- There was an “Avenue Q” singalong going on in one of the dressing rooms; Tyler was finishing up his Frollo makeup while singing “Everyone’s a Little Bit Racist.”
- Alex was singing a little bit of “Flight Into Egypt” like Kermit the Frog while at the makeup table (shortly after Tyler left). I suggested that he actually sing it like that, to which he said “It’d be funnier if we all did it,” to which we both started singing it like Kermit.
- JP went up for his mic check and was trying to sing high tenor to no avail, so one of our ASMs told him to come back upstairs for a re-check “since [he] sounded awful.” JP ended up getting access to one of the headsets and said “I am Broadway; I’m the voice of Jesus coming from on high.” The ASM who was roasting JP before eventually asked “JP, or Mr. I Am Broadway,” to come back upstairs for places (the Gitani are on stage at the top of the show).
- Kevin and Mason stuck around in the audience for the entire show last night; Kev typically sits in the lobby and Mason can leave at intermission. But, they stayed because they loved the run.
- Tyler closed our pre-show circle today, and in his speech, he declared “Hunchback” the best and most magical CMT show he’s been a part of, in no small part due to everyone’s hard work…and he’s done over 15 shows. I gave him a hug afterwards and told him that his speech was very sweet, which it was.
- I was feeling overheated on my pedestal, and I started getting black spots in my vision—which are a precursor to loss of consciousness for me—during “God Help the Outcasts.” So, I very slowly slid downwards into a squatting position whilst leaning against the wall until the spots subsided. (During our brief break before “Heaven’s Light,” I went downstairs and drank essentially half of my water bottle.)
- Armand grinned when he saw me singing choir in the corner after “Heaven’s Light,” and we had a fist-bump again; this might become tradition.
- Valeria sang the end of Frollo’s first line in “Esmeralda” offstage, which is especially funny since she’s Ezzy.
- Odessa looked at me in confusion when she came up the stairs during “Esmeralda” because my beard was resting against my nose (since I didn’t have to sing for a short while but didn’t want it on my chin, since it’s hot); I pulled it down and smiled at her. She smiled back.
- A bunch of people checked in with me during intermission to make sure that I was all right, which was very sweet of them.
- Mason and Janice were apparently prepping a rescue after Mason saw me slide down the wall; they were in the alcoves in case I fell. I wanted to find Mason and thank him, but couldn’t.
- Just before Kevin left in intermission, he was pretending to be an audience member with some folks in the cast, asking rapid-fire questions that we get a lot…but in ridiculous voices.
- Mitchell got a coffee delivered to the stage door. He was carrying it downstairs when Niko jokingly said, almost like Roz from “Monsters Inc.,” “You’re not supposed to eat in your costume, Mitchelllll.”
- I fist-bumped Cam and Niko after they, Armand, Ashley, Tori, and I sang a wicked-fun “Entr'acte”
- During our break during Act 2, the angels were talking about children being creeped out by statues at the beginning of the show. Creeping out children is always good.
- As Mitchell was going up the ladder during the finale to do body-double stuff, he heard me singing my choir part, stopped his climb, looked at me, and twerked. I gave him a thumbs up while singing, after which he finished his ascent.
- After curtain call, (Gitani) Andrew and I were singing “Out There,” and we started this mob of humans singing it downstairs.
- When I left the Montgomery, I still had some grey-painted spirit gum on my flesh. I mentioned it to Heidi (one of our show coordinators) and she said “It means you’re a theatre kid.” That’s true.