#scholastic press

[heavensbeehall]

In my news today.

Scholastic reports that SUNRISE ON THE REAPING, the new Hunger Games prequel by Suzanne Collins, sold 1.5 million English-language units across all formats in its first week, with US sales exceeding 1.2 million units. Circana Bookscan shows that this includes nearly 715,000 hardcovers in the US and Nielsen Bookscan tracked sales of just over 118,000 hardcovers in the UK. Scholastic writes in a release, "Sunrise on the Reaping has sold twice as many copies its first week on sale domestically as The Ballad of Songbirds and Snakes in 2019 and three times as many copies as Mockingjay in 2010." Elie Berger, evp, president, Scholastic Trade, said, "After nearly a year of anticipation, sales for Sunrise on the Reaping have exceeded all expectations, as has the overwhelmingly positive critical and fan response to the book across the world."

We did it, nerds. Scholastic will definitely be asking her for more books.

[kenyatta]

Recently, I got an email with an offer from Scholastic’s Educational Division to license Love in the Library for an AANHPI narratives collection, I was thrilled. If you’ve been in kids’ books for more than ten minutes then you are aware of the staggering reach of Scholastic. And since I’m not published by Scholastic this seemed like  a thrilling opportunity. But as soon as I cleared the opening paragraph, my heart sank.  I’ve been really proud of Love in the Library’s successes. Yas Imamura’s illustrations are incredible. My publicist, Jamie Tan, of Candlewick did her job with sensitivity and respect. Our editor, Karen Lotz, helped shape the book into its best form while never demanding the story be told in a way she deemed might be more palatable. There were starred reviews, Best of 2022 lists, personal letters from people whose families had been incarcerated to whom this story means so much.  It is also true that I wish it sold more copies than it has. It’s a story I believe in, deeply, and a story that I think merits exposure– something Scholastic uniquely offers. And Scholastic wanted to license the book! But only with a change to the author’s note. My offer was contingent upon it. Without even looking I knew what it was going to be. It was going to be the paragraph that inspires 1 star reviews from angry patriots, the one that sends them to my inbox with words unfit to repeat here or anywhere. And sure enough that was exactly what they wanted to remove.  But not only that: the word RACISM would be removed from the author’s note altogether.  They wanted to take this book and repackage it so that it was just a simple love story. Nothing more. Not anything that might offend those book banners in what they called this “politically sensitive” moment. The irony of curating a collection tentatively titled Rising Voices: Amplifying AANHPI Narratives with one hand while demanding that I strangle my own voice with the other was, to me, the perfect encapsulation of what publishing, our dubious white ally, does so often to marginalized creators. They want the credibility of our identities, want to market our biographies. They want to sell our suffering, smoothed down and made palatable to the white readers they prioritize. To assuage white guilt with stories that promise to make them better people, while never threatening them, not even with discomfort. They have no investment in our voices. Always, our voices are  the first sacrifice at the altar of marketability.  And excuse my language, but absolutely the fuck not.

Scholastic, and a Faustian Bargain — Pretty Ok Maggie

[hollymbryan]

Blog Tour Spotlight: THE LIBRARY OF BROKEN WORLDS by Alaya Dawn Johnson (w/ #giveaway)!

Welcome to Book-Keeping and my stop on the Rockstar Book Tours blog tour for The Library of Broken Worlds by Alaya Dawn Johnson! I’ve got all the book and author details, plus an excerpt, for you below; there’s also a giveaway so be sure to read to the end!

About the Book

title: The Library of Broken Worlds author: Alaya Dawn Johnson publisher: Scholastic Press release date: 6 June 2023

A girl matches wits with a war god in this kaleidoscopic, thought-provoking tale of oppression and the cost of peace, where stories hide within other stories, and narrative has the power to heal -- or to burn everything in its path -- from World Fantasy Award–winning author Alaya Dawn Johnson.

A girl and a god, alone in communion...

In the winding underground tunnels of the Library, the great peacekeeper of the three systems, a heinous secret lies buried -- and Freida is the only one who can uncover it. As the daughter of a Library god, Freida has spent her whole life exploring the Library's ever-changing tunnels and communing with the gods. Her unparalleled access makes her unique -- and dangerous.

When Freida meets Joshua, a Tierran boy desperate to save his people, and Nergüi, a disciple from a persecuted religious minority, Freida is compelled to help them. But in order to do so, she will have to venture deeper into the Library than she has ever known. There she will discover the atrocities of the past, the truth of her origins, and the impossibility of her future.

With the world at the brink of war, Freida embarks on a journey to fulfill her destiny, one that pits her against an ancient war god. Her mission is straightforward: Destroy the god before he can rain hellfire upon thousands of innocent lives -- if he doesn't destroy her first.

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About the Author

Alaya Dawn Johnson is an award-winning short story writer and the author of seven novels for adults and young adults. Her most recent novel for adults, Trouble the Saints, won the 2021 World Fantasy Award for best novel. Her debut short story collection, Reconstruction, was an Ignyte Award and a Hurston/Wright Legacy Award finalist. Her debut YA novel The Summer Prince was longlisted for the National Book Award for Young People's Literature, and the follow-up Love Is the Drug was awarded the Andre Norton Nebula Award. Her short stories have appeared in many magazines and anthologies, most notably the title story in The Memory Librarian, in collaboration with Janelle Monáe. She lives in Oaxaca, Mexico. 

Connect with Alaya: Linktree | Facebook | Twitter | Instagram

Excerpt

By the time Samlin left me three weeks later, I felt like a blindfolded animal: confused, disoriented, ready to bite. I cried for days and sent him increasingly desperate messages until I realized he would never respond to me again. Nadi told me I’d forget about him, that everyone had to fall in love for the first time, that it would get better. I wanted to believe zir. But I was shivering, growing into ice, drifting into an empty sea. I didn’t know how to say what I was feeling. I hardly knew how to feel it.

