Kanna {character web}
illustration by @jwhitnee
Kanna is the main character of my epic fantasy series Shadow’s Prey, which can be read for free here.
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seen from China

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seen from Malaysia
seen from Malaysia
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Kanna {character web}
illustration by @jwhitnee
Kanna is the main character of my epic fantasy series Shadow’s Prey, which can be read for free here.
WBW: The Neither
So apparently it is World Building Wednesday here on writeblr! I'm still pretty new so I don't have as much on here about my stories for people to ask about, but sometimes my brain writes entire essays about aspects of my story/world and well... why not actually write them and share? I started doing this in my author comments to some extent when I was posting Act III of SP on Tapas, but there is... a character limit.
This is obviously not an actual structured essay, I don't have the discipline for that anymore, but... its a lot of thoughts that are somewhat organized about a single world building aspect for the Lifrasir Universe, which both (all?) of my projects take place in.
My askbox is open if you have any general questions, as well! I will try to answer, or maybe it'll be something that gives me an idea for a longer thing and I can continue doing this or something like it for WBW.
I've tried to keep this as spoiler-free as possible, but some things are bound to slip through in order to talk about it.
The Neither
The Neither is an actual place in Shadow's Prey, but it also plays double duty as a metaphor for Kanna's dissociative symptoms related to PTSD. (CW embedded in that statement, though nothing is mentioned in detail here.)
As Place
illustration of Kanna facing a version of herself in the Neither, from Act I of Shadow's Prey. by @jwhitnee
The Neither is called such because it is between "here" and "there" but isn't either one. It is a plane that exists between the living and the dead, between the real and what comes after. Haru describes it once as "the throat of the universe." If time and space are shaped like an hour glass, it is the pinch point where the sand filters through.
The people of Lifrasir have no true conception of what happens when they die beyond that they go to a place that cannot be reached or breached. What happens after death is beyond them. This belief, if one wants to call it that, comes from the fact that the gods of Lifrasir died long ago, and nothing of their powers has been seen since. The Neither is the gate that a soul passes through, but it isn't actually a place or concept that is known or spoken of in the world.
Kanna is inherently linked with the Neither due to her abilities as a "shadow" loa. Unfortunately, this means that she feels every death. This isn't really something she thinks about--it is like the sensation of breathing to her. However, those that die by her hand are felt more keenly because she is tuned into the act.
People are not meant to traverse the Neither. However, Kanna drags Osawa bodily through the space momentarily, and when he returns to the "real" world his abilities are modified. Kanna and by extension Haru are immune to this effect.
At one point it is implied that Kanna created the Neither. This is partially true. After experiencing a traumatic shock, Kanna unconsciously created a kind of pocket dimension within the Neither.
As Metaphor
illustration from Act I of Shadow's Prey. by @jwhitnee
Ghostlike versions of Kanna roam the Neither, referred to as echoes. They are from different times of her life, each holding parts of her fractured memory.
Kanna first visits the Neither in Act I via projection. Because she no longer has her memories at that time, she is unaware of where she is or what is happening. Therefore the Neither, which operates on a kind of dream logic, is seemingly out her of control.
Memory in Shadow's Prey works by association. For instance: the first thing Kanna regains is the memory of who she is--but in a factual, logical sense. She knows her titles and those of her companions, as well as a wikipedia-like rundown of her past. However, she does not have the context, such as the memories of events themselves or any emotional connection to them.
As the story progresses, the ways that Kanna interracts with the Neither also change. As Kanna regains her agency, she also begins to regain control of the Neither and the memories that reside within it. Unfortunately... to get more into detail on that gets into spoiler territory...
Read Shadow's Prey on: [ TAPAS | ROYAL ROAD | NEOVEL | WATTPAD ] Support me on Ko-Fi
{SP Short}
I have honestly gotten such a lovely welcome to writeblr after starting this blog... heck, I haven't even managed to do a proper WIP intro for my main series yet, and I've about passed my main blog follower count.
But I started to think I should maybe have... some writing here, probably. So I was looking for something and stumbled across this piece I wrote a while ago that has never seen the light of day. Guess that makes this a tumblr exclusive?
Also, what better way to introduce my story's battle couple than the classic "who did this to you" trope?
There Are Worse Things
Things have returned to normal at the Palamidia's Tower after Vahn's Saint Trials… or at least, they should have. Despite Velinius's warnings, Kanna can't stop thinking about Haru, the Prince of Lugos. Even worse, she can't seem to stay away from him.
characters: Kanna, Haru, Vahn word count: 1.3k CW: implied violence, blood.
Haru was late.
On the sideline of the sparring arena, Kanna watched as Vahn worked with one of the Prospects, stopping to correct the girl’s form. She looked up at him, wide-eyed and soft, before they began again.
Kanna rolled her eyes, leaning back against the bench. She adjusted the wraps around her knuckles again, unwinding and rewinding them, trying to focus on the feel of the cloth against her skin.
Unfortunately, she couldn’t focus.