It’s said that Tamaraebi, in but a few short months, has quickly become known as London’s underground latest soul secret. It becomes clear why this might be so just a few seconds into new original Innocence. His falsettos are exceptional. They’re milky and creamy yet raspy and emotive, all at the same time, like Milosh but raw and immediate instead of like a distant foggy dream. Tamaraebi is also reportedly influenced by Nina Simone, Prince, and Bob Dylan, which can all be found to some extent on this supple hovering fusion of atmospheric production and gently simmering guitar.










