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Martin and Howard sitting in a mostly empty room with a banner above them that says “body horror movie villains who are CSA victims that kidnap people and turn them into their only source of comfort via medical malpractice support group”
Howard: too niche?
Martin: *nods*
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Martin is a brony and he has a pinkie pie plushie. Prove me wrong
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hi i didn't know this blog existed until now. neato
anyway i'll keep this short: i love martin lomax so much like he's literally all i've been able to think about ever since i got hyperfixated on the human centipede. i could yap for hours analyzing every little thing he does.. it's especially fun to do if you interpret the film as a daydream (the link is to an interview where that idea comes from.. spreading my propaganda. i am Very Adamant about this lol). i think at this point tom six should just hand me the rights to martin.. i know him on a more intimate level & i'd treat him so much better, trust !
uhh also the song hello kitty by jazmin bean is super-duper martin coded. ok thank you ♡
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This is my edited final Flour Sack sequence based on the feedback I received last week in my Animated Sketchbook tutorial. Like my tutor suggested I made the flour sack a lot heavier looking by adding a slower get up and a wobble when he does stand to show the lack of balance in weight. There reference I had for this is shown in the previous post, a scene from Wall-e. This really helped me envision what I wanted from my flour sack, drawing a few reference pictures before finally sketching them out on TV Paint. I think this is a definite improvement from my previous flour sack sequence that I thought I had finished, so I’m glad I had that tutorial with my tutor to point out my inconsistency with weight.
The other day I rewatched Wall-e with my boyfriend and it reminded me of how great of a film it is. The story is beautiful that is brought to life so well by its 3D animation, it made us sob in parts because the emotion was so real. Anyway, I remembered this scene when I was looking for references of how to make my flour sack heavier when it got up off the ground in my second sequence. What I particularly loved in this is the wobble in the captain when he stands up for the first time, like a new born baby, his shape even resembles a flour sack! From this reference, I am planning to do a few sketches of the flour sack that imitates this realistic movement for my own animated sequence.
All day Monday I was working on my second animated sequence with my flour sack. This is the final animation, the narrative has changed from my plan because I took into account what my tutor had said by focusing on the waking up of the sack; how he would do this and how he would get up. I used some of the previous TV Paint drawings I did for my practice flour sack animations because I liked the sack’s appearance, and it meant drawing less frames.
I’m very pleased with how this turned out, I think by focusing on the waking up really improved it because the movements look more realistic. This is due to the fact I based them on my own movements when I get up, these are usually slow and more drawn out (stretch, shake of head) than I originally planned, and with a touch of exaggeration, to follow the principles, it looks pretty good. The one improvement I would make is to make the flour sack bigger so that you can see the movements a little more clearly.
Another primary reference of myself standing up from a sitting position on the ground in a different way, to help me plan the movement for my second sequence with my flour sack.
Second sequence - First try
I have done the second sequence and the photo above is the evidence of it. I haven't uploaded the video yet since I want to upload it together with the other sequence. The photo above is the screenshot of the second sequence. I have added light effects/burn effects. I have played around with multiple frames and different animation for the text. Most of the shots for this sequence is the close up shots.
