so i think láeg is a character that you can detach from violence (though not from hierarchy, really, except through its subversion) because the role of driver / advisor / intermediary / friend / medic / double is something that can apply in a lot of circumstances. this can exist outside of a battlefield. he only kills people sometimes; it isn't fundamental to him
however. cú chulainn does not meaningfully exist without violence. this watchdog is an obligate carnivore, you know? it is his entire raison d'être in a lot of ways. you take it away and you hollow out everything that makes him what he is. that's what warrior aristocracy will do to a guy, that's what giving up your name to be a watchdog will do to a guy, that's what fame and a short life will do to a guy. you can shift the metaphor and make it into something else but it's always going to be a metaphor for violence and defence and territory and borders
(not that i haven't tried. i made him a ballet dancer. the violence slipped through eventually)
but how might you redirect or reframe or reimagine that defensive role, in a world after violence, in a world beyond war? where might you channel it?
i'm thinking about the reincarnation fic that I've been stalled on for two years and how all the pasts that they remember are of dying horribly and that question of: is there another way we can live? if we find each other are we surrendering to this same pattern again? will it always end the same way?
láeg can exist differently. can cú chulainn? much to think about.