Due to popular demand, here is my Terzo analysis. It has been significantly cut down(if you do want the uncut analysis, here) because most of it was bullet points and unhinged notes I made. To be completely transparent, this was inspired by @cityofmeliora's own Terzo analysis post as well as several other analyses which I will be linking (also some headcanon stuff the wifecule had cooked up together lol).
These are all the posts (1 2 3 4 5 ) I used as resources and this compilation of Ghost interviews, as well as the Metal Myths part 2, because that's sort of required viewing at this point, isn't it?
I'll be splitting this analysis up into sections, first are brief descriptions and explanations of my understanding of the different aspects of Terzo - as Papa, as a Cardinal and as himself.
As for my sources, I won't be inserting the direct quotes here(because this post would be the longest ever) and they are all available in the aforementioned links.
Anyway, onwards, Ghesties!
First of all, What is Papa?
This is in reference to Papa, the entity, the image - not the person. Papa is a character, he's a mask, he's a façade. He is an image and an idea and the face of the Clergy. He is everything and he is above all yet he is not. According to mister Ghost-man himself, he is a stereotype, he is someone you know from somewhere and often than not he's old, charismatic, maybe a little bit bitter. He is sort of nebulous, he is a concept.
All whom take up the mantle, the Mitre, live up to this to a certain degree, it's part of the job! It also might be part of the bloodline, but y'know.
In that case, who is Papa Emeritus III?
The character of Papa III, the performer, the leader, the one to show us the way. Papa III is the face of the Ministry, he is a showman, a diva who is perfect for the role of the Satanic Pope who is not only theatrical, but also charismatic and fun and ambitious! He is artistic and outspoken. He knows what he's doing, he loves having a good time - drinks, partying, sex! He encourages it, as long as everyone is safe. He wants to bring about a new age, something to thrive. He will lead us all to damnation!
Papa III cares for his people, he makes sure they are safe and sound even in the midst of the chaos of the Rituals. He is, after all, the messenger that leads the audience through the hero's journey - a guide.
Cardinal Terzo
Let me be clear, this is all derived from Bishop Necropolitus Cracoviensis (who is representative of the album artist Zbigniew Biela) testimonial on Terzo when they were buddies back in Poland.
Cardinal Terzo was a slutty slutty, party man with a revolution in mind. He actually had a lot of visions and ideas to keep the Ministry going and modernizing it. He seemed super, well, locked in. He also likes Futurism, which aligns with his Art Deco and German Expressionism in his box of early 20th century art movements. He saw a future and he wanted to bring it to life, he held the same sins as his brother, Vice, Lust, Greed - but he had Ambition (credit to user cityofmeliora for this epiphany). That's what set it all off. Cardinal Terzo had that joie de vivre.
But who is Terzo?
Terzo Emeritus is a man of many pleasures - it's just those pleasures don't often involve people. He likes early 20th century fashion, he likes early 20th century art movements, he likes theater, he participates in it. He does have a pleasant personality, perfectly charming and joyful and teasing - but, he's not 'on' all the time. Or rather, he might not genuinely feel that way unless something or someone actually interests him. He might not be as slutty as everyone thinks he is. He moves like a fucking cryptid when he isn't performing, which is even funnier considering how open he seems to act. He wanted to do so much as Papa, he cared a lot. He had so many ideas, he wanted to take care of his flock and wanted to spread his ideas and cement the Ministry as a real power by opposing all those mindsets that keep holding society back. He was a revolutionary taken out too soon for another agenda at play, which is his true tragedy.
If anything, his charming Papa persona is what draws people in - but it's untouchable, because it's an idea, a face he puts on. Terzo is most likely the mellow, a toned down version of that face. Secondo influenced him, not enough for him to be exactly like him, though, so.
On a very real level - he's sort of like that 'when your circle small but y'all are crazy' meme. He has only a few people who are truly close to him and know what he wants and who he is while everyone else is on the outside looking in. He seems to keep people at bay, even the ones he approaches first. It's the people who either stick around and play along long enough to catch all his little ticks or the ones who saw through it all in the first place who get close to him.
That self hatred and hatred of everyone came a little later, when everything started to not fit into place anymore. He had restrictions on him, he couldn't bring his vision to life - he began to resent that idea. He knew that he was expendable, it was inevitable that he would be gone soon. He was still Papa, he cared, he wanted better for the Ministry. But it was, to a point, all for nothing if he was going to be stifled.
Ambition and hubris being his downfall is just a repetition of every Greek Tragedy we've been told. And much like the Bringer of Light, Terzo was brought down to Hell. Thanks Sister Imperator.
Sorry if some of this sounds a bit silly, it is quite self indulgent and made when I was sleep deprived. But also, I love character analysis and I love Ghost so!
Bonus tidbit: All that talk of separate travel made me think that Terzo might like sightseeing as a fun headcanon. So in my mind he might have a film camera stashed somewhere to take with him. It fits with the idea that he is quite a recluse and takes time to himself, he doesn't need to socialize to go out and see things and take pictures. Of course this is also extrapolated from his nerdy film and art interests. (this part was inspired by a convo with @3hroo)
