Riz Ahmed by Sharif Hamza for The New York Times (September 2018).

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Riz Ahmed by Sharif Hamza for The New York Times (September 2018).
I'm not trying to project any persona. Often people don't know where to put me. I don't fit comfortably under banners, and that's fine. I'm not worried about not making sense to people. That's probably my best asset.
HAPPY BIRTHDAY DEA
riz ahmed in boys
I’ve done three or four solid films now that became cult classics. And everyone’s like, ‘What’s it like being a Muslim?’ That’s offensive. Really, that’s what it is, offensive. What you’re saying is that you cannot see me as creative or an artist or a human being first. I’m so happy to talk about all these things. I think it’s really important that we do. I don’t think it’s enough to be visible anymore. I think we have to be vocal about what we believe in. We’re living in scary times. But I think if those conversations really start detracting from, ‘Oh by the way, someone is skilled at their craft,’ I think that’s a step backwards. You know what I mean?
#riz ahmed for public office 2k17
me, thinking about bodhi rook, precious cinnamon roll who did nothing wrong and deserves a hug or a pat on the back and a million kisses and would probably cry happy tears over a participation award: mm. yes. good👌🏼👌🏼👌🏼
me, thinking about riz ahmed, who always looks like he's about up to here with ur bullshit and looks like he could probably kill u in ur sleep with just his hands and a pencil and also steal ur girl at the same time: mm. yes. good👌🏼👌🏼👌🏼
Riz Ahmed in City of Tiny Lights (2016)