Street Photography...my New therapy.
Now you guys who've been here a while will already know about my love for Street Photography.
Just of late I've been dealing with some significant work stress.
I'm meditating and getting outdoors. I usually exercise regularly in the gym but I've not been for a week now.
I've needed something else to immerse myself into and take my mind away from the stresses at work.
I've chosen to throw myself into more Street photography.
I've been reading what I can only describe as one of the best self help books I've read. I'm sure the author Sean Tucker intended this book for other means, yet I say self help because it is self help for creatives.
In writing this book Sean has helped me to do some real soul searching and I've made some discoveries along the way.
I've leapt out of a creative rut, discovered my photographic Raison D' Etre and I've started to connect with my photography in an entirely new way. And it feels great.
I've let go of my, probably unhealthy connection with Social Media for a more casual relationship. I've started to invest more time in helping others by getting back into coaching again.
In essence I've completely fallen back, head over heels, in love with my photography again. But this time without the baggage that has us doubting ourselves or comparing ourselves to others too often.
The book is a mix of philosophical narrative, which Tucker presents with a gentle, non-patronising delivery. He writes with an honesty and degree of vulnerability that allows the reader to truly connect with his story. One which some of us share in many aspects.
However, where this book differs from all others about improving your photography let's say, is that it's applicable to all creatives.
Indeed it doesn't focus on photography, but instead talks about just being creative and the struggles we can all face. Then he begins to unwrap some of this and gives you some suggestions on how to unpack your creative blocks let's say, re-organise your priorities (pretty much you as a person really) in a conversational manner rather than a list of what to do and what not to do.
It's also a bit of an auto biography for Tucker. And what an interesting and varied life he has led.
Anyway. I tell you this not to try and sell you his book (although I can HIGHLY recommend it), but instead to explain to you how I have refocused my creative attention and some of the tools I've used to do this. It's got me into a much better place creatively. This book was the significant catalyst.
Zone Focusing...the street photogs secret weapon.
I've gone back to shooting on the Sony a6300 for now when shooting street scenes. The articulating screen is great for this genre and as I have been using some 7Artisans manual focus lenses (25mm f/1.8 and 55mm f/1.4) I've been using the superior Peak focusing in the Sony a6300.
However. Today I was using zone focusing. This is where you set your aperture and focus point so that you have. A zone within which any subject entering that zone will be in acceptable focus.
The advantage of this method is that you set your focus and aperture then you shoot. You can also preset your shutter speed and just switch ISO to auto and then just focus on what's going on around you and composition. It's the fastest possible way you can shoot. Yes, it's even faster than the fastest AF, because you see, you shoot, you move on. That's it.
It's a truly liberating way to shoot and before anyone even notices you you're done and gone.
It's great and I highly recommend it.
If anyone wants me to go into this more and talk through how this is done, comment on the post and I'll sort something for you guys.
So here are some more shots, all of which have been shot with the focus zone method.
I have to say, I went to meet a pal for lunch today and so went to the city an hour early and shot for an hour before our meet.
It was easy to fit in and it was so therapeutic just pointing my fully manual semi pro (some might say) Camera as a point and shoot, but a point and shoot that I had complete control over the metering etc and firing away. I didn't do any chimping. Just shot and moved on.
I managed to hit focus about 98% of the time I have found when I examined the images at home. It was great.
And the important bit...I was feeling complete overwhelm with stress a couple of days ago. I couldn't be arsed doing anything.
I knew that was totally not me.
Getting out to shoot in this way, no stress shooting basically, allowed me to just completely immerse myself and be present in my environment and just to shoot for the sheer pleasure of it.
So my gratitude goes out to Sean Tucker for writing what is a truly amazing piece of work and to photography for saving me from complete burn out.
So this last image was taken yesterday by my amazing wife who managed to catch a rare image of me with a genuine smile.
So that's it guys. Comment, like, share follow and hit me up for any observations, any questions and feel free to share your stories in the comments if you've had a similar experience to the one I describe here.