North by Northwest (1959); AFI #55
The next film for review was the Hitchcock classic North by Northwest (1959). This movie has possibly the most well known surprise attack scene in American cinema involving a crop duster. I know, it sounds great. The film was moderately successful at the box office and marked the one and only time that Alfred Hitchcock worked with MGM. It was also only one of two VistaVision films made at the studio. Hitchcock was not a man to let studios mess with his work, so he famously refused to cut 15 minutes out of the movie for time and instead cut a total of 5 seconds worth of material. Before I go into any more detail, I feel like this is bordering quickly on spoilers so let me get the warning and the synopsis out of the way:
SPOILER ALERT!!!! THIS IS A GREAT MOVIE THAT I KNOW VERY WELL AND FEEL LIKE IT SHOULD BE SEEN BEFORE IT IS DISCUSSED!!! I AM GOING TO GO OVER THE FILM IN GREAT DETAIL SO CHECK IT OUT BEFORE READING ANY FURTHER!!!
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The whole story begins with a case of mistaken identity. Roger Thornhill (Cary Grant) is an advertising executive who is going to lunch to have a business meeting. He sits down and then remembers he needs to phone his mother so he summons the waiter to ask about a phone. Apparently the waiter had just received a call for a spy named George Kaplan and some thugs are waiting for a signal that will identify the man. Thornhill’s signal is mistaken for the spy’s and the thugs move in and take away the ad exec at gunpoint. They go to the home of U.N. Diplomat Lester Townsend and Thornhill is interrogated by a spy named Philip Vandamm (James Mason) and his right hand man Leonard (Martin Landau). Thornhill tries to say he is innocent, but Vandamm and the thugs do not believe him and stage his death by drunken car accident. Thornhill survives and escapes by car, but he is still drunk and is subsequently stopped and arrested by the Glen Cove police for drunk driving.
Thornhill sleeps off his intoxication at the station and calls his mother to get in contact with their lawyer. The next day, Thornhill tells the local court everything that he remembers happening, but nobody believes him. He even takes them back to the house and a woman claiming to be Townsend’s wife acts like Thornhill was there for a party and left drunk. Thornhill has to pay the fine (a whole $2), but he is still curious.
Thornhill and his mother go back to the restaurant where he was kidnapped and finagle their way up into the attached hotel to find the real spy, George Kaplan. It turns out that nobody has ever seen this man in person so everybody just assumes that Thornhill is Kaplan since he showed up at the room. The thugs have returned and try to recapture Thornhill still thinking he is Kaplan, but Thornhill is able to escape. He goes and visits the UN to talk to Townsend in an effort to shine a light on the situation, but Townsend is confused and says that his wife died many years ago. Suddenly, a knife is thrown into the back of Townsend and all the witnesses around think that Thornhill did it as there is nobody else to blame. Thornhill again escapes and is now running away and trying to find Kaplan in hopes of clearing his name.
I very quick scene of an American intelligence agency meeting reveals that Kaplan never existed and that this was a made up spy to keep Vandamm occupied while they figure out his plans. It is unfortunate for Thornhill, but all agree that he will have to become Kaplan and more than likely die by the hands of Vandamm and his men. Thornhill is unaware of this meeting and continues to run around looking for this non-existent spy.
Thornhill is able to sneak on a train to go to Chicago since he believes that Kaplan is at a hotel there. He runs into a lovely blonde named Eve Kendall (Eva Marie Saint) who seems aggressively interested in him and wants to help him hide out. She knows that he is the man who is being blamed for the murder of the UN diplomat and she seems to want to sleep with him (like a groupie)? She is very straight forward and it turns out that this is because she is working for Vandamm, who is also on the train.
In the morning, Eve helps Thornhill arrange a meeting with the non-existent Kaplan at an isolated rural bus stop outside of the Chicago. Thornhill gets there and finds...nothing? A guy shows up but he is just waiting for the next bus. The only thing around is a biplane crop duster that seems to be dusting empty fields. It dramatically turns and swoops down at Thornhill firing a backloaded machine gun. Thornhill is able to hide in the fields and then manages to get under a passing oil truck, which the biplane smashes into and eventually explodes.
Thornhill steals a truck and reaches Kaplan's hotel in Chicago to discover that Kaplan had already checked out and left before the time when Eve claimed she talked to him on the phone. Thornhill goes to her room and confronts her and she plays naïve. She tries to run away while he is changing clothes, but he quickly follows her down to an auction where he finds her with Vandamm. He insults her coldly and then makes his escape from Vandamm by turning himself in, but the police strangely won’t take him to the station and instead leave him in the care of a man simply called The Professor (Lee Carroll).
