#spn 5.02

[jaredwalkersam]

Sam Winchester S2 → S5 → S9 → S12

[i-make-fun-of-spn-characters]

[spngeorg]

Episode 84, 5.02 Good God, Y’all

Edwin Starr gave us the perfect title for both halves of this episode. :’D

Good God... or at least Cas is hoping God would care about his creation, even if we eventually learn the truth years down the line. The hope and faith Cas has now is destined to be shattered in horrific ways that will power his arc for the rest of the series, though, so I am here for it.

And War, the first Horseman of the apocalypse we meet and definitely the easiest to defeat at least. Even if you can’t actually kill War, you can see it for what it is. It’s definitely an eye-opener for our heroes, yes? Seeing through the cosmic manipulation, even on this relatively low level, will become their biggest tool in defeating The Narrative™.

(too bad it finally crushed them for good in the series finale, but anyWAY >.>)

(yes, sorry, I end up yelling about that quite a bit, as is to be expected)

(I’ve just accepted that every episode of the series will just involve me yelling about why the finale sucked at this point)

that said, have some LINKS!

The Superwiki page for this episode

My tag for this episode

Two different promo clips from the CW and SpaceTV

Listen now on AnchorFM, or wherever you enjoy podcasts!

[jennsens]

[outoftouchthursdayschild]

Stackednatural: 5.02 Good God, Y'all

[foxthefanboi]

Whumptober Nº12 - Broken Trust

[mittensmorgul]

the fact that the Samulet is both the physical representation of sam and dean’s brodependency AND the (supposedly, but the details are a little blurry) one object in the world that detects chuck’s presence is honestly beautiful. Your Relationship With Your Brother Is Not Healthy And On A Completely Unrelated Note God Is Not As Far Away As You Would Expect

Unpopular opinion? omg I hate that thing and everything it represents. Or at least everything it grew to represent, you know?

I mean, even in 3.08, we learn the only reason Dean has it at all was because John failed to show up for Christmas. That’s… already not a great start. Dean tried to do what he could as a 12-year-old (well, a month shy of 13, but still super yikes) to give 8-year-old Sam SOMETHING for Christmas, but his holiday burglary totally backfired. Dean was ordered not to tell Sam about what John actually does, but Sam found out on his own anyway, so Dean failed there, too. But Sam gave Dean the charm that had supposedly been intended for John (with the assumption that until that moment, Sam didn’t have a present specifically for Dean, either– I mean he was EIGHT it’s not like he had a credit card and a way to shop). So metaphorically, whether Sam understood or not, that amulet became a talisman not for their brotherhood, but as Sam’s chosen caretaker, or parental figure, which Dean would loop around his own neck and wear for decades after. And just… OW. I’m sorry that episode always kills me.

It was supposed to glow in the presence of God, and during s5 dragged Cas into a hopeless search for help to stop the apocalypse. Because as we won’t learn until 11.20, Chuck… just switched it off. It had always been just a hunk of metal. Chuck, king of the self-retcon for his own convenience, right?

This is the kind of storytelling Chuck’s relied on all along. He doesn’t control character choices, but arranges circumstances around them driving them into ever narrower alleyways until they’ve effectively been cut off from any reasonable or good choice to make.

Like his little Ghostpocalypse at the beginning of s15. He supposedly snapped his fingers and tore a hole into Hell, and then did nothing else to manipulate the story past that point. But I seriously, SERIOUSLY beg to differ with that theory, based entirely on the sequence of events that resulted.

If Chuck had no involvement in what came after he tore open the hell rift, then why were the Winchesters plagued by ironically specific ghosts from their own past? Out of all of Hell, why THESE specific ghosts?

He’s not writing specific things as they happen. He’s GOD ffs. Like his stupid Equalizer gun, intent matters. And it doesn’t seem to STOP mattering if he’s just THINKING about his themes as opposed to actively WRITING them like a person would.

That brings us to Belphegor, with a specific tie to Lilith– not only an associate of hers from back in the day, but someone who knew about another specific MacGuffin that has never ever ever been mentioned before, yet bore a remarkable similarity to the effect of the spell Cas used to eat purgatory back in 6.22. Or even a more sinister twist on the Gabriel’s Horn spell that summoned angels to it back in s9.

Chuck… doesn’t have an infinite playbook. He’s not all that creative, for someone who created *waves hand around at everything.* As Amara pointed out and is now enjoying, Creation DID get bigger than just the two of them, and as Chuck himself has pointed out, humanity has created beautiful things that not even he would’ve thought of. He used music as a specific example of that. So he’s not hopeless, just… stubborn. Like Sam’s visions that hadn’t made sense at the time, which he now understands are coming from Chuck, I think this IS Chuck’s “writing process.” His intent, made manifest by whatever means necessary.

Which FINALLY brings us back to the point here, and your original question, because I do think it’s fundamental to understanding Chuck and how he’s always manipulated the entire story. He thinks of something cool, and then… it’s just… reality. And he lets everyone else around him think they arrived to this terrible situation because of their own choices, when he’d been actively switching off amulets, and randomly shoving bad guys and magical weapons into their path to lure them into his blind alley traps where they were left with no good options.

I mean, 15.03 was going to have one of two solutions: Belphegor with Godstiel powers that Chuck could then just sit back and watch him destroy the world (and TFW), or Rowena (aka the Winchesters’ most powerful friend and ally) sacrificing herself to stop that from happening. It’s not that Chuck is literally sitting down and plotting all of this out like a writer, this is a fundamental aspect of what Chuck IS. His intent matters. And he intended this to be the Beginning of the End, metaphorically and literally. What happens next might shift by choices made at each juncture, but he’s not “controlling the story” so much as he’s laying out Choose Your Own Adventure scenarios.

And it all goes back to the way he used this particular amulet symbolically throughout the entire series. It means what he wants it to mean in any given moment, you know? And it’s HORRIFYING.

Like the similar amulet introduced in 14.17 that Joshua supposedly created to talk to God– when his connection with God had always run the other way, with Joshua just listening without a real way to talk back. Chuck only answers, as we saw in 14.20, when he’s ready to.

Kinda makes me wonder what Chuck wrote about that amulet back during his s5 books– his unpublished masterpieces that Marie got hold of and based some of her musical on in 10.05. I wonder if she ever even read about Cas and his search for God, and that power of the amulet. We know Chuck HEAVILY edited his “Winchester Gospels” to make him out in a better light. Like editing out the whole “Sam and demon blood” arc, because supposedly it made SAM look unsympathetic. When in reality, with what we know NOW, anyone reading these as a revelation of God’s Divine Plan would be HORRIFIED that God himself would’ve done this to Sam against his will, you know? How much did that change what was written versus what actually happened in the world?

Kinda laying money on “He didn’t write anything about the amulet failing to find God.” And therefore Marie never knowing just how traumatic a symbol it became for both Dean and Cas. 

And from 11.20, and Metatron’s calling him out over his self-aggrandizing writing that was heavily skewed to casting himself in the best possible light over accurate reporting, that’s the mindset from which I’ve looked at ALL of Chuck’s “writing” ever since. He’s the least reliable narrator, and has always “written” the story that makes him out to be the good guy in all of this, even when he’s actively been the villain behind the curtain the entire time.

And the Samulet was our first clue.

[webcricket]

Castiel 5X02 Good God, Y’all!