Due to being unemployed, chronically ill and extremely depressed, I've read 90 histrom books in the last three months. Yes. Ninety. In 90 days.
Recommend: Lisa Kleypas, Erin Langston, Mia Vincy.
Mary Balogh is addictive except she keeps triggering the fuck out of me by forcing reconciliations with her MC's toxic families and general abuse apologia. Aydra Richards is also great except she did the same thing in Charity Nightingale Heals Her Husband and I'm still furious about it. Tessa Dare is too silly for me. Loretta Chase and Lisa Kleypas's Regency books are my threshold for silly and Tessa Dare and Julie Anne Long both dip beyond that. Julie Anne Long has exactly one book I love and recommend, It Happened One Night. It's clearly the only story she cracked open a history book for. None of the rest are worth it, not even What I Did For A Duke. I hold her in the same contempt as Julia Quinn. Loretta Chase is really fun and I love Last Night's Scandal, but she's really classist about accents and the Carsington book inspired by The Mummy (1999) is horrifically racist, even more than the movie. Felicity Niven's Convergence of Desire is great autism rep but the rest is so-so. Rose Lerner is a relief when you get tired of the aristocracy and want some history instead, but her pacing needs work. M.A Nichols also writes only about the landed gentry. She's weirdly engrossing but retrospectively boring. I can't explain why I read eight of her books back to back when she should be bland as bran crackers by all rights. Sherry Thomas writes the absolute worst MMCs in histrom. They belong on r/relationship posts. I can't explain it but Meredith Duran's characters all know what an iPhone is. Annabelle Greene bored me stupid.
Obviously, none of the above can touch the utter genius that is KJ Charles. Or even Joanna Chambers's Enlightenment series. (Both are MM). Neither can they deliver the consistent quality and historical authenticity of Mimi Matthews. Cecilia Grant is a tragically mismarketed literary author so there's no fair comparison with the fluff she's shelved in with. All of whom I discovered during last year's three month depression binge read.
TBR: Alice Coldbreath, Courtney Milan, Elizabeth Hoyt, Paulina Simons, Susanna Kearsley, Elin Gregory, Annick Trent, Jess Everlee, Ava March, AJ Damas. Hopefully things look up and I'll only be able to read them in my next depressive spiral next year.
Fave Five: Queer Reimaginings of 19th Century Literature
Fave Five: Queer Reimaginings of 19th Century Literature
For more takes on Pride and Prejudice, click here.
A Clash of Steel by C.B. Lee (YA, Treasure Island)
The Wife in the Attic by Rose Lerner (Jane Eyre)
Scavenge the Stars by Tara Sim (YA, The Count of Monte Cristo)
Written in the Stars by Alexandria Bellefleur (Pride and Prejudice)
Fresh by Margot Wood (YA, Emma)
Bonus, coming in 2022: Great or Nothing by Joy McCullough, Caroline Tung Richmond,…
Set in Sussex and centered around the parliamentary election season. Sweet Disorder features a heroine, Phoebe, who is poor, plump, widowed, and in possession of her father’s votes. Except being a woman she can’t cast them but any many she marries can. And her votes are so very necessary in a very tight election. Welcome to the oddness of English elections in the Regency Period
Enter Nick Dymond, Brother to the Whig candidate. He’s there to convince Phoebe to marry a man who will vote for his brother. Except the longer he gets to know her, the more he wants her for himself. That’s a problem because his family will never approve. After all, he’s the son of a noble, and she is the widow of a newspaper printer. Not to mention he’s got his own baggage, PTSD and a very severe wound from the peninsula wars, which left him with a limp.
As for Phoebe, she doesn’t particularly want to get married. She’s been married before and it didn’t turn out well. She’s doing just fine selling stories to the newspapers and living in the tiny and untidy rooms in a boarding house. But when her family needs her, she puts her own happiness on the line and agrees to a marriage of convenience. The only problem is who will she choose?
The Tory Candidate? The Whig Candidate? Or herself?
I like the story. I really liked Phoebe and Nick. Their reasonings and rationales made sense. Like there is a giant/huge class issue and then there’s the fact that they’re not supposed to be falling in love with each other. I especially liked that neither one was seen as less or by the other. But that things like her poverty, her weight, his wealth, and his disability weren’t overlooked and forgotten in the midst of the love must conquer all. Then there’s the families and their drama. So much drama.
Even with the drama, this isn’t your typical Regency Romance. First off, there aren’t any balls. Or dastardly Duke’s. Or gaming establishments. And I loved that. It’s so rare to have a romance between lower class people. Every day people. Even small town people. While Nick came from the gentry, he’s a younger son and his experience as a soldier had colored his sensibilities more. He wasn’t afraid to get his hands dirty. And I like that.
