#root root root root root root root root root root root...explorer

[7pleiades7]

An Allegory of Virtue, (Detail), (1657), by Elisabetta Sirani (Italian, 1638 – 1665), oil on canvas, 34 1/2 x 45 1/4 in. (87.6 x 114.9 cm), Private Collection

[listen-to-the-inner-walrus]

so theres a lot of posts going round about the titanic wreck and the missing submarines; all of them that ive seen have made very good points about how shoddy the submersible seemed to be and how the company decided to wait eight hours before reporting it, and how this is a play stupid games, win stupid prizes for the ultra-wealthy who paid like 250grand a ticket for this thing.

but what i havent seen any posts about is how the titanic wreck is a gravesite and this tourism is disturbing the graves of over 1500 people.

sometimes its kinda hard to remember that those on the titanic were real people; it was over a century ago, the story has been romanticised in so many ways (like the movie), theres conspiracies theories galore that cloud everything with misinformation, but at the end of the day, those who died were real people.

do you want their names? heres a list of them; its a long read. and for fun, heres another site where you can see photos of the children and babies who died aboard.

their bodies are long gone and their lives long forgotten. all we have to remember them and honour them is the wreck itself. its all we have of them and it is their gravesite. its their tombstone.

caitlin doughty/ask a morticians video on the great lakes discusses the topic well, and why we should leave these shipwrecks alone because again, they are the gravesites of all the souls who died aboard those ships. we rarely have bodies to recover so we really are left just with the wreck.

and what really upsets me about titanic tourism is how the majority of those who died that night were not the ultra-wealthy rich folks you might picture when you think of ocean liners.

61% of the first class passengers survived

42% of the second class passengers survived

24% of the third class passengers survived

24% of the crew survived **

the majority of those who died that night were regular folk; not to be cliche, but they were just like us. titanics wreck is not only a gravesite for over 1500 people, its also a majority working class gravesite.

and look at us now. look at what were doing. the ultra-wealthy can pay the equivalent of peanuts to them to disturb a mass gravesite of the exact kind of people they exploit today to hold onto all their wealth. 

its easy to point and laugh at these dumb idiots in their playstation controller submarine, seemingly held together with super glue and duct tape, but its also important to remember that what they were doing was simply disturbing a gravesite for fun. though the company does research, these guys werent down there to conduct research, they were there so they could brag about it to their friends. its like “climbing mount everest” while your sherpa does all the work.

if you cant tell, i have a lot of feelings about this. shipwrecks and ocean liners are one of my special interests and im currently building a (beginner’s) model of the titanic, for fucks sake. but i would never go down to see that wreck because its a fucking gravesite and we should not be disturbing their final resting place.

[lost-fool-wandering]

roots

-L.F.

[pangeen]

" Deep textures " // © Daniel Greenwood

[valtsv]

i'm definitely going to end up on someone's list of red flags someday because i don't usually enjoy media that depicts positive relationships between siblings very much

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[strangertheories]

I really despise the Marvelification of Stranger Things, because all the interviews nowadays are constantly referencing how fast paced and epic and big the finale will be but the reason people fell in love with the show wasn't special effects or long episodes; it was the plot, it was the characters, it was the mystery. Stranger Things 1 may have been a story about a government conspiracy and a monster, but that's not why we stuck around. The show can throw amazing CGI, Russians, a battle within the American army and an apocalypse at the audience with the biggest budget known to man but if they forget to ground it and keep it central, it'll just get lost amongst a plethora of other "epic" blockbusters. We want Steven King, not Avengers.