#shadywithink

[marshallbmathers]

Eminem! Marshall Mathers is THE sexiest man alive! Plain & simple. The man is hot, he's ultra talented, he's smooth as silk on the mic when he's spitting fire - he's amazing. As I'm sure you know.

[marshallbmathers]

Isn’t Marshall Mathers too beautiful for words??

[marshallbmathers]

Marshall Mathers, the coolest, the sweetest, the sexiest man in rap.  Fuck it, he’s that all across all boards.  He’s so professional on his sites & order just one thing from The Official Eminem Store & you’ll see they are all about quality & that professionalism shines through there too.  Eminem, the man everyone wants to know.  I know I do.  He’s just got such an amazing charisma that pulls people toward himself.  I’m loving the new album, Music To Be Murdered By, Side B.  It’s got lots of the sounds we all love to hear from Marshall.  Ah yes, Marshall B. Mathers the 3rd is my vote for the greatest man to grace the stage.  Have you seen him up there?  Holy fuck is right.  The man is amazing!  It’s true, you know. He is.  Look at him here, looking so gorgeous & confident at the mic.  And just to mention his style ~ Ahhhh, dreamy or what?  Dreamy ...

[kloraphate]

INT. MILITARY OFFICE - MORNING Anna is seated at her new desk, in her new office, wearing a military uniform - skirt and shirt. She is typing on the computer, looking to her right, entering what is on some papers inside a file. There are 10 files on her desk. She has the door closed. There's a KNOCK. She looks up. ANNA Come in. Sergeant Grant enters. SERGEANT GRANT Anna, I hope you are making out okay here. ANNA Yes, thank you, Sergeant Grant. I've done what I could with 2 files. Did you want to take a look? SERGEANT GRANT Yes. Grant comes around behind Anna's chair and looks over Anna's shoulder. SERGEANT GRANT Very good. I'll leave you to it. Pausing by the door … SERGEANT GRANT We have a program with lunch hours. You will receive your card, and you can eat in the cafeteria as part of your benefits, for free. ANNA Thank you very much. SERGEANT GRANT You're welcome. I should have that for you no later than next week. She exits. INT. DINING ROOM - SLAT AND REX'S HOUSE - NIGHT The group is around the table eating supper. Graeme isn't there, nor is Johnny. JOSH It's not like Graeme to miss a meeting. SLAT Ya, I know. REX Last night, we had a rescue go bad. REBECCA What happened? SLAT We found out a man was being released, and Rex went out and got him, brought him back to the attic. Turns out this guy is working for someone to find out about us. MELANIE Oh shit! BRENT How far did it go? REX A couple of drinks, just about to have a smoke. MIKE What the fuck happened? REX Guy had to take a leak. The entire group goes hush, all but Anna. ANNA I don't get it. What's the big deal? SLAT You can't pee the first night coming off Klora. ANNA Oh ya, I didn't all night with all that whiskey. Huh. JOSH About Graeme … MIKE He didn't answer your text? JOSH No. How about I go check his place tomorrow? SLAT Be fucking careful. This rescue thing and now Graeme - got a bad feeling. JOSH I think all of us do. INT. ANNA'S OFFICE - MORNING Anna is at her computer typing. There's a KNOCK on the door. Anna straightens herself. ANNA Come in. GENERAL EDWARD ANDREWS, 58, quite sexy and graying at the temples, enters, closes the door, and stands before Anna. ANNA Hello. GENERAL ANDREWS Hi Anna. I'm General Andrews. I wanted to come welcome you. ANNA Thank you general. GENERAL ANDREWS What do they have you working on here? Data entry? ANNA Yes Sir. GENERAL ANDREWS Are you enjoying that? ANNA It's fine, Sir. GENERAL ANDREWS Why don't we find something where you can use your talents and schooling? ANNA That would be wonderful. GENERAL ANDREWS Come with me. He turns, exits. Anna follows.

