seen from Czechia
seen from T1
seen from Germany
seen from Germany
seen from Australia
seen from Yemen
seen from Japan
seen from Mexico
seen from Russia
seen from Netherlands
seen from Germany
seen from United States
seen from China
seen from Latvia
seen from Germany
seen from Australia
seen from China
seen from Germany
seen from United States
seen from United States
The New Albion Radio Hour be like:
"Look Lloyd, I may have kiddnaped the policeman, threaten him, make some cuestionable spirits possess him and used him as a weapon of mass destruction against his comrades and possibly the larger population.... but I draw the line at killing him!" Says Jacky while hugging her new adopted child
Thomas, the very confused policeman ".... does this mean I get approval to date Constance again?"
*cue narrator Lloyd facepalming so hard
If Dolls of New Albion was performed in London this summer (2025) would you consider going to see it
Yes
No
I dont know this musical
I live too far from London/cannot travel
I would be interested but only via a livestream
ATTENTION PAUL SHAPERA FANDOM
check out the animatic I made of a song from Kevin & Abi and the Secret of the Golden Pendant!!
https://www.youtube.com/watch?v=dDN7kzwCJqE
ok thanks have a great day!! ps Kevin loves you :D
also pps see if you can catch any references in the background!! ;)
I just got into new albion, and decided to draw how I imagine the dolls of new albion cast would like like! I had a lot of fun making the outfits
Got my friend to sit through it and she was very confused but she made this for me so that was nice
There’s inventors and inbred In upper class it’s been said And Annabelle McAlistair who’s raising up the dead. Annabelle McAlistair who’s raising up the dead. Clever little Annabella with her clever head, oh Annabelle McAlistair who's raising up the dead
Narrator, the Dolls of New Albion
It’s voting day!
America please vote for like, not dead people.
Yesterday, I saw the Scottish Opera do ‘The Magic Flute’ and I’m still reeling b/c it was LOVELY but here are some of the big things that stood out to me:
1. I got a front row ticket for £10 ($12.50) because I’m under 26. I bought it online weeks in advance. I didn’t need a student ID, and there was no rush or limit on where I could sit. Anyone under 26 could sit anywhere in that theatre for £10.
2. They sold programs for £4 ($5). In the US/with Broadway, these would be $20 and have mostly high quality photos of the show with one ‘behind the scenes’ essay spread. The one I bought at Magic Flute was all essays about gender, history, etc., except for their ‘what to listen for’ section (which I needed, b/c I don’t know much about opera) and synopsis. I understand a lot about both the opera and this production of it now that I couldn’t have gotten anywhere else.
3. There were LEDs in the furies/Queen of the Night’s dresses. Like holy cow these women SPARKLED. I refuse to vilify them b/c if you wanted me to think they were bad you wouldn’t have made them so pretty. Look at her. Her whole crown lit up:
4. Papageno belongs in Glasgow in a way he wouldn’t have in Edinburgh. This whole production belongs to Glasgow in a really special way (which I got partially from the program). Like... it feels like opera for the Everyman, which from the program’s thing about history is very much the original vibe for the piece.
5. It had a steampunk vibe, which I LOVE.
See that monster? That little bells man? The exact aesthetic I want from theatre.
6. They used vernacular in the translation. Papageno was “a bloke”. He dropped a decent number of “bloody hell”s too, I think.
7. The old woman next to me was very sweet and made sure I understood both the plot and the references to the Masons, b/c a 21 year old American is not your average opera goer in Glasgow, Scotland. It was very nice of her and also she may have fallen asleep for portions of Act II.
