#steven hall

[24601orwhatever]

Harryjolras I miss u king this was so iconic of you

[deadgayturtles]

😔 steven hall R you will always be famous

[bandcampsnoop]

8/3/26.

Fans of Arthur Russell take note. Nirosta Steel "represents 40 years or so of works, re-works and works-forever-in-progress of one Steven Hall, aka Nirosta Steel — son of Scotland; step-son of the United States of America; adopted Daddy of Taiwan; Five-Star General in the Buddhist Army; legendary horndog stickman (we have pics!); friend, neighbor, collaborator and co-conspirator of Arthur Russell." The co-conspirator release is called Foxy Pup.

Similar to the work of Arthur Russell, this can be experimental but there is always a sense of pop at its center. The album is being released by Ulyssa, a label based in Mexico. I love that right after they state the LP will ship in August, they state, "please be patient with us we're just a brokeass lil tape label <3". The first tape they released was a live set from John Mellencamp where he called one Lou Reed on stage. Wow.

Nirosta Steel (Steven Hall) relocated from New York to Champaign, Illinois.

[d3cember18]

royal albert hall AND radio city music hall?!? The diva you are Les mis 🫶

Put Bradley back, put James back, put everyone back!! Get us that cast recording!! Heal nature!!

@deadgayturtles put Steven Hall back!!!

[nofatclips]

Signs by Arson Daily, live at Indie Fest in Charlotte North Carolina on April 30th 2021.

[doctornolonger]

I love you. Get out!

“I’d like to see a butterfly fit into a chrysalis case after it’s spread its wings.” —Second Doctor, shortly after beginning to exist (1966)

People are sometimes surprised when I mention that the unproduced story I regret the most isn't any of the many cancelled FP projects but Steven Hall's Fifty-Fifty, which would have wrapped up some of Big Finish's best character arcs with a conflict between the Seventh and Eighth Doctors at "the moment where 7 went bad".

It would have been the retroactive pinnacle of Wilderness Years, taking its two Doctors with such different characterizations and pitting them against each other. It also … doesn't make a ton of sense. Even taking into account the timey-wimey memory effects of a multi-Doctor event, how could such a dramatic character arc for the Seventh Doctor possibly come and go without the Eighth Doctor – his future self – having any idea?

This question keeps coming up in Doctor Who, and every time the answer feels contrived. Steven Hall would have solved it for Fifty-Fifty by introducing a "Temporal Wish" that allows parts of history to be rewritten without timeline damage. Elsewhere, Big Finish has resorted to hand-waving: every story where characters meet out-of-order has to involve an ad hoc disguise, a memory wipe, or a promise from one of the characters that next time they'll pretend not to have met (🥴). And don't even get me started on "season 6b"!

In what Ingiga cleverly calls Doctor Who: The Return, RTD faced the same question. What if we had more Tenth Doctor stories, not squeezed into any of the well-trodden gaps in his timeline but set after The End of Time – genuinely new stories, taking the character places that it never would've made sense for him to go (such as therapy)?

RTD answered this question twice. Once the regular way, the ad hoc way: David Tennant's contrived return at the end of The Power of the Doctor. And then, emboldened by the Power of the Showrunner, he solved it again – and he solved it for every story, now and forever.

I think down the timeline, they all separated. They all went like that. All the Doctors came back to life with their individual TARDISes. The gift of the Toymaker. And they're all out there traveling around in what I'm calling the Doctorverse. It's the Doctorverse. And I want to create a future in which Sylvester McCoy, he can survive and have an adventure. Because one of the things about The Star Beast is, to get you back and Catherine, we had to jump through so many hoops. Which is great story, but it's like, why can't you just arrive and step out the TARDIS? […] Because this is exactly what Big Finish does. It's exactly what everyone does in their imagination. […] It's time to just kind of open it up and say, they're all out there now.

Or as he put it a different time,

Doctors galore, with infinite possibilities. All Doctors exist. All stories are true.

Gig's latest piece rightly dismisses the "Flowchart" theory of bigeneration, but frankly, I think the fiddly stuff about "fix" vs "fixed" etc. is a red herring. The simple fact is that if Fourteen's post-Giggle memories flow backwards into Fifteen – if Seven's post-TV Movie memories flow backwards into Eight – bigeneration wouldn't solve the Fifty-Fifty problem.

Yes, RTD tries to have his cake and eat it too. In the dream logic of The Giggle, "emotional healing" is a mysterious essence that can be transferred through time independently of memories, just as incinerated roads can magically heal themselves in The Star Beast. But in terms of what RTD's trying to accomplish, in terms of what bigeneration is, I think it's okay to take him at his word.

