STATUS: Open (1/5)
LOCATION: The Bastion @ Ballroom Gala
A sense of tentative civilization garlands the gala. The narrowed, drifting sweep of his sight intuitively acquaints and dismisses the meticulously considered fixtures and tinsels of this event; like the sensibly curated menu – no overbearing cygnets carved out of ice stiffly bowing their necks or cuts of Chianina arranged into tender terraces to be seen – white table cloths figurative and literal straightened over to obscure obscene associations like 'swan-song' or 'slaughter'. It wouldn't do, after a speech about memory and a dictum for the future. He passes by a waiter setting down a wide, shallow crystal bowl of Fine de Claire oysters arranged in an unfurling whorl on a bed of ice– the slender morsels sure to pragmatize appetites, and still appease with its distinctive flavor. A selection made by an enterprising hospitality always accounting for taste.
Appropriate. Kristian supposes, with a twitch of his lip, as he walks on, the flute of champagne pinched between his fingers (barely sipped, flat by now). He isn't persuaded– doesn't care to be, beyond the tenuously mutual deference constituting the hotel's architecture. A murder in a room elusively renders the interior, after all (despite industrial cleaners and a recarpeting). The way an abattoir can never be truly clean, only sterile. As he languidly weaves his way to the balcony, he catches snatches of conversation – static and innocuous jaw-talk – the low string-hum of the live band's double bass unintentionally conspiring to intone what can't be said in a chesty refrain. Condolences elude him. He's decided he doesn't want to talk to anyone.
Loosed from the mutely shimmering cavalcade of the crowd, he sets the champagne flute on an abandoned drink trolley parked by the balcony door. He stands behind the balustrades, hands in his pockets, London's landscape unfurling in smears, conversation and music coalescing into nonsensical murmurs vibrating against his back. The feeling of plateau's consolation a lukewarm and unsmiling voice in his head: someone's dead and you're not. He should smoke now, he supposes. Fishing out a crumpled pack of Dunhills, he slots a cigarette in the corner of his lips, stalled, when someone else joins him by the balcony. He blinks, and it's a thoughtless formality when he offers the pack to the other person. "Smoke?" singular, 'want to' discounted from the invitation, a slight hike of his lips into a smile. Amiable in just the way everything here is supposed to be: sensibly so.