Nadi had little time for me in those days. Ze was sequestered at a diplomatic round table with the Mahām leadership to address recent protests about their Treaty-condemned occupation of the Miuri moon. I didn’t push. The thought of telling Nadi precisely what had happened or not happened in that nanodrop made my guts twist like wet rope and my head fill with cotton. Better Iemaja, I decided. Better a god who barely understands the minutiae of human affairs and only speaks in communion.

I walked inside her because I had seen myself in Samlin’s deep eyes and hated that reflection. Freida the sweet. Freida the beautiful. Freida, once an excellent find but now inconvenient, twitchy, withdrawn, and desperate. I was beginning to see myself as they did, all those who stared and stared and saw nothing behind my eyes but a dark mirror. What was my heart, what were my bones, what were my constellations of synapses firing, lighting up my soul? Nadi insisted I was human, but even so, I had been left to freeze out in the ocean because no one thought I was worth any more. I was afraid, Nameren, so very afraid that they were right.

I had begun in Kohru, the artery of childhood and discovery and, in some ways, rebellion. But I was now in unknown capillaries. Some passages were so narrow that I had to get on my belly to pass through, the stone warm against my exposed skin. Sometimes the crystal would crack and water would bubble through the seams and I would slurp it down. It tasted of moonlight and copal and stillness. I told Iemaja that I loved her. The water then bubbled with her laughter and tasted of rose petals. It grew thick and slow with sugar. I lay in that soft, sticky womb for a while. The sweetness had been made to balance the salt of my tears. She is kind like that, Iemaja.

I told her about Samlin. I told her how helpless he had made me feel, not in my body, which he’d left untouched, but in my spirit. My tongue was heavy, as though it belonged to someone else. But still I spoke, until I reached the end.

Excerpted from The Library of Broken Worlds by Alaya Dawn Johnson, Copyright © 2023 by Alaya Dawn Johnson. Published by Scholastic Press

About the Giveaway

One (1) lucky winner will receive a finished copy of The Library of Broken Worlds by Alaya Dawn Johnson! This one is US only and ends 19 June 2023. Enter via the Rafflecopter below, and good luck!

a Rafflecopter giveaway

About the Tour

Here’s this week’s schedule so you can follow along!

Week Two:

5/28/2023 - celiamcmaahonreads - IG Review 5/29/2023 - thealylifestyle - Review/IG Post 5/30/2023 - travelersguidetobooks - IG Review 5/31/2023 - Jaime_of_gryffindor - Review/IG Post 6/1/2023 - @get.outside.and.read - IG Post 6/2/2023 - Book-Keeping - Spotlight/IG Post      **you are here! 6/3/2023 - More Books Please blog - Review/IG Post

[mysterytheater]

[movies-series-memes]

[2021ya]

THE LIFE I’M IN

​by Sharon G. Flake

(Scholastic Press, 1/5/21)

9781338573176

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The powerful and long-anticipated companion to The Skin I'm In, Sharon Flake's bestselling modern classic, presents the unflinching story of Char, a young woman trapped in the underworld of human trafficking. My feet are heavy as stones when I walk up the block wondering why I can't find my old self. In The Skin I'm In, readers saw into the life of Maleeka Madison, a teen who suffered from the ridicule she received because of her dark skin color. For decades fans have wanted to know the fate of the bully who made Maleeka's life miserable, Char. Now in Sharon Flake's latest and unflinching novel, The Life I'm In, we follow Charlese Jones, who, with her raw, blistering voice speaks the truths many girls face, offering insight to some of the causes and conditions that make a bully. Turned out of the only home she has known, Char boards a bus to nowhere where she is lured into the dangerous web of human trafficking. Much is revealed behind the complex system of men who take advantage of vulnerable teens in the underbelly of society. While Char might be frightened, she remains strong and determined to bring herself and her fellow victims out of the dark and back into the light, reminding us why compassion is a powerful cure to the ills of the world. Sharon Flake's bestselling, Coretta Scott King Award-winning novel The Skin I'm In was a game changer when it was first published more than twenty years ago. It redefined young adult literature by presenting characters, voices, and real-world experiences that had not been fully seen. Now Flake offers readers another timely and radical story of a girl on the brink and how her choices will lead her to either fall, or fly.

[universitybookstore]

New from Scholastic Press and Sharon Robinson, Child of the Dream: A Memoir of 1963.

[2020ya]

HERE THE WHOLE TIME

by Vitor Martins

(Scholastic Press, 11/10/20)

9781338620825

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What would you do if you had to spend the next 15 days with your lifelong crush? Felipe gets it -- he's fat. Not chubby. Not big-boned. Fat. And he doesn't need anyone to remind him, which is, of course, what everyone does. That's why he's been waiting for this moment ever since the school year began: school break. Finally, he'll be able to spend some time far away from school and the classmates who tease him incessantly. His plans include catching up on his favorite TV shows, finishing his to-be-read pile, and watching YouTube tutorials on skills he'll never actually put into practice. But things get a little out of hand when Felipe's mom informs him that Caio, the neighbor kid from apartment 57, will be spending the next 15 days with them while his parents are on vacation. Felipe is distraught because A) he's had a crush on Caio since, well, forever, and B) Felipe has a list of body image insecurities and absolutely NO idea how he's going to entertain his neighbor for two full weeks. Suddenly, the days ahead of him that once promised rest and relaxation (not to mention some epic Netflix bingeing) end up bringing a whirlwind of feelings, forcing Felipe to dive head-first into every unresolved issue he has had with himself -- but maybe, just maybe, he'll manage to win over Caio, too