Ernst Zimmerman - El Avaro (The Miser), “La Ilustración artística”, 1897.


#dc comics#dc#batman#bruce wayne#dc fanart#tim drake#dick grayson#batfam#batfamily

seen from United States

seen from Japan
seen from United Kingdom
seen from China
seen from Malaysia

seen from India
seen from Yemen
seen from China

seen from Germany
seen from China
seen from United States
seen from Italy
seen from Singapore

seen from China
seen from China
seen from Japan
seen from Colombia

seen from Canada
seen from Japan

seen from Japan
Ernst Zimmerman - El Avaro (The Miser), “La Ilustración artística”, 1897.
A new fic idea
ok so I've been thinking again, and I NEED a marauders fic basen on "The Miser". It's stupid but I was literally thinking of them while reading it.
He's so greedy
So we were watching a movie in class of this old play we're gonna be reading
and like
that's just straight up Miss Glinda The Good Witch™
like girly is doing THE MOST with her outfit and I'm kinda living for it tbh
Ernst Zimmerman (1881-1939), 'El Avaro' (The Miser), ''La Ilustración artística'', Nov. 8, 1897 Source
My particular flavor of nerd is learning full monologues.
I still remember somewhat correctly the nose monologue, from Cyrano de Bergerac, and the one from the Miser.
I still know by heart the Brennan break down monologue, and the Be Pretty episode.
Now, I’m waiting to assimilate by osmosis Tom’s part in the Don’t You Dare flurry
I was out last night, the very picture of a sneak, dark and hunched-over, breaking and entering again. Why do I do it? And why, when I can afford serious residences, do I keep to this one room? Perhaps if I had not lost track of the difference between the real and the ideal it would never have happened. I hide here almost entirely now. When I go out, when I creep into those silent houses, I steal newspapers. An armload, no more than I can carry comfortably. Sometimes they are already tied up on the side porch or by the kitchen stove. Nobody misses them. They think each other or the maid has carried them out to the street. They say there is something intractable out there, the Law, the Right to Privacy, the World. In the days when my obsession was only a wound-up toy, squeaking and jabbering in my chest, I could have believed them. I sit by the window today (There is very little space left now, though I have left corridors wide enough to walk through so I won't lose touch) holding my latest on my lap, handling them, fondling them, taking in every column. They are becoming more and more precious. My delusion grows and spreads. Lately it seems to me as I read of murders, wars, bankruptcies, jackpot winnings, the news is written in that perfect style of someone speaking to the one who knows and loves him. Long before they miss me, I think, the room will be perfectly solid. When they break in the door and, unsurprised, hardened to the most bizarre vagaries, begin to carry out my treasure, death's what they'll look for underneath it all, those fluent, muscled, imaginative men, sweating in their innocent coveralls. But I will be out in broad daylight by then, answering, having accepted utterly the heart's conditions. Tell them I wish them well, always, that I've been happy. —Mona van Duyn, "The Miser"