May 5, 2015
Today's Music Genre
Today's Music Genre is Slovene Hip Hop
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Today's Music Genre
Today's Music Genre is Slovene Hip Hop
Un #Graff con el crew #Ovrlnds #DtnoMx #Rspkt #Mx
HUF SUMMER 2012
Convex Industries 002 - dBridge presents Velvit Bringing his sound to a new boil, dBridge gives us the first serving of “Velvit" with these two new monster tracks. Following on as the second course of Convex Industries, dBridge is no stranger to the insatiable appetite of electronic music. Showcasing his mastership with these solid tracks, defying tempo and genre, there is a taste for Velvit lingering on everyone’s tongue. Passing Encounter dBridge shows his new Velvit alias is a delectable force to be reckoned with. Dipped in 90's jungle with 2012 construction, “Passing Encounter” fuses a catchy lead and tribal beat that simmers over an 808 bass heat, finished off with a drizzle of lush vocals. Scarlett "Scarlett" is caramelised in a classic reese bass line reminiscent of early Kevin Saunderson. Relentless 4x4 kicks stew over the thickest marinade of bass and detuned synth drones. Already with heavy play from Jon Convex, Martyn, Jimmy Edgar, Benji B (just to name a few) this track is fast becoming a favourite on the summer menu. Written and produced by dBridge. Mixed and additional production by the replicants @ Convex Industries. Mastered by Beau @ Masterpiece
'Rome' is the new four-track EP from 22-year-old electronic producer Kashii on the recently launched MadTech label. Kashii's style resonates twangs of many current genres including UK bass, house, tech-house and garage. Currently signed to Southern Fried, Kashii is releasing an exclusive EP with MadTech, with remixes from up-and-coming producers South London Ordnance and Lakosa. 'Rome' skips a cutting beat, meshed with intermittent vocals that build, aided by subtle chord changes that climax in a fully charged drop. The bellowing bass beneath warms the chopped stacatto style Kashii punches. Cosmic arpeggio samples shimmer above adding an exciting chaos to the rigid pounding structure. Kashii's production in 'Make This' reverberates a more tech-house style through his use of nodding samples and syncopated percussion, which gives the track a contagious energy. Chords march below speeding into drop that's reminiscent of 90's dance tracks. South London Ordnance's rework puts more emphasis on the bass, relaxing the track into a more minimal style. It builds with a calmer intensity adding squawks and hi hats until dropping into a pounding techy bass beat. Lakosa's remix of 'Make This' ignites the same dancefloor power, Lakosa's production brings a softness to the track using warm chords and swishing samples that give it a hazier feel culminating in a powerful breakdown. Released: 2nd July (Traxsource Exclusive) 16th July (General) http://www.madtechrecords.com https://www.facebook.com/madtechrecords http://twitter.com/madtechrecords
As heard on Skream & Benga's BBC Radio 1 show! Now up for free download. Become a fan of JMSN: https://www.facebook.com/officialJMSN Follow JMSN on Twitter: https://twitter.com/iamjmsn Check out his Website: http://www.iamjmsn.com/ Become a fan of Kastle: https://www.facebook.com/kastledub Follow Kastle on Twitter: https://twitter.com/kastledub Check out his Website: http://www.kastledub.com/