Some thoughts on  Demons of the Punjab/Kerblam!/The Witchfinders
Season 11 continues its broad trend of being solid week in week out, there are issues of course -particularly in the case of Kerblam!- but much of this has been prevalent across NuWho as a whole. Iâm particularity impressed by how well the pseudo-historical have been handled, given they tend to be pretty....shit for want of a better word. Period settings are treated as an entity in their own right rather than an excuse to raid the BBC props department. The 45 minute format can be a bit limiting, but like I said thatâs hardly a grand revelation for this particular iteration of Doctor Who.Â
Demons of the Punjab
As it stands Demons of the Punjab is my current candidate for best of the season, its small-scale and minimal cast are a perfect avenue for examining Season 11s overt thematic focus on the failings of people.
The episode feels indebted to The Aztecs in much the same way the Time-Meddler and Rosa are clearly playing within similar concepts within new contexts. With Yazâs central drive mirroring Barbaraâs episode.Â
The aliens are somewhat shoehorned in, however itâs doesnât detract from the plot in the same way as say; Vincent and the Doctorâs giant invisible chicken.Â
The episode at times streamlines a lot of actual history, but thatâs the 45 minute format for you. Vinay Patel clearly did his research, and provides a more in-depth account for the partition on his Twitter feed.Â
Again, history is presented as a force in of itself. With the cast, particularly the TARDISâ crewâs eventual commitment to going through with the wedding in-spite of knowing what will happen being all the more powerful because it canât be changed. The notion of fighting this is raised and then quickly dismissed and itâs the smarter option, it allows the show to showcase another kind of strength in the central characters rather than the usual whiz! bang! everything is okay!Â
Seriously, when you choose a historical setting you need to commit to it, donât treat like itâs interchangeable with a space-station or whatever.Â
On a more obvious note, the show has never looked as good as it does right now. Goddamn.Â
Grahamâs quest to become the Grandad of everyone and everything continues to go well.
Kerblam!Â
This episode ended up being the thematic equivalent of a kid trying to jump and river, changing their mind at the last minute and promptly falling in it. It utterly fails to commit to any of the viewpoints raised within the episode leaving the entire thing feeling confused.
This is easily the weakest episode of the season, thatâs not to say there isnât a lot of good stuff within it, just that you have to awkwardly separate it from the eventual resolution.Â
Like, I wasnât expecting Doctor Who to every properly commit to an anti-capitalist message. It didnât happen in Oxygen and it didnât happen here, but Oxygen didnât go out of itâs way to repeatedly raise the fact that the setting is effectively a post-scarcity utopia.Â
Itâs actually kinda like vast swaths of Star Trek on that front, but where they are supposed to be operating in a setting where itâs something that everyone is aware of. Kerblam! instead features a world where itâs actively being suppressed and the resolution is....the maintaining of that system? itâs odd.Â
Also Lee Mack never says âIâm not going out there,â which is the entire things biggest sin.
Evil Bubblewrap feels like it could have been a nice ribbing of Moffatâs âscary thing from childhood is scary nowâ approach, but it like the thematic stuff it never quite arrives there.Â
Seriously given a few drafts this could have been a solid run-around.Â
On the positive side of things the showâs really settling into balancing the cast, itâs thankfully not trying to make every episode have direct, personal impact on the crew because thatâs just silly but at least they are all getting moments to shine.Â
Some A+ robot design, those things are genuinely unsettling. The robophobia callback was cute.Â
The soundtrack for this episode was great, the use of the Kerblam! jingle in increasingly sinister tones was a cute touch.Â
But seriously, the corrupt manager gets away with little more than a jab to the throat.Â
The Witchfinders
Lets just get this out of the way. âOne Wet Weekend With Houdiniâ title of your sex tape!Â
I was ready to hate this one because James VI and his role in various âwitchhuntsâ is one of those things Iâm inexplicably knowledgeable about, alongside this Doctor Whoâs last dabblings with a similar period in Steve Lyonâs âThe Witch Hunters (Confusing, I know) resulted in one of the finest pure-historicals to ever come out of the franchise. So Iâm fairly surprised that I liked it as much as I did.Â
As with Punjab the setting is well realised and the plot is swimming in little details that correlate well to established history. However, as with that episode a lot of this feels like, had there been more time the plot could have delved into the wider culture of witch-hunts with the UK during this period. Again, the 45 minute formula isnât conducive to that so Iâm not going to hold it against it.Â
