On Animal Sounds
There’s a huge difference between what we perceive animals to sound like and what they actually sound like. Most of us know this by now (I think the red-tailed hawk vs. bald eagle meme has been circulating for a while) but this gets a bit more subtle too.
Most eagles in film are actually using recordings from Red-tailed Hawks. Bald eagles make a cackling sound, and you can hear this notably in Brother Bear (2002).
Film horses whinny all the time. Real horses express most mild emotions with their bodies, and louder noises are only reserved for the most excited emotions. You know who whinnies almost as often as most horses in film? Stallions when they’re losing their minds about mares.
Humans are verbal creatures, so we tend to communicate with sound where animals communicate with their bodies. Most animals in media are way more vocal than they actually would be in real life.
Media often relies on restricted auditory shorthand. Growl expresses anger. High-pitched noises convey fear or excitement. Purring indicates contentment (in real life, it doesn’t always). But there are subtler noises like chuffing, grunting, and groaning that we don’t hear in fiction very often.
I find this leaves non-visual media lacking in animal body language, when there isn’t a soundtrack that needs to communicate to the audience. Consider the ways in which many animals communicate:
Spinal/muscle tension
Degree of staring or averted eye contact
Body position
Orientation (facing toward vs. away, to the side, etc.)
Movement of tails or limbs
Pheromone signals
Scent markers