[alonethemovie]

INT. THE HOUSE - BASEMENT - MOMENTS LATER - CONTINUOUS BETH (TO ASA) Asa? Where are you? He appears right in front of her. ASA Jes? You called? BETH Ya. What'd you find? ASA Nothing was waiting for you. His hair curly and really long. ASA Aren't you going to say anything about my lovely locks? BETH Lovely. Very lovely. You hit the nail on the head. I want to see if they have firewood. Kendall appears. KENDALL Near the campsites. You'd find lots this time of year. People sell it from their driveways, plus too the sites will have lots. Both Beth and Asa stare at Kendall. KENDALL What? I come from a small town with a few lakes. We camp. BETH It's a really good idea. ASA Let's check it out down here and look outside next. They walk a bit and look inside the rooms. They find a LADY dead in her office chair in what looks like a little office. BETH What do we do? ASA Roll the chair to the garage, or someplace she won't bug us. BETH We have to keep her? KENDALL Indeed. Or this house becomes off limits within days. BETH You know all this stuff, too? KENDALL Like I said, I'm a good dancer, and I'm smart too. He spins around in place. Stops. KENDALL Ta-da! BETH Bravo! You're an amazing dancer. KENDALL Thanks, Beth. Maybe we can be friends … if your best buddy over there wouldn't mind too much? Asa is now facing a wall, arms crossed, leg out, foot tapping against the carpeted floor. KENDALL Is that a no? ASA I don't like you. KENDALL I can teach you to dance! Asa spins around to face Kendall. ASA DEAL!!! Beth laughs. BETH I'd like that, both of you friends. That's good stuff! We see Asa with his hair like normal, Kendall smiling, doing a little jig, and Beth pushing the chair, lady in tote, to find the garage. INT. THE HOUSE - GARAGE - DAYS LATER - AFTERNOON Beth shuts off the engine of a different, larger SUV. Kendall is in the front passenger seat with Asa seated in the back. They have the entire back area, behind Asa, full of nicely cut firewood. In the garage, we see stacks of firewood in the second car spot. They all get out of the vehicle. We see the lady on her chair, dead, in the corner. She's slumped over, arms hanging down beside the chair's arms. Beth, Kendall, and Asa walk towards the back door entrance to the house. BETH (TO LADY) Hi Betty! Good to see you! Beth gives a wave to their garage resident. We look at "Betty." ASA Betty, you look so nice today. What's different? Is that a new dress? KENDALL She's looking fabulous! ASA Isn't she, though? BETH Lovely. They enter into the house. EXT. APARTMENT BUILDING - YARD - AFTERNOON Beth is standing back with a shovel, looking at her work in getting the bush planted. Her hair slightly longer. Asa is wearing his hair up in a bun with a white visor on his head, longish blue shorts, and a baggy, white t-shirt with a gardening apron. We see a flat of flowers, and a few more bushes and shrubs around the yard, still in their original buckets. Kendall is doing elaborate cartwheels, ending with bows to Beth and Asa. They acknowledge him with bows. We see the front door of the building has beautiful, long drapes now. BETH Let's go inside for a drink. She places the shovel up against the building and walks the steps up to the landing before the door, turning to see her work. BETH It looks great! Asa and Kendall appear on the inside of the building. Beth is looking for them in the yard until she sees them holding open the drapes, staring at her, pointing, and laughing. BETH Very humorous. Ha ha. She opens the door and goes inside. INT. APARTMENT BUILDING - 1ST FLOOR - SAME TIME We see a couch down in the entryway, boot mats (3) scattered around the area, and a set of hooks on the wall that wasn't there before, with a few lanyards and keys hanging on it. The guys wait for Beth to take off her dirty shoes. She places them on a boot mat. BETH Looks good in here. We've got to gear up for winter really soon. Tomorrow is the first day of Autumn.

