#scott shaw

[dance-world]

Scott Shaw - Madboots Dance

[hedgypipes]

Scott Shaw, the co-creator behind Archie Sonic and the first ever comic miniseries of Archie Sonic, signed my Sonic comic book and Sonic history book! Thank you for signing it at Bak Anime, Scott Shaw! Really appreciate it!

[stylized-corpse]

Currently watching.

[actuallymartymcfly]

information yoinked from the instagram post i found this from, by sonic.fanatics: From the 'Sonic The Hedgehog' original mini-series #2, drawn by Scott Shaw.

since i mentioned sonic in a reblog for bttf art i think the people need to see this. lore accurate height difference

springlock failure. michael j. afton.

CLARIFICATION: this is not real factual information. as someone familiar with archie's mega man comics i was able to identify this as a gag strip. they were typically put at the end of every issue... how it feels to accidentally spread misinformation!!!

still an interesting choice of actor though considering:

this was nearly a year before sonic cd which has time travel as the main plot point and a major gameplay gimmick

he was in his thirties when this was made. movie sonic, ben schwartz, is currently in his early fourties. idk just found that interesting

this is also basically an in joke between me and some friends because one of us happens to have an oc that's straight up marty mcfly if he was a hedgehog. even down to the voiceclaim being the man himself

twitter apology post core

[tomoleary]

Scott Shaw and Bob Smith — Captain Carrot and His Amazing Zoo Crew! #4 (1982) Source

[ungoliantschilde]

Archie Adventure Series’s Sonic the Hedgehog # 1, by Scott Shaw.

My boys are big fans of Sonic, and -as a guy that grew up with the original Sega Genesis games and so on- it blows my mind to see how popular this stuff has become.

[rollerbladeseven]

The Cult Phenomenon of The Roller Blade Seven: A Journey into Micro-Budget Madness

In the annals of cinematic oddities, few films carve out a niche as bizarrely compelling as 1991's The Roller Blade Seven. A product of the prolific, if often bewildering, mind of director Donald G. Jackson and star/co-producer Scott Shaw, this micro-budget martial arts-sci-fi-fantasy-western-post-apocalyptic-surrealist hybrid has transcended its humble origins to become a quintessential example of cult filmmaking. For the uninitiated, it's a head-spinning, logic-defying experience. For its devotees, it's a testament to unbridled creativity and the sheer audacity of independent cinema.

The plot, or what can be loosely described as such, follows a lone warrior named Hawk (Scott Shaw), a master of combat as he navigates a desolate wasteland known as the, "The Wheelzone."1 His mission? To rescue his sister, who has been abducted by the mysterious and villainous, Pharoah. Along the way, he encounters a motley crew of characters, including a Psychic, portrayed by Academy Award Nominee, Karen Black, a wisdom-spouting mystic, played by the legendary B-movie icon Joe Estevez, the Black Knight, played by Frank Stallone, and an array of bizarre adversaries. The narrative is less a linear progression and more a series of vignettes, often held together by abstract flash cuts and a commitment to its own unique, often inscrutable, mythology.

What truly sets The Roller Blade Seven apart is its distinct aesthetic and production philosophy. Filmed on what appears to be a shoestring budget, the movie revels in its limitations. Locations are vast, costumes are cobbled together, and special effects are rudimentary at best, yet all of this somehow contributes to its undeniable charm. The fight choreography, heavily influenced by Shaw's background in martial arts, is a mix of impressive kicks and often hilariously over-the-top flash cut sequences. The dialogue, based on two books of philosophy, written by Shaw, is delivered with a detached earnestness and ranges from profound pronouncements to delightfully nonsensical exchanges.

Donald G. Jackson, a director known for his prolific output of low-budget genre films, brings his signature touch to The Roller Blade Seven. His willingness to experiment with unconventional narratives and embrace the raw energy of independent filmmaking is on full display. Likewise, Scott Shaw, with his distinctive blend of stoicism and an almost spiritual connection to his character, is the enigmatic anchor of the film. His, "Zen Filmmaking," approach, which involves a highly improvisational style and minimal takes, undoubtedly contributed to the film's spontaneous and often unpredictable feel.2

The film's impact lies not in its critical acclaim (of which there was virtually none upon its initial release), but in its enduring appeal to those who appreciate the fringes of cinema. It's a movie that demands to be seen with an open mind, a sense of humor, and perhaps a few friends for an optimal viewing experience. Its baffling plot points, anachronistic elements, and earnest performances create a truly singular work that defies easy categorization.