Iâm genuinely surprised by how well the captured the various cultural factors at play in the hysteria surrounding witchhunts. Itâs never reduced to a single factor, from a single strata of the society. Instead, and in reality, they were the products of almost every level from commoner to king pushing the idea that these âforcesâ were at play. Too itâs credit it also doesnât deny that the gentry and/or a monarch pushing a witch-trial is going to result in more action than your garden variety scumbag. Becka Savage is a particularly good character on this front -to a point- because it captures her own fear at being accused, and the familiar connection is a good touch because most accusations came from this front.Â
Itâs depiction of James VI is....odd. Again, they do a great job of capturing the âwhyâ behind his behaviour. Jamesâ childhood reads like a gritty Annie reboot, hell he was called âThe Cradle Kingâ due to being crowned at an incredibly young age. His various tutors, particularly George Buchanan were all lets say....unique in their tutelage of the young king and this resulted in a very genuine belief in the idea of divine rule. With this coming across as almost a defence mechanism.Â
Heâs effectively at war with his own mother as a child, which isnât going to be great for the oleâ mental health especially when you add his fatherâs assassination into the mix. Youâve got someone who, from a young age is aware of both his status and the fragility there of.Â
Ralph Houlbrooke has a good point on this front. âThe Crux of James's argument was that only God had the power to make and unmake kings,â so his overt belief in divine right can be taken as something of a self-serving notion. Heâs aware of the ease with which âthe peopleâ have disposed of previous rulers within Scotland, and Buchanan further kicked this into his head so he adopts a system where a higher force, and that higher force alone can dispose of him. Heâs a bit of a throwback on that front really. However unlike most monarchs, James did see this as a genuine duty to god, and committed to it beyond the point where he had power.Â
All of this is dealt with in a minor fashion in the episode, and thatâs genuinely impressive. His involvement with Witch-Trials comes as a result of his duty to god. In his view at least that is.Â
However, this is where the episode slightly falters. They nail that James genuinely thinks heâs doing gods work, that the hunting of witches is fighting the forces of Satan and so on. But they play him as over eager for this, one of the few genuinely positive things that can be said about James is that his involvement with witch-trials tend to end up with him being one of the more level headed figures in the room so to speak.Â
He published Daemonologie while still ruling in Scotland, and this is a remarkably handy guide to getting an insight into how he approached the subject.Â
 I mean on a basic note the full title is full Daemonologie, In Forme of a Dialogue, Divided into three Books: By the High and Mighty Prince, James &c so you know, thatâs your opening.Â
In it he remarks, âThe Prince Magistrate for further tryals cause, may continue the punishing of them such a certaine space as he thinkes convenient: But in the end to spare the life, and not to strike when God bids strike, and so feverelie punish in so odious a fault & treason against God, it is not only unlawful, but doubtlesse no lesse sinne in that Magistrate, nor it was in S A V L E S sparing of AGAG. And so comparable to the sin of Witch-craft it selfe, as S A M U E E L alleaged at that timeâ
So yes, fighting the forces of Satan is part of the responsibility he owes to God for granting him kingship, but he has to do it properly. There needs to be indigence in the matter. James conducts himself at this trials as a genuine investigator, and at times sees through the produces of the local communities. The episodes James meanwhile is just a wee bit too keen to jump right into drowning and so on.Â
Thatâs not to say heâs a good person, because for all his genuine to desire to look into these matters properly they still almost unanimously result in the death of innocent women. The odd positive moment does not remove the fact that James was a massive part in this cultural hysteria, he was a monster through and through.Â
And I suppose this is a big failing on the episodeâs part, James ends up being a dangerous fool rather than a dangerous monarch who was fundamentally a part/driving force of a culture that propagated monstrous crimes.Â
But this is a minor part in the key flaw in the episode; the fucking aliens. While it does a good job of continuing the seasonâs trend of many of the threats being caused by human or human-proxy evil it still cannot let this stand on itâs own. Resulting in killer muck that kinda detracts from the general issue. Again, itâs not quite as bad as say a giant invisible chicken, but itâs still unnecessary. Hell you could say they drag an otherwise decent episode into the mud.Â
Iâm not sorry.Â
Also, Cummingâs large ham portrayal is far from terrible. But itâs treatment of Jamesâ sexuality felt a bit like they were playing him for a cheap laugh. James had sex with men, these relationships were evidently more passionate than his marriage but it would be nice if we could avoid playing queer historical figures with dubious morality as mincing stereotypes.Â
The Doctor having to deal with the realities of being a woman, particularly a smart woman made for some great drama. Especially against the duel James/Savage antagonist. The witch-trail seen is goddamn amazing.Â
The fact that ended with the group threatening a monarch was also one of the most atypical things Iâve seen in the show. Â
Oh and the role ergot poisoning played in all this is sadly overlooked. Ergot represent!Â









