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Portrait of Lady Sunderland, (details), (1786), by Sir Joshua Reynolds (English, 1723 – 1792), oil on canvas, 238.5 cm (93.8 in) x 147.5 cm (58 in), Gemäldegalerie, Berlin

#Portrait of Lady Sunderland #sir joshua reynolds #painting #my upload #oil on canvas #art #18th century #painting detail #detail #painting details #Philippa Elizabeth Dorothy Malone #portrays high-status elegance through a Grand Manner style #Commissioned by her husband upon his elevation to the peerage it emphasizes her elevated social standing (1745–1831)#through a luxurious flowing white dress and a scenic idealized landscape #Subject:#Philippa Elizabeth Dorothy Malone wife of Richard Malone who became Baron Sunderlin of Lake Sunderlin #Composition:#The portrait uses 17th-century court portraiture conventions reminiscent of Anthony van Dyck to emphasize wealth and nobility #Setting:#Lady Sunderlin is positioned against a background of shadowed trees leading to a sprawling hazy evening landscape #which lends a romantic elevated tone to the piece #Attire:#She wears a flowing white silk grown with a finely worked chiffon shawl highlighting her delicate grace and wealthy status #Artist's Style:#The painting showcases Reynolds’ typical rich coloring and loose hazy brushwork in the background

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Coming Up:

Ciel Phantomhive and Alois Trancy are called for a case set in Paris after a Nobleman gets mugged by a gang member from the gang Les Apaches, who urgently beg for it to be hidden from the public to not have his family targeted. The pair and their most trusted servants go to Paris to solve the case, bringing with them on the trip Doll who can help with some street logic and fighting skills. While there, the three run into Maurice Cole who turns out to be nephew of the robbed nobleman. As well as reaper, Grelle Sutcliff, who confirmed more there's something more at foot with her mere being there.

Cast:

Sebastian Michaelis

Ciel Phantomhive

Doll

Alois Trancy

Maurice Cole

Hannah Annafellows

Grelle Sutcliff with special featuring Ronald Knox

Ships will be the following: Cielois CielDoll Maurekles/Dollrice since @blondeaxolotl has officially won me over to this point in AU and canon SebaGrelle And implied onesided-RonGrelle

The Story will have:

Internalized homophobia/biphobia

Past Abuse

Ciel's the only one who seems to have a good relationship with his parents

Assholes beating people and getting their asses beat back

Sebastian having a crisis

Alois is clingy

Period related issues such as sexism and classism

Too much fluff. Like I'm gonna rob a fluff factory

Story boards would be posted at some point as well as the full fic soon, please get ready yall

#black butler #cast:#ciel phantomhive #sebastian michaelis #black butler doll #alois trancy #maurice cole #grell sutcliff #grelle sutcliff #ronald knox #hannah annafellows #setting:#paris france

good morning

#sergle art #artists on tumblr #illustration #character design #setting:#ur next door neighbor is really cute but i only see her when she comes out for a smoke in the morning... do you think she'd like me

La Fleur (The Flower) (by 1945) by Delphin Enjolras (French, 1857 – 1945), signed (top right): ‘DEnjolras’, pastel on paper, 58.5 cm (23 in) x 71.5 cm (28.1 in), Private Collection

#La Fleur #The Flower #delphin enjolras #painting #my upload #pastel #art #20th century #exemplifies the artist's signature style of intimate academic portraiture depicting women in soft luminous settings #It embodies a tender aesthetic focus on beauty and feminine grace often featuring gentle lighting typical of his late #career work which bridged realism with Impressionist warmth #Medium and Technique:#The work is a pastel on paper showcasing Enjolras's mastery of the medium #Subject Matter:#features a young woman in an intimate quiet moment a common theme for the artist #Setting:#Typical of Enjolras the scene is likely illuminated by soft natural or artificial light highlighting the subject's features #Artist Context:#Delphin Enjolras was a French academic painter known for his portraits of women reading sewing or in quiet contemplation #often in interiors or park settings #The piece reflects the artist's dedication to capturing delicate evocative moments often bringing a sense of romanticism #the rigid academic style of his training

La confesión (The Confession) (c. 1883) by Vicente Palmaroli y González (Spanish, 1834 – 1896), oil on canvas, 137 cm (53.9 in) x 63 cm (24.8 in), Museo del Prado

