Jul 8, 2018
My stakra screened at Video Art Miden Festival, in Kalamata (GR). Seaside screening at Thalassa lounge.
seen from China
seen from Australia
seen from Malaysia
seen from United States
seen from Brazil
seen from Netherlands
seen from China
seen from United Kingdom
seen from Türkiye
seen from Indonesia
seen from Netherlands
seen from United States
seen from Italy
seen from France
seen from Malaysia
seen from China
seen from China
seen from Germany
seen from Brazil
seen from United States
My stakra screened at Video Art Miden Festival, in Kalamata (GR). Seaside screening at Thalassa lounge.
▶️my stakra will be screened in #Liege for #EUROVIDEO2018, curated by #Videographies, out of competition but in loop during the three days of the #festival, March 15-17 ⏸then my Chronoscope is back in #NYC, for the #show Persistence curated by #AXW, March 21, at CUNY #TriBeCa #Campus. Both soundtracks ⏺ by beloved @vvoonntteessllaa ⏹ #stillframes #stakra #wobulator #analog #synths
You can glean a certain careful trepidation present in many of the latest by the elder (statesmen). Yes, you are correct they seem to be afraid. For instance, Ryuichi Sakamoto doesn't behave like a person who is scared, though he does probably go towards this direction thanks to the shadow of his cancer diagnosis, his fear does make sense. However, one also hears an incredible optimism in his late style. While he would agree the world is in a state of disarray, he tries to locate a semblance of hope. When he does the latter, he puts that up front. I mean, async might be for me one of his brightest LPs. Listen to the cut on the link – is he talking to Ramona Andra Xavier about him being the originator of vaporwave? The music on the song does point there.
“but how can i put a name to what it is that i want? how am i to know that i really don't want what i want, or that i really don't want what i don't want? these are intangibles that the moment you name them their meaning evaporates like jellyfish in the sun.”
― andrei tarkovsky, stalker