Mar 12, 2021
Imprints installed in the studio. A bigger wall with better lighting, but I’m unhappy with how textured the wall is, though I can’t change that.
seen from Germany
seen from Switzerland
seen from Australia
seen from United States
seen from Germany
seen from Germany
seen from United States
seen from Malaysia
seen from China
seen from Türkiye
seen from China
seen from China
seen from Canada
seen from United States
seen from China
seen from Malaysia
seen from United States
seen from China
seen from Malaysia
seen from United States
Imprints installed in the studio. A bigger wall with better lighting, but I’m unhappy with how textured the wall is, though I can’t change that.
Log Imprint 6
[Click for higher resolution]
More root photographs. They look almost alive.
My attention was caught by the really long root system of the dying hyacinths I was sorting in the garden and I wanted to photograph them in a way that captured their shape and hair-like appearance.
Selected close-ups of individual works from Imprints.
[Click images for higher resolution]
Imprints
Installation view of my Imprints work.
I intend to re-install in the studio in a few weeks and photograph again in better light, but this is good enough for a crit and to give an idea of the intended display.
[Click images for higher resolution]
Process of preparing the paper for my Imprints work.
Each piece of paper is 10.5 x 21 cm.
Log Imprints 5 & 7
[Click for higher resolution]