#La confesión #The Confession #Vicente Palmaroli y González #painting #my upload #oil on canvas #art #19th century #a genre scene that uses visual irony to depict the courtship rituals of the upper-middle class (bourgeoisie) in the late 19th century #Courtship and Flirting:#he title is a witty allusion to the romantic interaction taking place where the basket chair functions #as a metaphor for a church confession booth. The scene portrays a gallant conversation between two young people #The scene portrays a gallant conversation between two young people typical of bourgeois leisure scenes.#The Beach Confession:#Palmaroli who spent time in Trouville-sur-Mer Normandy highlights a fashionable pastime setting the scene on a sunny beach #The man is shown wooing the woman with the setting acting as a stage for romantic tension #Social Setting:#reflects the refined leisure-oriented lifestyle of the high bourgeoisie in 19th-century Europe #focusing on courtship rather than labor #Artistic Focus::#The vertical format concentrates attention on the interaction between the two figures #employing a light color palette and a precise detailed technique #Characters:#young woman sits comfortably in a traditional beach basket chair (a beach-basket) while a man in a black suit and top hat leans toward her #hat in hand in a courting pose #Setting:#The background features a sunny beach a faint sea view and soft clouds.#Subject:#The painting is part of the genre painting tradition which was highly popular at the time for its portrayal of contemporary life #refinement and social commentary

The Sisters (also known as The Three Sisters of Dean Liddell) (1864) by Sir William Blake Richmond (British, 1842 – 1921), oil on canvas, Tate Britain, London

#The Sisters #The Three Sisters of Dean Liddell #Sir William Blake Richmond #painting #my upload #oil on canvas #art #19th century #famous Victorian portrait of Lorina Alice and Edith Liddell the daughters of Henry Liddell Dean of Christ Church Oxford #The painting set against the Great Orme in North Wales symbolizes the innocence of childhood #and serves as a key artistic representation of the sisters who inspired Lewis Carroll's Alice in Wonderland #The Subjects:#The painting features (left to right) Lorina Edith and Alice Liddell. Little Alice is shown in profile on the right #looking at a book on her sister's lap mirroring her known love for stories #Inspiration for Alice in Wonderland:#The three sisters were companions of Charles Dodgson (Lewis Carroll)#Lorina inspired the Lory Edith the Eaglet and Alice the titular character #Context of Innocence:#The painting portrays a nostalgic idealized view of Victorian childhood featuring the girls in a calm natural landscape #reflecting the Romantic era's appreciation for youth and nature #Setting:#It is set against the Great Orme mountain in Llandudno North Wales near the Liddell family holiday home Penmorfa #Significance:#It is a milestone in Richmond's career and highlights the fascination with the Liddell sisters #who were also photographed extensively by Lewis Carroll and Julia Margaret Cameron

Carmignano Visitation (also known as The Visitation and Visitation) (c. 1528-1530) by Jacopo da Pontormo (Italian, 1494 – 1557), oil on panel, 202 cm × 156 cm (80 in × 61 in), San Michele e Francesco Parish Church, Carmignano

#Carmignano Visitation #The Visitation #Visitation #Jacopo da Pontormo #pontormo #painting #my upload #oil on panel #art #16th century #a masterpiece of early Florentine Mannerism characterized by its intense spiritual psychological and aesthetic intensity #The painting depicts the meeting between Mary and Elizabeth emphasizing their spiritual connection #the mystery of the incarnation through bright unnatural colors and a unique compositional focus on movement and emotion #The Subject (Luke 1:39–56):#The painting depicts the Virgin Mary visiting her cousin Elizabeth #Both are miraculously pregnant—Mary with Jesus and Elizabeth with John the Baptist #Mannerist Style:#It breaks from Renaissance traditions with its unnatural colors (petrol green orange pink) elongated figures and complex drapery #The Double Structure:#Pontormo portrays four women creating a complex interaction where Mary and Elizabeth interact while two other figures—#often interpreted as onlookers or Mary and Elizabeth again—look out of the painting #creating a direct psychological connection with the viewer #The Embrace:#The centerpiece is the intimate almost dancing embrace between the two main women showcasing a lozenge or diamond-shaped composition #Symbolism:#It represents the first public recognition of Jesus as the Messiah with the bumps (the pregnant abdomens) meeting in the center #Setting:#The setting is a quiet simplified city street creating a calm metaphysical atmosphere #that contrasts with the emotional intensity of the figures #The painting commissioned by the Pinadori family is housed in the Pieve dei Santi Michele e Francesco in Carmignano