YUMA WHY

seen from United Kingdom
seen from United States

seen from Canada
seen from Serbia
seen from Malaysia

seen from Malaysia

seen from United States

seen from China

seen from Iraq
seen from United States

seen from Malaysia

seen from Malaysia
seen from United States

seen from France

seen from United States
seen from Iraq
seen from Hong Kong SAR China
seen from United Kingdom
seen from France
seen from United States
YUMA WHY
Guess who bought more rare Raggedy merch to put up on archive!
These two 1979 cassettes with accompanying books are part of a set of 7(that I've found evidence of so far) that as far as I can tell were distributed to schools and libraries only. The books are in near mint condition, I even got two copies of one of them, and I'm looking for someone to digitize the tapes to preserve the audio as well. A couple other books in this series are already scanned on internet archive, Raggedy Ann and Raggedy Andy and Raggedy Ann Learns a Lesson.
The art style is one of my favorites, and this series of books are the only ones to feature the character Cynthia!
Laura Neal explaining the Killing Eve ending to the press
he got the new shoes dirty goddamn
The Camel/Jamal (Ibrahim Shaddad, Sudan, 1981)
Get to Know the Filmmaker: Ibrahim Shaddad
Shaddad is veteran Sudanese filmmaker known for his avant-garde experimental style and recently starred in Talking About Trees (Suhaib Gasmelbari, 2019) about the Sudanese Film Club that has strived since 1989 to encourage and fund cinema culture, film production, screenings, and training in Sudan.
Three of his films are free to stream:
The Camel/Jamal (1981)* is a report from the life of a camel, most of which plays out in a dreary, small room – a sesame mill. (x)
The Rope/Al Habil (1985)* documents two blind men making their way through the desert accompanied by a donkey. Connected by a rope, sometimes the two men decide the way, and sometimes the donkey leads them through the desert (x)
Human Being/Insan (1994) by Shaddad provides a dramatic and powerful account of the trials and alienation of a Sudanese villager in a large city. Shot entirely without dialogue, the film's innovative use of sound helps tell the story of a shepherd who leaves his wife and herd to settle in a nearby town. (x)
*Access through April 10, 2020
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