Wanted some notes on the dimensions of the buckles I makeeasier to reproduce that way. Might add some further decorative details too, we'll see. Weeks almost done so let's all keep going and do our best! 🔥
seen from Australia
seen from Kazakhstan

seen from Malaysia
seen from United States
seen from United States

seen from Sweden

seen from Russia

seen from Uzbekistan
seen from T1
seen from United States

seen from Malaysia

seen from Denmark
seen from United States

seen from Canada

seen from United Arab Emirates
seen from Malaysia
seen from T1
seen from Malaysia

seen from Sweden
seen from Japan
Wanted some notes on the dimensions of the buckles I makeeasier to reproduce that way. Might add some further decorative details too, we'll see. Weeks almost done so let's all keep going and do our best! 🔥
Book Review: Forging Japanese Knives for Beginners
Ernst G. Siebeneicher and Jurgen Rosinski. Forging Japanese Knives for Beginners. Atglen PA: Schiffer, 2013. ISBN 978-0-7643-4556-2.
While it seems odd for a book originally in German to be discussing the smithing of Japanese knives, this is an excellent little book on the subject beginning with smelting the iron and finishing with two nice examples of different traditional Japanese knives -- a tanto and a hocho.
Following a short historical introduction, Siebeneicher and Rosinski describe the construction and operation of a bloomery furnace and the selection of steel from the resulting bloom. This is then followed by chapters on the tanto and hocho, and discussion of care of the resulting blades, safety, and the tools used.
All and all, it’s a nice overview of the process, starting earlier than most smiths do. My one quibble with the text is that while the products are very Japanese, the processes are basically European. Since the text, at least in this edition, is aimed at English-speakers (and the original was aimed at a German audience), this isn’t a bad choice. As a result of that choice, most of the processes are ones that as an American smith are either already in my skill set or not far from them.
This allows the focus of the work to be on what is being forged, and it’s clear that the authors have a reasonable familiarity with both the techniques of a (European) smith and with the traditional Japanese blades.
The section on the tanto covers many of the techniques that go into the larger weapons, including a brief discussion of steel composition and differential hardening (the latter of which produces the distinctive hamon). The fittings are also described, including the construction of the habaki and fitting of the handle and sheath (although the subject of wrapping the handle is omitted).
The second knife project is a Japanese kitchen knife, and here the discussion includes background on the different types of kitchen knives and some nice tidbits about Japanese-style smithwork, including how a hard steel edge is added to a mild steel body. The authors also include a discussion of traditional hocho handles and sharpening the kitchen knife.
In a way, the title of this book is a little misleading; I don’t think a complete novice could take this book and produce the knives described without quite a bit of trial and error. Someone wanting to learn about Japanese smithwork may be a little disappointed, although there is enough here to be worth the reading. But even a modestly competent smith will find enough here to give them a nice set of projects to work on. I liked the book, and have pulled it out several times to re-read sections. If you’re a European-style smith with an interest in expanding your repertoire, this is a very nice little book.
A long-ish pukko. Laminated steel, 1095 and 1018, although not much of the 1018 jacket survived the forging and grinding into the finished blade. Bronze buttcap.
New journey... Or am I going the same way??? I hope not! #travel #life #folkart #smithwork #tattoos