#sky macklay

[garadinervi]

Catherine Lamb x Ghost Ensemble, interius/exterius, (Vinyl/LP, Digital album), 010, greyfade, 2025

Composed by Catherine Lamb Performed by Ghost Ensemble

Margaret Lancaster: flute Sky Macklay: oboe Ben Richter: accordion Lucia Stavros: harp Chris Nappi: hammered dulcimer Martine Thomas: viola Tyler J Borden: cello James Ilgenfritz: contrabass Gregory Chudzik: contrabass

Recorded at The Bunker Studio, Brooklyn, New York, NY

Package Design: Joseph Branciforte

[jgthirlwell]

Ghost Ensemble performing the world premiere of Catherine Lamb’s Exterius / Interius at the tribute to Richard Teitelbaum concert at Roulette Intermedium NYC. Event organized by James Ilgenfritz. With Margaret Lancaster (flute), Sky Macklay (oboe), Ben Richter (accordion), Chris Nappi (percussion), Lucia Stavros (harp), Martine Thomas (viola), Tyler J. Borden (cello), James Ilgenfritz (contrabass), and Kyle Motl (contrabass), with special guests Catherine Lamb (viola), Katie Porter (clarinet), Jen Baker (trombone), and Thomas Verchot (trumpet).

[samelnicomposer]

"Many Many Cadences" by Sky Macklay, Spektral Quartet

Many Many Cadences By Sky Macklay, Spektral Quartet From the album Serious Business Added to Favorite Classical Works/Movements playlist by Sam Melnick on April 3, 2019 at 11:34AM Listen on Spotify

[sound-meets-sound]

We Who Walk Again - CD review

Well I've been meaning to review this one for a while: We Who Walk Again by @GhostEnsemble0 feat. music by Pauline Oliveros, Sky Macklay, and @BenRichterMusic

//bandcamp.com/EmbeddedPlayer/v=2/album=2191616582/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/

Music composed for a deep listening that fixes you in the present has fascinated me for well over a decade now. As someone who is constantly thinking of the past or the future, I find it incredibly challenging to stay with the present. When I do manage to rise to the challenge…

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[conradtao]

hell yeah

[jgthirlwell]

3/25/15  A large version of Wet Ink Ensemble performed new and recent works for chamber orchestra by Columbia graduate composers at the Dimenna Concert Hall in Hell’s Kitchen. Interestingly all of the works used software processing (Max MSP) and surround sound in addition to the acoustic instruments.  The works included “Convergence Lines” by Christopher Trapani, which had particulary effective multi channel effects worked into the composition; the solo piano piece “Metal Works – Part 1″ by Nina C. Young, which was performed by Kathleen Supove; Stylianos Dimou‘s “spasmodic frictions: "Aria Impulsiva", V.2″ for eight instruments and electronics; the showstopping “K. tracing” by Ryan Pratt; Sky Macklay’s White/Waves and  “Diptych: Irène’s lament-Auguste’s grief” by Ashkan Behzadi, which was accompanied by film.