
Devadasis are women dedicated to a Hindu deity or temple. They often learn and perform classical dances and music as part of their service. However, the tradition has a complex history and has been associated with both cultural significance and social exploitation.
This article delves into the role of Bharatanatyam, a classical Indian dance, as a transformative force for Kalyani, the protagonist in the novel The Undoing Dance (2018). It investigates how Bharatanatyam serves not only as a form of artistic expression but also as a means of transcending caste boundaries and societal expectations. By applying the concept of the difference principle, a framework within socio-political theory, the study examines how caste-based discrimination is confronted and reimagined through the medium of dance.
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