This story takes “slow burn” seriously. Very seriously. Which might be off-putting for some people, but when I read it I was in the mood for slow. The plots and twists are well telegraphed, and the book takes time to set the stage and introduce all the players. And all of the players are important. I also liked that Phoebe’s other suitors were all viable, they weren’t horrid for the sake of being horrid. I even liked them as characters and potential romantic heroes. They just weren’t the romantic hero that Phoebe wanted. All of the characters were well rounded, And I really liked that.
Trigger warnings Because those matter, period appropriate sexism, discussion of miscarriage, discussion of depression & PTSD, mild BDSM, period appropriate ableism, and parental neglect/emotional abuse.
That being said all of the triggering Content is handled well as I would expect from Rose Lerner (which if you’re looking to support minority authors Rose Lerner is Jewish). Basically this was an adorable slow burn featuring every day people in Regency England. If you’re a fan of Austen, this would likely be up your alley. As it is, I’m happy to give it.
Five stars.
If this is your jam, you can get it here.
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Notes: I’m doing a top ten instead of a top five for Georgian, Regency, and Victorian romance novels, because I’ve just read way too many good ones to stop at five! Also, I’m using Georgian to mean the years from 1714 (when George I became King of Great Britain and Ireland) to 1803 (when the Napoleonic Wars started). Once a romance novel’s set in 1803 or 1804, it starts to feel less like “French Revolution hangover” and more like “it’s almost the Regency.”
1. The Leopard Prince by Elizabeth Hoyt (2007)
Exact Setting: 1760s England.
Premise: Independently wealthy Lady Georgina Maitland doesn’t care to marry, instead preferring to collect fairy tales and look after her rural estate with the help of her steward, Harry Pye. Yet she feels drawn to Harry, who is quiet and gentle and very good at carving small animal figurines out of wood. Their budding romance is threatened, though, by the growing hostility of their community, Harry’s complicated family secrets, and, yes, a series of sinister sheep-murders.
Why I Like It: Sometimes, the sexiest thing a man can do is make an exquisite little wooden hedgehog with his own two hands. Harry is a wonderful hero, kind and unassuming and ready to throw down the second some evil nobleman threatens the poacher’s son. I am also very fond of Georgina, an absent-minded folklore aficionado after my own heart. The rural setting is delightfully spooky, and the plot pulls together a lot of moving parts in a very effective way.
Favorite Scene: Harry and Georgina are reunited after he’s kidnapped and nearly murdered by said evil nobleman.
2. To Seduce a Sinner by Elizabeth Hoyt (2008)
Exact Setting: 1760s England.
Premise: When Jasper Renshaw, Lord Vale, is jilted for the second time in one year, unassuming Melisande Fleming offers herself as a substitute bride. Although Jasper seems like an ordinary and rather dry man, Melisande has secretly loved him ever since she saw his extraordinary kindness in a private moment. Jasper accepts because it’s convenient, only to be pleasantly surprised by their chemistry. Their marriage is going well...except that his horrible experiences during the Seven Years’ War are coming back to haunt him, both psychologically and in the sense that somebody is trying to murder them.
Why I Like It: Jasper’s combination of dry humor and hidden tenderness is pretty irresistible, while Melisandre’s gradual overcoming of her near-pathological reserve and self-denial is very moving. The suspense plot is exciting and carries unexpected emotional weight, plus there’s a nice side-romance between Jasper’s tough valet and Melisande’s enterprising lady’s maid. Finally, the sex scenes are super-hot.
Favorite Scene: Melisande flashes back to the moment she fell in love with Jasper.
3. An Unlikely Countess by Jo Beverley (2011)
Exact Setting: 1760s England.
Premise: After doing a good turn for genteel but desperately poor Prudence Youlgrave, directionless Catesby “Cate” Burgoyne thinks he’ll never see her again. Then he inherits an earldom from his estranged older brother. Not eager to return to his difficult family, Cate stops by Prudence’s village on the way home, hoping to check on the stranger he so fondly remembers. When he finds that she’s on the verge of marrying a lecherous old man at her shitty brother’s insistence, he impulsively offers to marry her instead...forgetting to mention that he’s no longer a cash-strapped second son. Prudence is prepared to deal with financial woes, but is she ready to handle the duties of a countess, a semi-dysfunctional aristocratic family, and murder?
Why I Like It: It should be clear by now that I’m a sucker for stories about creepy English country houses, and this novel certainly delivers. Beverley also takes a great deal of care in establishing the personalities of Prudence and Cate outside of their relationship, making the romance between them especially potent. Their consideration for each other makes me like them a lot, and it’s also weirdly sexy.
Favorite Scene: Cate and Prudence have a quiet moment together after he saves her from ruffians.
4. Thief of Shadows by Elizabeth Hoyt (2012)
Exact Setting: 1730s England.