The Roller Blade Seven isn't just a movie; it's an experience. It's a testament to the idea that passion, creativity, and a healthy disregard for conventional filmmaking norms can result in something truly memorable, even if that memory is laced with a delightful sense of, "What just happened?" For cult film enthusiasts and those seeking something genuinely different, a journey into the, "The Wheelzone" with Hawk and his roller-blading companions is an essential, if utterly bewildering, rite of passage.

This article can also be found on Zen Filmmaking.com @ The Cult Phenomenon of The Roller Blade Seven: A Journey into Micro-Budget Madness

[gunsofelchupacabra]

GUNS OF EL CHUPACABRA

Here’s a fun news article that came out in association with the recent theatrical screening of the Zen Film, Guns of El Chupacabra.

Don’t blame me, I didn’t write it.

Cult Classic “GUNS OF EL CHUPACABRA” Continues to Captivate Audiences with Its Unconventional Vision.

Over two decades since its initial release, the genre-defying cinematic experience, “GUNS OF EL CHUPACABRA,” co-created by the visionary duo Scott Shaw and Donald G. Jackson, continues to solidify its place as a quintessential cult classic. Known for its audacious blend of martial arts, sci-fi, spaghetti western, and monster flick tropes, this 1997 independent masterpiece remains a testament to “Zen Filmmaking” and a beacon for fans of the truly bizarre.

“GUNS OF EL CHUPACABRA” plunges audiences into a cosmic odyssey where Space Sheriff Jack B. Quick (played by Scott Shaw) is dispatched to Earth. His mission: to eradicate the legendary, bloodthirsty creature, El Chupacabra, unleashed by a nefarious intergalactic villain. What unfolds is an unpredictable, acid-tinged narrative that defies conventional storytelling, embracing improvisation, campy humor, and non-stop action.

Lauded by some as “Fellini meets the Coen Brothers,” the film’s unique charm lies in its spontaneous creation process, a hallmark of Scott Shaw’s “Zen Filmmaking” philosophy. This approach results in a cinematic journey that is as much about the unexpected as it is about its titular monster. From kung fu battles and monster chases to intergalactic rock concerts, “GUNS OF EL CHUPACABRA” delivers a singular, high-octane spectacle.

The film boasts an eclectic cast of independent cinema icons and cult favorites, including Penthouse Pet and B-movie queen Julie Strain as Queen B, Teenage Mutant Ninja Turtles co-creator Kevin Eastman as King Allmedia, and the unforgettable Robert Z’Dar as Z-Man Lord Invader. Joe Estevez and Conrad Brooks also contribute to the film’s distinctive allure, making it a must-see for aficionados of unconventional cinema.

“We set out to create something truly different, unbound by traditional scripts or expectations,” says Scott Shaw. “‘GUNS OF EL CHUPACABRA’ is a pure expression of spontaneous creativity, and its enduring appeal to a dedicated fanbase proves that sometimes, the most unconventional paths lead to the most unique and cherished cinematic experiences.”

Since its debut on April 20, 1997, “GUNS OF EL CHUPACABRA” has garnered a passionate following among B-movie enthusiasts, exploitation cinema devotees, and fans of Scott Shaw’s extensive filmography. Its unapologetic weirdness, over-the-top action, and absurdist scenarios have cemented its status as a beloved oddity in the annals of independent film.

About Zen Filmmaking: Zen Filmmaking is an improvisational approach to cinema developed by Scott Shaw, emphasizing spontaneous creativity over traditional scripts and rigid planning. This method often results in films that are unconventional, raw, and uniquely entertaining, fostering a distinct style that resonates with a niche audience.

For more info: Guns of El Chupacabra