(We all know the fic is going to end happily, so have a bit of it for Hijikata's birthday)
Hanae: Nii-san! I can see the lights! Let's get closer!
Tetsunosuke: Oi! Hanae! Wait! Don't run ahead of us!
Haruka: Ah...I think I know where that excitement comes from...
Hijikata: Oh, really? Certainly not either of us...but your brothers on the other hand.
Haruka: Uh-huh. Both of them are probably looking over her you know.
Hijikata: Everyone probably is...Right?
Haruka: Hmm...I think so. Come on, let's just have some fun.
Thanks again to @/pmkloveadmin and their kind friend yuunsoba who provided the raws for this booklet! I’ll be posting the interview translations in parts over the next few days. Please note that I’ll just be doing text posts due to the newer, stricter restrictions re: posting magazine images & the scan donator’s request! Thank you and please enjoy the first set!
Please tell us your genuine reaction to the announcement of the movie project.
Peacemaker was a project I took on along the way while auditioning about 4 years ago. It was a great honor to portray an older Tetsunosuke, who showed great growth even in the original work. At the same time, I was very nervous. I was involved with the drama CD initially, so this was my first time doing post-recording for the anime side of things. I dreamed of working as a voice actor when I was in school, so being able to do this was deeply moving for me.
Please tell us your genuine reaction to your first read-through of the script.
This makes me sound like a total newbie, but I just thought, “Uwah! It’s a Peacemaker Kurogane script!” (laughs). The drama CD script was just paper, so I was delighted to see a fully bound script with a picture of an adolescent Tetsunosuke on the cover. While Kobayashi Yumiko kicked the whole thing off with a line from a young Tetsunosuke, there are plenty of heroic scenes between then and the main storyline, so I felt like making the tonal change would be quite difficult. There are scenes of tragedy and scenes that make you laugh, and throughout it all, I was reintroduced to the variety of expressions these characters wear. As Tetsunosuke, I was also left thinking “what will happen next?!” because of how it ended. I’m sure everyone who watched felt the same, but I’m just excited for the continuation.
Quite some time has passed between the drama CD and the movie, but please tell us if you carried over any impressions from then into your acting this time.
When I played Tetsunosuke in the drama CD, it was the Hokujou Arc, so I didn’t have a chance to play the lively Tetsunosuke that everyone thinks of until now. Because of that, it was a really tough place to start, and I had to overcome my concerns and anxieties that I wouldn’t match up with the mental image everyone had. The “Tetsunosuke” in me is energetic, bright, and able to face any conflicts head-on, just like the version depicted in the movies. So I was happy that I got to play both the young version and the adolescent version that I imagined. With these fresh feelings, I was able to take that along with the “Tetsunosuke” created by Kobayashi Yumiko and really dive into the character.
What scene do you think has the biggest impact, and what scene do you want people to pay attention to?
I was happy to see a young Tetsunosuke at the start. It paints a good picture of the events that led him to the current story arc that the movie covers. After that, I very abruptly went into a montage of famous lines and scenes, so I got to say a lot of high-impact things in every way (laughs). I think that’s how I was able to manage the switch to the energy of the Shinsengumi’s sharpness and the fall of the Tokugawa Shogunate.
I think the most notable scene is where Tetsunosuke goes to buy Saya’s freedom! Naturally, the story is full of tons of interesting drama, but I think that stories about pure love are universal regardless of era or rank. I think this will become particularly important to Tetsunosuke, who will surely be embroiled in battles from here on. Even the flashback scene between those two in happier times reminded me of just how big of a presence Saya has in Tetsunosuke’s life.
The scene where Hijikata talks to Tetsunosuke about Saya’s miuke* is impressive, isn’t it? To Tetsunosuke, what kind of person is Hijikata Toshizo?
From Tetsunosuke’s childhood, Hijikata has been an overwhelming presence. As a man, human being and warrior, he’s unbeatable, you know? That’s why I think there are both parts he admires and parts that he can’t understand. I think Hijikata is a lot like a father to him in that respect. Tetsunosuke didn’t carry out his orders with full obedience and backtalked instead of respecting him. I’m sure that Hijikata will become an even more important person in the future, and Hijikata will likely undergo changes himself, but I hope their relationship will carry on as-is.
