Scrip, detail of great exhibition catalogue facsimiles on oversized receipt spike
Mixed Metaphors, Arts Catalyst
seen from Russia
seen from United States
seen from Argentina
seen from Mexico

seen from United States
seen from United States
seen from United States

seen from Türkiye
seen from Argentina
seen from Hong Kong SAR China

seen from United States

seen from Germany
seen from Canada
seen from United States

seen from Germany
seen from Canada
seen from Germany

seen from United States

seen from Türkiye
seen from China
Scrip, detail of great exhibition catalogue facsimiles on oversized receipt spike
Mixed Metaphors, Arts Catalyst
PLATES, Whitechapel Gallery, 2019-2020
Landslide, 2020
detail view in PLATES, Whitechapel Gallery
Particle Infinitives, 2023
cut vinyl on steel sheet, welded steel rods, self colour steel chain, carabiners
Mixed Metaphors, Arts Catalyst
photo by James Clarkson
Dis/locations, 2023 (detail view)
formica plinth with decommissioned grindstones, accumulated swarf, sheet steel, waste swords, waste blank scissors, waste boreholes, shredded copies of the Official Illustrated Catalogue of The Great Exhibition of the Works of Industry 1851
Mixed Metaphors, Arts Catalyst
photo by James Clarkson
grounds, 2023
digital print on dibond of quartz, Yorkshire gritstone, welded steel sheet, vinyl, nitrile gloves, recorder, contact microphone and headphones
Mixed Metaphors, Arts Catalyst
photo by James Clarkson
Stresses and Strains, 2023
3 channel video, 17 minutes
Mixed Metaphors, Arts Catalyst
photo by James Clarkson
Ruderal, 2023
cut buddleia, digital print on dibond of swarf, cut Yorkshire gritstone with carboniferous intrusions, welded steel sheet, self colour steel chain, engraved pruning scissors, carabiner
Mixed Metaphors, Arts Catalyst
photo by James Clarkson