The professor finally reveals to Thornhill that Kaplan doesn’t exist and that Eve is actually a government agent working for the U.S. It is also explained that Vandamm has some sort of evidence/information that he is trying to take out of the country and will be leaving by plane from his South Dakota home that is in the woods right next to Mount Rushmore. The Professor leaves Thornhill to play the role of Kaplan and negotiates for Eve at the Mount Rushmore visitor center and she seemingly shoots him to look good in front of Vandamm. Luckily the gun is loaded with blanks (remember this gun, it will come back).
Afterwards, the Professor arranges for Thornhill and Eve to meet and Thornhill learns that she must depart with Vandamm and Leonard on a plane. When Thornhill tries to dissuade her from going, he is knocked unconscious by another one of The Professor’s men and locked in a hospital room. Thornhill is able to escape (he gets out of everything) custody and goes to Vandamm's house to rescue Eve from leaving.
At the house, Thornhill sneaks around and overhears that the sculpture that Vandamm bought at the auction holds some kind of microfilm. Leonard also reveals to Vandamm that the gun was a blank and it is decided that Eve will be killed on the plane. Thornhill must keep Eve from getting on the plane so he gives her a note revealing the plot. She is being lead out to the plane and she makes a break for it, meets Thornhill, and they climb out on to Mount Rushmore to escape. The Professor rushes in with his men and arrests Vandamm while also shooting Leonard.
Unfortunately, Eve has slipped climbing around on the president faces and Thornhill is attempting to pull her back to safety when...he is now suddenly pulling her onto a foldout train bed and he is calling her Mrs. Thornhill. The train enters a tunnel and the movie ends.
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This was the fourth and lowest rated Hitchcock film on the AFI top 100, but I opine that it is the most fun. The constant escapes and the almost relatable situation of a businessman getting wrapped up in something of which he wanted no part of makes this a very easy watch. There really are no slow points in this film and the action is punctuated by good comedy. Drunken Thornhill trying to explain what happened and then desperately bidding at an auction to bide time for an escape his hilarious. My favorite line in the film is when Thornhill and The Professor are waiting at the Mount Rushmore visitor center and Thornhill looks through a viewing scope and says “I don’t like the way that Teddy Roosevelt is looking at me.” That is awesome.
As much as Alfred Hitchcock was the Master of Suspense and the King of Dramatic Climax...his endings aren’t generally very good. He did a terrific job wrapping up Rear Window (1954), making sure all storylines were finished, but he really didn’t end North by Northwest (1959), Vertigo (1958), or The Birds (1963). The movie Psycho (1960) did have an ending, but it was an exposition dump that really was the low part of the film. I love all of these films and the suspenseful build-ups to the dramatic climaxes are extraordinary and put them in a class of their own, but I would not call Hitchcock one to demand a satisfying resolution.
I know that I have done it for every one of the Hitchcock movies on the AFI list, but I again want to give a shout to Saul Bass for the opening credits and Bernard Hermann for the score. The intro to a Hitchcock film puts you in the mood for a good story and the score keeps you interested all the way to the end.
There were some questions from my parents as well as from a couple of viewers about the biplane scene. How was it that the plane passed by and then machine gun fire followed? Well, the plane was a N3N Canary, also known as the “Yellow Peril,” and was a tandem seat training biplane that had an open cockpit. This means that there had to be a a guy in the back with a gun shooting backwards. These were generally converted for agricultural use at the end of WW2. The plane that blew up was a different plane (a Stearman Boeing Model 75 trainer) that was also used as an agricultural duster. Empire magazine rated this scene as the greatest movie moment of all time.
Now that the group has been watching so many movies from Old Hollywood, it became apparent to me how extraordinarily dirty the language was on the train between Roger and Eve. I remember reviewing this film in a college film course and the professor commenting over the scene. She mentioned that this was the only scene of the film that had any cuts and they were made by Hitchcock himself. I also remember Eva Marie Saint saying she was 26 and the professor said, “Ha! Plus 10!” This was a mid 20s female character (played by an actress in her 30s) trying to actively bed a character in his mid 40s (played by an actor in his 50s) who she has just met and spent a total of 5 minutes with. It was all sorts of awkward, and it was great.
So. Should this move be on the AFI top 100? Yes. Probably higher in rank. I was just thinking of another Cary Grant film that is higher on the list, The Philadelphia Story (1940), and how this film is so much more fun. I think that there are other Hitchcock films like Rebecca (1940) and The Birds (1963) that could be on this list, but I guess 4 films from a director that isn’t American is a good representation. North by Northwest is definitely a deserving example. Would I recommend it? Yes. Heck, you can borrow my copy as long as you bring it back. I have seen the film probably two dozen times in the last 20 years and I would be happy to see it again if it means somebody can experience it for the first time. I highly recommend checking it out for yourself.