Premise: Widowed Isabel, Lady Beckinhall, may be jaded and a touch hedonistic, but she’s also very interested in the welfare of the St. Giles Home for Unfortunate Infants and Foundling Children. In order to do this, she’s willing to teach Winter Makepeace, the middle-class proprietor, some social graces so he can help with fundraising. Winter disagrees that he needs to develop his networking skills, plus he has other reasons for wanting to keep this improper yet intriguing lady at bay...reasons that may or may not involve a secret crime-fighting identity!
Why I Like It: The contrast between Isabel’s insouciance and Winter’s severity is a lot of fun; it’s not uncommon for a rakish hero to be paired with a buttoned-up heroine, yet the reverse is rare. He’s more softhearted and she’s more interested in being a good person than their exteriors would suggest, but those exteriors add a little spice. This novel is also one of the best adventure stories in the genre, with plenty of skulduggery and derring-do to go around.
Premise: Georgia, Lady Maybury, used to be the darling of society...until her young husband died in a duel and rumors spread that she put his opponent up to it because she wanted to be with him instead. Now she’s out of mourning and trying to start anew, but someone has resurrected the old rumors. Prickly Humphrey, Lord Dracy, is willing to stand by her side, but could he have ulterior motives?
Why I Like It: Although I like the romance, the main appeal of this book is that it’s top-drawer melodrama starring a complex, charismatic heroine. There is no shortage of deliciously lurid nonsense, and Beverley builds a wonderfully constructed plot around it. I just luxuriated in the drama of it all the first time I read it. In addition, Georgia’s anguish over the loss of her husband (who was more of a best friend than a lover but still extremely important to her) and loneliness when she’s left behind by her friends gives the book a strong emotional core beneath the pulp. She also matures without having to flagellate herself for being high-spirited or making minor mistakes.
Favorite Scene: Georgia and Dracy try to solve her husband’s murder and deal with additional drama at a masquerade ball.
6. Heartless by Mary Balogh (1995)
Exact Setting: 1750s England.
Premise: Lucas Kendrick returns to London after years of exile to take over the dukedom he inherited from his estranged brother. He’s also looking for a bride and, instead of doing the expected thing and marrying beautiful debutante Lady Agnes Marlowe, he chooses her older sister Anna, who sacrificed her early youth to keep her family together through tough times. Charmed by Anna’s sweetness and maturity, he believes that this convenient marriage may turn out to be a love match as well. Unfortunately, Anna is being stalked by a traumatic past, both metaphorically and literally, that sows mistrusts between them and also puts them in physical danger. Plus, Lucas’s family relationships have to be sorted out and Anna’s deaf teenage sister needs to learn sign language! There’s a lot going on.
Why I Like It: In theory, I should dislike this romance. If Lucas had used a shred of understanding in the first act of the novel, he would’ve picked up on Anna’s traumatic past early on, saving them both a lot of heartache and enabling them to stop her stalker at least one hundred pages sooner. I think it works here because (a) Lucas’s negative reaction to Anna’s suspicious behavior is pretty measured (he withdraws emotionally and makes some stupid assumptions, but he’s not ever really mad at her and he still wants to make the marriage of convenience work) and (b) both characters are set up in such a way that you get why it takes so long for them to communicate (his default mode is to keep to himself, while she’s understandably reticent to talk about the horrible stuff she’s been through and stung by Lucas’s assumptions). Instead of frustrating the reader, Balogh wrings maximum angst from the set-up, making for great catharsis.
Favorite Scene: As much as I love the angst, the unexpected initial romance of Anna and Lucas’s courtship was what truly reeled me in.
7. Duke of Desire by Elizabeth Hoyt (2017)
Exact Setting: 1740s England.
Premise: Proper widow Iris Daniels, Lady Jordan, is traveling home from a friend’s wedding when she’s waylaid by a secret society of evil aristocrats. Raphael de Chartres, the Duke of Dyemore, has infiltrated the society to bring it down, but he endangers his cover by rescuing Iris and throwing her in his carriage. Unfortunately, Iris thinks he’s just a regular evil aristocrat, so she shoots him, making it necessary for her to nurse him back to health at his secluded estate. She does a good job, but they still have to deal with the evil secret society and his all-consuming desire for revenge.
Why I Like It: Hoyt’s romances all have a fairy-tale feel, and she makes wonderful use of that atmosphere in Duke of Desire. Rafe lives in a dusty, disused castle, filled with old secrets and staffed by fiercely protective Corsican servants. Scarred and angry, Rafe has serious Beast-from-Beauty-and-the-Beast vibes, except he never kidnaps anyone and actually tries to deal with his serious mental health issues even before Iris brings a more sensible perspective into his life. I appreciated his family relationships, both with his sweet, disfigured maternal aunt and the monstrous father that he nevertheless loved.
Favorite Scene: I really like Rafe’s aunt, who could have easily been a Morality Pet but instead comes across as a capable, kindhearted woman who returns Rafe’s uncharacteristically gentle concern for her welfare.