[alonethemovie]

EXT. YARD OF APARTMENT BUILDING - NIGHT The building's outside lights are on. There's now a pretty red flowering bush, still in its original bucket, where Kitty disappeared. EXT. SUPER MART - PARKING LOT - DAY - CONTINUOUS Beth has a large designer tote. Asa and Kendall are nearby searching the dead. KENDALL Someone tell me why we're doing this. ASA How many times do I have to say this? Because she'll need it. BETH I get it, Asa. She finds a lady near a car. BETH Got one! KENDALL Why are you only getting ladies' purses and not wallets from the gents? ASA She doesn't want to dig to find the wallet of a dead guy. Asa looks at Beth, gives her a look as he says: ASA For a smart guy, he's not so smart. Kendall laughs, but it's phony. Asa and Beth give each other another look. ASA Let's go inside, there's some money to be had! Happily, he skips toward the store with Beth running to catch up to him. Kendall kicks a rock and heads in after them. EXT. THE SUV - MOVING - A FEW HOURS LATER - CONTINUOUS Asa is in the back seat, chewing gum, blowing bubbles. Kendall sits up front, with Beth driving. ASA Beth? Do you see any homes you'd like around here? BETH Well, if I can just choose … ya! I want one with a fireplace. ASA Good thinking. What about that one? He points to a nice home, not too big, not too small. Beth pulls into the driveway, parks. She jumps out. Asa and Kendall follow. EXT. THE HOUSE - DRIVEWAY - IMMEDIATELY AFTER BETH Ya, but how do we get in? ASA First, check the doors and windows. KENDALL Kinda creepy doing this. ASA Again, she's gonna need it. KENDALL Why? What's wrong with the apartments we've taken over? ASA Nothing. Nothing at all. ASA (TO BETH) Let's go around back. He starts off in that direction. Kendall leans up to the truck. Beth hurries after Asa. INT. THE HOUSE - KITCHEN - MOMENTS LATER We see Beth standing in the older, retro-style kitchen, avoiding the broken glass on the floor. We see a large rock amid the glass. The door's window was shattered. ASA Find the broom. BETH We should look for people. ASA I wanna see what it's like in here! Kendall stands just before the doorway, with the mess inside. KENDALL You'll have to fix that window if you're planning on living here through winter. ASA Yup. BETH Oh man, that could be fun. ASA You're capable, able, and good to go on stuff like this. He strolls around with his hands in his chinos and sees the broom closet. ASA Over here. Beth opens the door, finding two brooms, a dustpan, a mop with bucket, and many cleaners that are sitting on the shelf above the brooms and such. BETH Jackpot! Grabbing a broom and dustpan, she tidies up the mess, sees the garbage pail against the wall, tosses the glass. ASA Let's gooooo check it out! (beat) I'm excited! He scoots off in search. Beth gets the broom back in the closet and follows where Asa went. Kendall, with his right leg forward, shoe pointing, jumps and leaps high across the floor with ease. His arms out to his sides, head back. He then bows. CUT TO BLACK.

[kloraphate]

