#red wig

[spiritualwarfaremusicepic]

[kaluwa-del-conte]

I’ve been thinking about Link w/ that red wig…

[Full image below 🌕]

Apologies for throwing Link cheeks in yalls face in the middle of the week~ hahaha

[riconastyfan]

[cocoabuttavasa]

[dustedmagazine]

This House — Soft Rains Will Come (Pink Cotton Candy/Ramble/Red Wig)

The basic elements of This House’s sound will be familiar to anyone who followed G.W. Sok’s career before. A furious clangor of box-y drums, barbed wire guitar play and hoarse, poetic shouted lyrics all point towards the Ex, the long-running art-punk band that Sok left in 2008. His partner, Ignacio Córdoba, adds electronics here, in line with his own work, but the music mostly lurches and spasms with fierce, rhythmic punk intelligence. A couple of shadowy interludes — acoustic “Introduction to Poetry” and the ominous title track — hint at a less frenetic iteration of This House, but mostly these cut rattle with whip-sharp, multi-layered rhythms. Every element, not just drums, builds a beat architecture, jittery, not-quite comfortable setting for the songs.

This full-length follows an initial collaboration, Is this a House, between the punk frontman and the free jazz/electronics experimenter. But the first outing was looser and less song-oriented, full of spoken word and improvisatory flurries. Now with an expanded ensemble, including Søren Høj on drums and P.J. Fossum on synthesizers, these are no longer just arty collages, but rather kinetic sound sculptures that just happen to rock out.

Take “Shoelaces,” with pulses with suppressed fury, a rapid thump of kick drum doing battle with a sawed off guitar. The pace isn’t quick, but it’s packed with sensation, bursts of noise firing off in the milliseconds between drum beats. “Out in the Westlands” is less explosive but more insinuating. It veers vertiginously amid syncopations of high-hat and snare, its guitar a woozy rope-guide though complicated percussive patterns.

Sok is a writer, not just of songs but of books, so perhaps it makes sense to spend some time on the lyrics, which are novelistic. “Man Joke,” for instance, piles dreary details from a miserable man’s life on top of each other, the morning coffee and cigarette, the walk through the rain, and all the time returns to his inability to communicate with his partner. It’s plainly stated, but moving, as the furious thud of kick drum rumbles under dead-eyed observations. Notice how the last line pulls you up here: “He lit up a cigarette and he made circles with smoke/he put the ashes near the ashtray/the man became a joke.”

This is quite a good record, certainly of interest to fans of the Ex but also, more broadly, to anyone with a weakness for smart, disciplined post-punk.

Jennifer Kelly

[trustedealcosplayandcostume]

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[ilovenycee]

[sagekunn]

Dunkin run! Also got a new wig and I saw a kitty friend lol