Ruby Gentry (1952) dir. King Vidor
seen from China
seen from Bahrain

seen from Brazil

seen from Italy
seen from China

seen from United States

seen from United States
seen from Bolivia
seen from China
seen from Bahrain
seen from China

seen from Malaysia
seen from Vietnam

seen from United States
seen from Netherlands
seen from Malaysia
seen from United States
seen from China
seen from Greece

seen from Malaysia
Ruby Gentry (1952) dir. King Vidor
Jennifer Jones and Charlton Heston in King Vidor's steamy Ruby Gentry, 1952.
Jennifer Jones in Ruby Gentry, 1952
RUBY GENTRY (1952, dir. King Vidor)
Charlton Heston being slapped or attacked by women in the movies (mostly for being an asshole) since he was seventeen years old in his very first film “Peer Gynt”.
Peer Gynt, 1941, with Rose Andrews Ruby Gentry, 1952, with Jennifer Jones The Private War of Major Benson, 1955, with Julie Adams Three Violent People, 1956, with Anne Baxter The Pigeon That Took Rome, 1962, with Elsa Martinelli Counterpoint, 1967, with Kathryn Hays
I may reblog this later, ‘cause I’m not through with Chuck’s filmography yet, and who knows, maybe there will be more. )))
Karl Malden wearing a white tuxedo and having two different mental breakdowns in Ruby Gentry (1952)
RUBY GENTRY (Dir: King Vidor, 1952).
A ripe slice of Southern Gothic with Jennifer Jones as gun toting, skinny jeans wearing, swamp wildcat Ruby; using her womanly wiles to ensnare local stud Charlton Heston and marrying wealthy, lonely chump Karl Malden.
Jones is literally wild in the part of Ruby and is undoubtedly the movie’s greatest asset. Heston is less effective in a role perhaps slightly underwritten and which does not particularly play to his strengths as an actor. Malden, by contrast, is fantastic in this sort of thing (see ‘A Streetcar Named Desire’ and ‘Baby Doll’) and demonstrates why he was one of Hollywood’s most in-demand character actors.
Admittedly, there is, probably, an unpleasant, deeply misogynistic subtext about powerful women in this movie as Ruby, with her new found wealth, wreaks revenge on the townsfolk who hold her in distain and upon the man she thought was in love with her. A better writer than I would go into this in greater depth (and if anyone wishes to, please do so in the comments below - polite, serious discussion is welcome and encouraged!)
In spite of this, I must confess, I love a 50s melodrama, where what was once torrid and sexy has become overblown and camp. Ruby Gentry is hopelessly dated, but that is not to suggest that it isn’t also wholly entertaining if you are in the right mood!
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