The fight between Eldra and Maul is so sad! He is, of course, also a student at the time.
"Darth Maul,” Issue 5. Marvel. July 19, 2017. Writer: Cullen Bunn. Penciller: Luke Ross. Colorist: Nolan Woodard.

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The fight between Eldra and Maul is so sad! He is, of course, also a student at the time.
"Darth Maul,” Issue 5. Marvel. July 19, 2017. Writer: Cullen Bunn. Penciller: Luke Ross. Colorist: Nolan Woodard.
jesus you guys i help my breath throughout that whole episode
Every panel in "The Night Beast” goes OFF! It’s truly a forgotten masterpiece.
Star Wars Newspaper Comic Strip: “The Night Beast.” March 24, 1982. Writer: Archie Goodwin. Illustrator: Al Williamson.
It’s Anakin Week again! Yesterday I shared a panel of young Anakin rescuing a womp rat on Tatooine; today, here’s a panel of Anakin after lashing out at a group of attacking animals. Though he struck in self defense, in context this violence is still a failure, since Obi-Wan was able to calm his animals down.
(Interestingly, during the arena monster battle in “Attack of the Clones,” Anakin is the one who calms his monster down. Nothing is simple with these two!)
The two comics were created by two different writers -- two different publishers, even -- but they make an interesting narrative together. Though his childhood on Tatooine was difficult, Anakin took every opportunity he could to be kind and generous. His time as a Jedi, however, was more stressful, with more high-stakes situations and moral quandaries. He obtained more power, and he faced more vicious opponents, until violence and death became more and more normal for him. So much for learning control...
I love animals a lot, but Star Wars -- like a lot of adventure-genre fiction -- treats them pretty terribly. So I always appreciate when characters are good to animals, or at least feel bad when they are mean to them.
“Obi-Wan & Anakin” (trade paperback). Marvel. July 19, 2016. Writer: Charles Soule. Penciller and Inker: Marco Checchetto. Letterer: Joe Caramagna. Colorist: Andres Mossa.
Presenting the most tormented man in all of Star Wars comics: 🖤🖤🖤🖤🖤𝕏𝕖𝕤𝕙, 𝕞𝕪 𝕓𝕖𝕝𝕠𝕧𝕖𝕕🖤🖤🖤🖤🖤
“Dawn of the Jedi: The Prisoner of Bogan,” issue 1. Dark Horse. November 28, 2012. Writer and co-plotter: John Ostrander. Penciller and co-plotter: Jan Duursema. Inker: Dan Parsons. Letterer: Michael Heisler. Colorist: Wes Dzioba.
Let’s make a rainbow! Day 2: Red!
What a great face.
Storyboard by Derek Thompson, drawn in the early 2000s for Revenge of the Sith. Found in Star Wars Storyboards: The Prequel Trilogy, edited by J. W. Rinzler and published in 2013.
One of the biggest narrative problems in the original Star Wars movie is it doesn’t do enough to show the emotional consequences of Alderaan’s destruction. An inability to care about the main woman character’s feelings for something other than a male love interest -- misogyny, dare we suppose? Some Star Wars spinoffs have made this problem even worse (The Force Awakens destroys the entire Hosnian system with even fewer consequences), while some have addressed it in their own creative terms (KotOR 2′s main premise; graveyard-dwelling villains like Tag Rogaren and arguably Dr. Arakkus); and of course there is the underwhelming 2015 Princess Leia comic series.
It should be no surprise that my favorite spinoff that addresses this concept is Lost Stars, which makes Alderaan’s destruction the villain origin story for Nash Windrider, my beloved!
“Lost Stars,” Volume 2, Chapter 7. September 3, 2019. Original YA novel by Claudia Gray. Adaptation and Illustration by Yusaka Komiyama.
I love the mood and the little details of this beautiful pencil sketch. Check out the creepy bug crawling out of the cave, the attention-grabbing darkness of the entrance and its reflection, and Luke’s anxious posture emphasized by clinging to his tools of “crude matter” (not just his lightsaber, but also a wrench in his pocket). The unfinished quality of the vines and rocks adds to the feeling of dreaminess and unworldly significance -- like all of existence is fading away, except for Luke’s destiny.
I love when quick, impermanent sketches carry more meaning than a fully-rendered painting could. Though I suppose, on a philosophical level, this impermanence is complicated by the fact that the sketch was scanned and published in a book, and that scan was rescanned and published online by me. So for the full emotional effect, you just have to imagine that this picture is on a yellowing piece of paper in front of you and could be totally wiped out by Pink Pearl eraser.
Storyboard by Ivor Beddoes, drawn in the late 70s for Empire Strikes Back. Found in “Star Wars Storyboards: The Original Trilogy,” edited by J. W. Rinzler and published in 2014.