This should really be a reaction pic
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This should really be a reaction pic
opera stream alert!
what: rossini's 1828 comedy/farce "le comte ory", at the glyndebourne festival in 1997
when: saturday 25 april, 21:00 EEST/18:00 UTC (check your local time)
where: kosmi
language: french with english subs
duration: 2h 20min
cast: Marc Laho, Annick Massis, Diana Montague, Ludovic Tézier, Jane Shaulis, Julien Robbins. Conducted by Andrew Davis, directed by Jerome Savary.
plot:
the music is the real highlight, not the story, but the gist is this:
notorious libertine and spoiled brat Count Ory wants to seduce the hopelessly depressed Countess Adèle
figures that the best way to do this is to first give her therapy to awaken her repressed sexuality, and then dress up as a woman to awaken her repressed bisexuality
in true Rossini fashion, there is a thunderstorm and everyone is really scared
in true Rossini fashion, half the music was borrowed from one of his own earlier operas
very low/nonexistent bar to watch this stream! you don't need a kosmi account, and you can ofc join or leave the stream at any time. (the plot is very simple and vibes-based, so you can miss plot points without being terribly lost later!)
Bartolo and Rosina, from The Barber of Seville, by Riyoko Ikeda
Portrait of soprano Reri Grist as Rosina in Rossini's opera, "The Barber of Seville." Printed on front: "Louis Melancon. Metropolitan Opera House, New York City." Stamped on back: "The use of this photograph is granted with the understanding that it is for your publication only, and will not be syndicated, rented, loaned, or used for advertising purposes without written permission. When published, the customary credit line will be appreciated with the name in full: Louis Melancon. Louis Melancon, New York, N.Y." Label on back: "Metropolitan Opera Assn., Inc. Press Dept. Reri Grist as Rosina in Rossini's 'Il barbiere di Siviglia.'"
E. Azalia Hackley Collection of African Americans in the Performing Arts, Detroit Public Library
Costume designs for the première of Gioacchino Rossini's opera William Tell (1829) by Eugène du Faget.
rossini: *writes a grand coloratura soprano scena and puts it in two operas*
“en proie à la tristesse” from le comte ory and the ensuing cabaletta: legitimate emotional crisis about making a religious vow she doesn’t know if she can keep and rejoicing when she is (allegedly) freed from it
“partir, o ciel, desio” from il viaggio a reims and the ensuing cabaletta:
Seeing praise for Disney's live action remake because they made Cinderella meet the prince before the ball as if it's groundbreaking, I get a bit annoyed because Rossini did it first in 1817
Gioachino Rossini