8. The Pursuit of ... by Courtney Milan (2017)
Exact Setting: 1780s America (on a road trip from Virginia to Maine) and England.
Premise: John Hunter, a black Patriot soldier in the American Revolutionary War, finds himself fighting a white Redcoat who (a) won’t shut up and (b) outright asks John to kill him because he doesn’t want to go home. Instead, John gives the other soldier his jacket and tells him to start a new life in America. The last thing he expects is for the other soldier, Henry Latham, to show up at his camp post-battle and ask how he can repay John for saving his life. It turns out that John could use a companion on the long, perilous trip to his home in Maine, although he’s reluctant to trust a white dude who could choose to disregard his debt at any moment. As the trip progresses, however, they get to know each other and grow closer.
Why I Like It: When I read a Courtney Milan romance, I know that I’m not going to be bored. Her zippy dialogue, sense of humor, and use of interesting themes make even her weaker romances fun reads, and The Pursuit of ... is among her strongest. John and Henry are both engaging, sympathetic characters who interact with each other wonderfully; I especially enjoy how Henry’s incessant loopy patter bounces off of John’s deadpan remarks. The novella also balances its humor very well with serious discussions on what it means to live in a country whose reality falls so short of its ideals.
Favorite Scene: John’s reaction to hearing why Henry’s dad made him join the military.
9. Duke of Sin by Elizabeth Hoyt (2016)
Exact Setting: 1740s England.
Premise: Valentine Napier, the Duke of Montgomery, is a very bad man who goes around blackmailing and kidnapping his fellow aristocrats willy-nilly. Bridget Crumb, his housekeeper, is determined to stop him from blackmailing one lady in particular. They get along surprisingly well! Also, a bunch of crazy shit happens involving the evil society from Duke of Desire.
Why I Like It: I don’t know why, but Valentine Napier just cracks me up. He’s like a hotter, more sinister Dr. Doofenshmirtz, and I love him. He brags to Bridget about doing evil stuff that he doesn’t actually do, and then she goes behind his back and quietly undoes his latest scheme. Then he does something nice for her dog. Then he spouts a lot of flowery poetic nonsense (usually about how he has no heart and she’s a beautiful angel filled with integrity). Then they make out. It’s a beautiful, ridiculous relationship that’s propped up by a delightfully baroque novel.
Favorite Scene: Val sulks because his heartless self can’t relate to his beloved half-sister now that she’s happily married. EVIL.
10. Promised Land by Rose Lerner (2017)
Exact Setting: 1780s America (New York and Virginia).
Premise: Some time ago, Rachel Mendelson left her home and marriage in New York City to disguise herself as Ezra Jacobs and join the Patriot Army. Now she’s a corporal, and the Battle of Yorktown looms on the horizon. And who should show up but Nathan, the husband she loved but couldn’t live with, working as a Patriot spy? As the battle approaches, they struggle to work out the reasons why their first attempt at marriage failed, as well as their future as Jewish Americans.
Why I Like It: Lerner fits a lot of complexity into one novella without ever descending into inelegance. Without a single flashback, she communicates the entire history of Rachel and Nathan’s marriage, which was marked by affection and sexual attraction as well as painful class tensions and family dynamics. She tackles Nathan and Rachel’s differing approaches to their religion in an intelligent, nuanced way. Plus, the battlefield scenes wouldn’t be out of place in Hemingway--like, top-tier Hemingway, not the kind you make fun of.
Favorite Scene: The battlefield scenes, or Rachel’s description of her planned memoirs.
Further Notes: The Leopard Prince is #2 in the Prince Trilogy (which are only very loosely related). To Seduce a Sinner is #2 in the Four Soldiers series, and I would recommend reading the also-very-good To Taste Temptation first. Thief of Shadows, Duke of Sin, and Duke of Pleasure are #4, #10, and #12 in the Maiden Lane series, respectively, and that’s a series that I’d recommend reading in order, because I started with #2 instead of #1 and that alone was confusing. An Unlikely Countess and A Scandalous Countess are both spinoffs of Jo Beverley’s Malloren series, but I enjoyed them despite only reading one Malloren romance proper and one other spinoff. Heartless has a sequel, Silent Melody, which is also very good in a bonkers way. The Pursuit of ... and Promised Land are both part of the Hamilton’s Battalion anthology, plus The Pursuit of ... is technically part of Milan’s Worth Saga, although you don’t need to read any of them to understand it.
Rose Lerner’s “All of Nothing” is a novella which first appeared in the anthology Gambled Away, romance stories about bets and gambling.
Magdalena de Silva is a hostess in a gambling den, which she runs alongside her friend-with-benefits. She’s glamorous and disreputable, in the way of the demi-monde that runs parallel with high society, interdependent…