INT. ATTIC - NIGHT - CONTINUOUS Everything is the same as we saw with Anna when she was rescued. Sean looks around nervously. REX I hope you like whiskey, Sean. SEAN Ya sure, whatever you've got. Rex is at the table pouring the drinks but keeping an eye on Sean. REX Here you go, man. This'll help. Rex doesn't tap his glass to Sean's. They drink. SEAN I can't believe you were just right there for me. I'm fucking disoriented. He rubs his face with his free hand, takes off the hood. SEAN We're safe now, Bro? Rex pulls his own hood down. REX Ya man, the worst is over. Here have another. He pours them both another, and they drink. REX Ya, I remember when it happened to me. I was fucked right up. By tomorrow, you'll feel like yourself again. Smoke? SEAN Please. First, though, I've gotta take a piss. REX For sure. Right through there. Rex points to the bathroom. Sean puts his glass on the table and enters the washroom, closing the door. Rex quickly goes to the table, puts his glass down, reaches for his gun in his chest holster under his hoodie, points the gun at the bathroom door, and approaches it. REX One. Two. Three … Rex kicks the door in. We see Sean standing, talking on his cell phone. BANG! Sean's dead. REX Bad toad! Bad! BANG! - the phone is dead too. Rex grabs the phone and tosses it into the toilet, flushes. He kicks Sean's foot, ya he's dead. Rex gets his cell phone from the table, punches in a number. SLAT (V.O.) 'Ello? REX Need to order a pizza. CLICK. Slat ended the call. INT. KITCHEN - NIGHT The table is moved, the area rug is rolled up, and the trap door is open. We can see the light is on. INT. CELLAR - NIGHT - CONTINUOUS Rex and Slat are carrying Sean's body in a body bag into a room we haven't seen yet. It's got an incinerator in it, a very compact one for human cremation. It's square. REX O-ee-ya, eeohh-ya! O-ee-ya, eeohh-ya! SLAT (in a little girl's voice) We're off to see the wizard, the wonderful wizard of Oz. REX O-ee-ya, eeohh-ya! SLAT We hear he is a wonderful wiz if ever a wiz there was. REX Eeohh-ya! They get to the incinerator, put Sean down. SLAT If ever if ever a wiz there was there was because because because because … SLAT (in his voice) What set you off? REX Had to piss. SLAT Fucker. REX I know. SLAT (TO SEAN) You're pretty big there, Sean, and you're gonna be a tight squeeze in our little oven. But we're pretty confident you deserve a nice toasty exit from this glorious world of ours. REX Fucking guy would weigh 250. (beat) It's been almost nice knowing you, Fuck nuts. SLAT And we're off to see the wizard … EXT. HOUSE - NIGHT - MINUTES LATER We see the house with smoke coming from a vent on the roof - round, silver, and about 3' tall.

[alonethemovie]

BETH And you're lucky I … She rushes at him and tries to push him in the chest. Her hands go right through him. BETH You're a delusion. I'm truly the only one here. She stands back, covers her face with her hands. Kendall disappears. ASA (O.S.) Now whatcha gonna do? Beth sits at her computer, starts browsing. She's searching and reading some results. ASA Smart. He stands behind her. She's reading. KENDALL (O.S.) Stick with that loser, and you're going to waste your life away while you could have been dancing your way through your days with the beautiful me! BETH (ignoring Kendall) Says here, Asa, that delusions and hallucinations can come from trauma and stress. I've had some trauma in my past. And I'd say I'm pretty stressed. Hmm. I wonder. ASA I don't like that guy. BETH I think I'm with you on that. We've got to get to work. ASA Let's figure out what's the most important thing to do today. BETH Water. ASA Check BETH Food. ASA Check. Kendall reappears. KENDALL Dancing. ASA Go away! KENDALL Can't. She loves me. BETH How would you know? KENDALL I'm not only gorgeous, but I'm smart too. ASA Humble. Don't forget humble. Kendall is mildly chuckling to himself. Asa, with his hands on his hips, watches Beth. She stands to get her pad of paper with their list. She sits on her comfy chair. Kendall appears at her feet, on his knees. KENDALL I love you, too, Bethany. Don't be afraid. ASA Oh ya, that's love alright. KENDALL (TO ASA) Who's asking you? You can leave. Take your final exit. Beth stands. BETH I'm going to make something to eat. Excuse me. EXT. FRONT OF APARTMENT BUILDING - DAY - CONTINUOUS We see Beth, Asa, and Kendall standing by an SUV. Beth has a large area rug in her arms. She's heading up the steps, and the door is propped open. Asa is right after her. We see Kendall doing a bit of ballet on the cement before stepping to the door. INT. SECOND APARTMENT - MOMENTS LATER Beth is bringing the rug into the living area. We see several rugs, all new in wrap, lined up against a wall. There's another freezer, many panels of drapes in packaging still, and a couch.