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Full Circle, Slipping Stone Series, Robyn Horn, 2005, Minneapolis Institute of Art: Decorative Arts, Textiles and Sculpture
05-13; abstracted circular outline made by attaching together several pieces of curving pieces of wood Size: 23 3/4 x 25 x 6 in. (60.33 x 63.5 x 15.24 cm) Medium: Jarrah burl
https://collections.artsmia.org/art/111923/
2018 Land Rover Discovery
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2 Land Rover rear seat iPad Holders $150 each
2 Land Rover purse/cleaning Holders $100 each
1 Land Rover Jacket Holder $200
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Jimmye's Stone, Robyn Horn, 1999, Minneapolis Institute of Art: Decorative Arts, Textiles and Sculpture
slab with asymmetrical curved top with point at upper right; carved grid pattern with some squared removed in LRQ; diagonal cut in slab at left with slanted U-shaped piece of rusted steel, with slender cut-out at center of piece curled into a spiral; textured incised grid along edges; dark patina with lighter areas at carved areas; textured with diagonal lines on back Size: 37 7/8 × 17 1/4 × 4 1/2 in. (96.2 × 43.82 × 11.43 cm) Medium: Mahogany, steel
https://collections.artsmia.org/art/120628/
Full Circle, Slipping Stone Series, Robyn Horn, 2005, Minneapolis Institute of Art: Decorative Arts, Textiles and Sculpture
05-13; abstracted circular outline made by attaching together several pieces of curving pieces of wood Size: 23 3/4 x 25 x 6 in. (60.33 x 63.5 x 15.24 cm) Medium: Jarrah burl
https://collections.artsmia.org/art/111923/
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The Scream, Robyn Horn, 2001, Minneapolis Institute of Art: Decorative Arts, Textiles and Sculpture
roughly diamond-shaped piece of wood; carved on front with small concave scoops; deep scoop near center Robyn Horn is one of the most adventurous sculptors currently working in wood. She is also a strong supporter of wood artists and was the founding president of the organization Collectors of Wood Art in 1997. Though she began by turning vessels on a lathe in the 1980s, within ten years her work was moving off the lathe and into free-form sculpture. She has recently been working on a monumental scale, employing a chainsaw to free complex forms from massive downed redwoods. She holds abstract sculpture as her main visual inspiration, along with "the nature of the material and its resistance to being changed." With The Scream she translated into relief sculpture Edvard Munch's famous image of psychological torture, defining the figure through the grain and color of the wood and her characteristic chip-carved surface. Size: 28 7/16 x 16 x 4 in. (72.23 x 40.64 x 10.16 cm) Medium: Cocobolo
https://collections.artsmia.org/art/62652/
Jimmye's Stone, Robyn Horn, 1999, Minneapolis Institute of Art: Decorative Arts, Textiles and Sculpture
slab with asymmetrical curved top with point at upper right; carved grid pattern with some squared removed in LRQ; diagonal cut in slab at left with slanted U-shaped piece of rusted steel, with slender cut-out at center of piece curled into a spiral; textured incised grid along edges; dark patina with lighter areas at carved areas; textured with diagonal lines on back Size: 37 7/8 × 17 1/4 × 4 1/2 in. (96.2 × 43.82 × 11.43 cm) Medium: Mahogany, steel
https://collections.artsmia.org/art/120628/