This is a story about the Shinsengumi’s great ambitions. After this, what sort of challenges do you want to tackle?
2017 was the year of climbing Mount Fuji and having unprecedented peach wars. With that all done, I’m mostly focusing on myself and my daily life again. I want to handle each job as a voice actor with precision and care.
Also, I’ve been saying this for ages, but someday I want to master conversational English. I like to travel, and learning English would help me expand my circle of communication and enjoy the world even more fully. So I’d like to study when I have time.
Finally, please leave a message for the fans who watch this series.
Thank you for viewing the show! It’s delightful to see that a work I have such strong personal ties to has made it to theaters, and that so many people have come to see it.
Many dramas cover the history of the Shinsengumi. With the amount of time they’ve spent together and all of their meetings and partings, it feels like they’re really here, and I hope you can enjoy this first part of the movie set.
How will this Tetsunosuke, with all of his growth, handle the conflicts that may appear with Suzu, Saya, and the Shinsengumi that he views as a family? Fortunately, the development will continue, but I think the glimpses of their will to live and hope are charm points of the series. Please watch over us until the end. Thank you!
Please tell us your genuine reaction to the announcement of the movie project.
Even though it’s been a long time since the anime, my first thought was that I’m happy to be involved in the franchise even all these years later. I still remember the original TV series, so seeing Tetsunosuke grown up gave me a sense of time passing by in both the show and also real life. Because of that, it all feels fresh even though it’s a continuation of an old story.
Please tell us your genuine reaction to your first read-through of the script.
It was really nostalgic (laughs). The cast’s feelings toward the work is strong, and I was reminded all over again of how this story has the power to connect people. Even though about 15 years have passed since the anime, I didn’t feel the gap. Despite the strong nostalgia, there was no confusion or stumbling. I think it must be because Kobayashi-san and Kaji-kun are there supporting the foundation.
Quite some time has passed between the drama CD and the movie, but please tell us if you carried over any impressions from then into your acting this time.
Yamazaki’s really grown, huh? It feels like he climbed a mountain with his older sister, and from his line about retiring, you can guess that he’s peeled away his old veneer and done some growing up. Since he can see so many things and people around him clearly - including Tetsunosuke - and is someone with many connections, I was struck once again by his importance as a character.
The gap that changed moment by moment and developed into something serious was also deeply impressive.
What scene do you think has the biggest impact, and what scene do you want people to pay attention to?
Okita’s line where he says, “If there are extra rifles... could you give one to me?” really left a big impression. I was wondering what he meant... Whether they’re aware of it or not, I think most characters in this series are desperately trying to live. But among them all, Okita, who gave off a feeling of loneliness, caught my eye. Even though Yamazaki wasn’t in the scene, I couldn’t help but wonder what sort of words he’d have for Okita if he had been. I was also impressed by the unchanged parts, like the Ichimura brothers using Tatsunosuke’s loincloth for target practice, and the way that things shifted bit by bit toward more serious developments.
The Shinsengumi members are all fascinating people, don’t you think? What’s your impression of Saito Hajime, one of the key players?
I used to think that even among the Shinsengumi, Saito Hajime stood out as particularly manic, but he’s really gained a lot of popularity through these stories, hasn’t he? In my mind’s eye, I associate Saito Hajime with Takashi Matsuyama-san’s take on him, which involves the strong image of a slight downer who’s very mysterious. I think that in this story, Saito’s humanity – or backbone, rather – became visible.
This is a story about the Shinsengumi’s great ambitions. After this, what sort of challenges do you want to tackle?
To be honest, I can’t join this challenge... (laughs). I guess I want to play a role I haven’t before. It’d be nice if I could see a version of myself that I haven’t yet. Rather than trying to master something in a totally new field, I think I’d do best with deepening my own strengths.
Finally, please leave a message for the fans who watch this series.
I think that the shape and depth of the story will change depending on who’s viewing it, but if you feel something when you watch it, I hope you can cherish those emotions. There’s also a sequel, so please keep an eye out. Thank you!
shinsenvember days 13-16!
day 13: a view from the other side (kazama & hijikata, hakuouki)
day 14: kids in kyoto (tetsu & souji, peacemaker kurogane, panel redraw)
day 15: seppuku (souji & yamanami, pmk)
day 16: family back home (souji & mitsu, pmk, panel redraw)