Speaking of words, the leak called it "bi-regeneration", and even after the episode aired, much of the internet followed suit. But that's not what it's called. It's just bigeneration: not a type of regeneration, an alternative. And indeed, now we have this option – now we have Fourteen, not just Ten – why would we ever go back to playing the timeline-squeezing game? If Big Finish officially untethered itself from the past Doctors' timelines and, say, freed Eight from his interminable death march – would anyone miss it?

Lawrence Miles certainly didn't think so when he advocated a similar untethering 24 years ago.

When you watched Doctor Who as a kid, it kind of lost some of its edge from the start, because you knew for a fact how things were going to turn out. […] I've always felt that the Missing Adventures… or PDAs, or whatever you want to call them… have got a similar problem. The Doctor can't die [or go to therapy – n8.] We know the future, it's not even an issue. That was why I did what I did in Interference. Even if they don't like it, I hope people realize there's a purpose behind it all. It's suppose to justify the existence of the PDAs. From that point on, you can never be sure what the outcome's going to be.

Nobody picked up his suggestion back then, but then again, Miles lacked the Power of the Showrunner. If Tales of the TARDIS' therapeutic dreamscapes are any indication, it won't be long before other writers adopt RTD's in-vision musings as gospel.

So what will happen when Fourteen dies? Will he regenerate? Will he dissolve into sparkles, his ✨emotional healing✨ shooting back in time to become Fifteen? Or like the prior iteration of the "Tenth Doctor happy ending offshoot" idea, is he simply mortal now? The frank answer is that we'll probably never find out: that's simply not the kind of story that bigeneration is meant to tell.

Or maybe RTD's already told us. The quote earlier about "Doctors galore" came from the note accompanying his "Doctor Who and the Time War". That story shows us an Eighth Doctor who survived to the very last days of the Time War, with no War Doctor to be found; it's easy to imagine a bigeneration on Karn not unlike RTD's speculation that "Peter Davison once was left behind on the surface of Androzani and woke up and there was a TARDIS and he carried on having those adventures."

And in the story – released almost seven years after The Night of the Doctor showed us the birth of the War Doctor – Eight struggles, and he succumbs, and he regenerates … into Christopher Eccleston's Nine. Now there's a flowchart that I could get behind.

[daredevil-artwork]

Daredevil by Steven Hall

[bracketsoffear]

The Raw Shark Texts (Steven Hall) "Eric Sanderson wakes up with no memory of who he is or any past experiences. He is told by a psychologist that he has a dissociative condition known as fugue but a trail of written clues purporting to be from his pre-amnesiac self describe a more fantastic and sinister explanation for his lack of memories. According to these, he has activated a conceptual shark called a Ludovician which "feeds on human memories and the intrinsic sense of self" and is relentlessly pursuing him and will eventually erase his personality completely.

Also at one point there's about 30 pages of an ASCII shark moving towards the reader. Could easily be interpreted as the Ludovician actually approaching the reader in a Leitner-ized version. (Spoilers under the cut)"

The Helmet of Horror (Victor Pelevin) "Eight people find themselves in eight different rooms with a labyrinth behind them and a computer in front of them. They try to communicate via the computer that allows them to chat with one another, but has nicknames set for them(IsoldA, UGLI 666, Ariane…) and blocks their personal information. They(and us) can't know if they are lying. When two of them try to see each other by visiting a spot in the labyrinths that should be the same they each then recount a completely different experience and accuse each other of lying. Another character claims they all must be figments of his imagination, he must be very drunk. And they're all afraid of the minotaur. It is a book where no one, even the reader knows what's real, everyone is afraid of what might appear if they turn a corner and no one knows what's going on."

Spiral Leitner Bracket Round 1 Bout 1

The Raw Shark Texts (Steven Hall)

The Helmet of Horror (Victor Pelevin)

Voting ended onMar 19, 2024

[SPOILERS] "When the Ludovician attacks Eric, he decides to go in search of a doctor named Trey Fidorous, identified by the letters from his previous self, in the hope he may be able to help to explain what happened to him and how to defeat the shark. Eric travels through Britain in search of clues and is contacted by a mysterious figure called Mr. Nobody, who is part of a megalomaniac network intelligence called Mycroft Ward. Mr. Nobody attempts to subdue and control Eric but Eric manages to escape with the help of an associate of Fidorous named Scout. Scout takes Eric to meet Fidorous, travelling through un-space (an underground network of empty warehouses and unused cellars). They begin a romantic relationship during the journey but Eric feels betrayed when he discovers that Scout has brought him to Fidorous to use him as bait for the shark in the hope of destroying Ward.

With their help Fidorous builds a conceptual shark-hunting boat and they sail out on a conceptual ocean. After a battle with the shark they throw a laptop hooked up to the Mycroft Ward database into its mouth, destroying both Ward and the shark. Eric and Scout remain in the conceptual universe while Eric's dead body is discovered back in the real world."