Polarized
seen from China
seen from United States
seen from Poland
seen from United Kingdom

seen from United States

seen from United States
seen from United States
seen from Lithuania
seen from Brazil
seen from United States

seen from Malaysia

seen from Brazil

seen from Malaysia
seen from Türkiye
seen from United Kingdom
seen from United States
seen from China

seen from United States
seen from Sweden

seen from United States
Polarized
Sandwiched
LONELINESS/SOLITUDE/DEPRESSION
FINAL PROJECT -TIMELINE
Long Exposures and Studio
TIMELINE
A. Studio
· Leaning forward on knees
· Leaning forward -hands on neck
· Leaning forward- one hand on toes
· Leaning backward (rough hair)
· Looking forward straight- serious face
Thursday 16th November (2pm-4:40pm)
B. Stairs
· Seated leaning on the wall
· Seated facing down
· Seated straight -rough hair
· Seated with a pet(cat) alongside
C. Study desk
D. Swings
E. Bench -next to the river
F. By the window
G. Walking along the road
H. Stadium(Feuver)
I. By the wall/street-with hoodie on
J. By the wall-seated facing one side-with t-shirt and bare feet
K. On the bed (sleeping, grabbing a pillow)
L. Departing a place-drag a bag
(Saturday 18th, 1pm-5pm) & (Sunday 19th, 2pm-5pm)
M. Coffee table- with a laptop and a coffee mug
N. Under a tree
O. By the table- with a photo album
P. In the dining hall-seated all alone
Q. By the tunnel
R. The black benches outside
S. At the sinks
T. By the table-bottles of alcohol-holding one
U. By the mirror (starring at the mirror, the other side of the mirror-shooting the reflection)
V. By the bridge
W. On the couch
X. With the doctor (Lab coat, clipboard)
Y. Library
Z. On the table with a fruit
23rd-26th November 2017
Editing: December 2nd-3rd,
Monday 4th December
Scanning: Thursday 7th December 9pm-11pm
Critique: December 12th 2pm-4:40pm
AOB
AA. OBJECTS
i. A ball on the playground-nothing else
ii. Similar objects- one different (Ex: 5 similar water bottles, 1 different one)
iii. Color- black in many white
. A single cup on the table in the dining hall
COLORS (DARKROOM)
a. Black suit, red tie, no face
b. Red under different exposures
c. Full white
Signs of a troubled Teenager. Andrea Zachi
“Depression’s downward spiral of negative thinking” Valerie Johnson
“Am I my worst Enemy?” Mica
Ross Lowel: Matters of Light and Depth.
· One of the best ways to conquer light fright in photography is to mentally break down the subject, the set, and the scene into series of planes.
· The type of natural or artificial source you choose depends on a delicate balance of the subject, mood, working space, level of light required and amperage available. But most often, it depends on what handy equipment is available and whether the sun is shining in the direction on the day you want to shoot.
· To improve shadow quality in photography,
i. Move the light away from the person or object
ii. Set focusing lights at full flood
iii. Put a small glass diffuser close to the front of a lens-less focusing source
iv. Substitute a Fresnel for a senseless source
v. Use only the edge of a hard light
a. How do you deal with lighting, reflections, refractions when shooting objects outside during a rainy day?
b. How can you illuminate very fast moving objects?
c. How do you deal with shooting a single object with different behaviors of light?