Went to my first neko nation in Sydney last night and it was AMAZING. Legs still hurt from all the dancing tho.

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Went to my first neko nation in Sydney last night and it was AMAZING. Legs still hurt from all the dancing tho.
And another again in which I find myself in a photo a gallery puts on the internet. This image looks in thumbnail like an evolution chart x Duchamp's /Large Glass/ but really in actual is of/from a Dara Gill work at the opening of an exhibition at MOP.
Atop the MCA, Vlad coached me on how to smoke like some kind of a nouvelle vague hellion. I think he really did quite well considering that with which he was working, i.e. Bethany in a museum is only really ever disaffected in non-rebellious ways.
Also the profound unseriousness of my nose, here. Is there any wonder I play out the ideas that I so determinedly do? #predestination
Install video of the LuxuryLogico works that IMO are the highlight of the current show at White Rabbit.
So the words "that intimate moment of sharing music" gives me the cold chills of being awkward about actually engaging in/with things via participation rather than observation (and then judgement) and furthermore most kinds of exchange about music are part of the recipe for my personal eyerolling hell, but, you guys like music, right? And it actually is really good and important for people to participate in things, so long as they are not people with my creepy experiential intimacy parameters.
And one thing he's keen to do is continue the "ambitious" trend the Gallery's had of generating its own exhibitions instead of taking packaged versions.
Glad to hear this of the newly-announced Director of AGNSW, Dr Michael Brand. After 33 years of Edmund Capon this is gonna be int-trest-TING!
Via Pedestrian: St Augustine Academy s/s 12, Love and Haight, the final before an indefinite hiatus. Pretty.