But why does it matter? Duchamp’s act of placing a urinal on a plinth, an everyday commercially produced ceramic object which was transformed by being placed in an artistic context, given a new name, and pseudonymously signed ‘R. MUTT, ‘Fountain’ challenged the art establishment by questioning what we consider to be ‘art’, and started the dissolution of the distinction between art and life. If this was art, anything could be art! It opened the door to consider other mediums in a fine art context, such as those historically rooted in craftsmanship, like ceramics, embroidery, and fashion. Ceramics finally had its fine art breakthrough into the contemporary with UK ceramicist Greyson Perry winning UK’s prestigious art award, The Turner Prize, in 2003. By rendering the function of an object obsolete, the object moves into a space for pure aesthetic contemplation. This functional / non-functional aspect is always one ceramicists wrestle with, especially in contemporary art, and one I am exploring with this series of works. The ideas initiated by Duchamp undoubtedly changed art, and has been explored by artists and makers ever since. I have briefly highlighted some of the artists and works that have expanded upon Duchamp’s ideas, in these celebratory plates which serve as trophies to conceptualism. They are in the recognisable form of a functional plate, but they are made to be hung on a wall as a non-functional display piece.