“The French Queen has much more wit and judgment than people think…”
-Barnaby Fitzpatrick in a letter to King Edward VI regarding Queen Catherine, Catherine de’ Medici
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“The French Queen has much more wit and judgment than people think…”
-Barnaby Fitzpatrick in a letter to King Edward VI regarding Queen Catherine, Catherine de’ Medici
Why Modern Audiences Misread Edward VI and Barnaby Fitzpatrick: A Historical Defense Against Sexualization
There is zero contemporary evidence, firsthand or secondhand, to suggest Edward VI and Barnaby Fitzpatrick had any sexual relationship.
None. Not hinted. Not rumored. Not even in hostile sources.
So why do people today introduce a sexual layer that never existed historically?
Well here’s the precise mechanism behind that confusion:
1. Modern audiences misread physical closeness as sexual
In Tudor childhoods, especially among boys raised together:
• sharing a bed
• bathing together
• being touched, tickled, carried, or comforted
• sleeping in the same room their whole upbringing
• being nude around each other
were normal, non-sexual parts of life.
To a modern viewer, especially someone from TikTok or fandom spaces:
“Two boys naked in a bath = sexual tension.”
But in the 1500s?
It was nursery routine supervised by attendants.
The sexual reading comes from modern norms, not Tudor ones.
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2. They assume emotional intensity = romance = sex
When Edward writes to Barnaby with warmth, or when chroniclers describe them as unusually close, modern audiences interpret this through:
• 21st-century language norms
• the “love = sex” assumption
• media that portrays deep bonds as romantic
But Tudor emotional expression used more dramatic language.
Calling someone “my beloved” or “my most dear” didn’t imply sexual desire.
Today, people flatten that nuance.
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3. People project queer readings onto all intense same-sex bonds
TikTok and fandom culture have a strong trend:
• If two men show love → they must be secretly lovers
• If two men cried for each other → must be romantic
• If two men shared a bed → must be sexual
This is part of a broader cultural movement to reclaim erased queer narratives — but it sometimes leads to:
assuming sexuality where there was none.
It’s not malicious; it’s overcorrection.
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4. They misunderstand male friendships before the 19th century
Before modern masculinity norms tightened, it was normal for men to:
• hold hands
• embrace
• express devotion
• write emotional letters
• call each other “the love of my heart”
None of that was coded sexual at the time.
But modern viewers — especially younger ones — come from a culture where:
men aren’t allowed to be affectionate with other men unless they’re lovers.
So they sexualize historical intimacy because they can’t imagine a non-sexual version of it.
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5. Lack of education on wardship and childhood norms
Most people don’t understand that Barnaby was essentially:
• Edward’s foster-brother
• raised in the royal household
• treated as a companion-in-training
Their shared childhood activities make perfect sense in the Tudor context.
But without that context?
People jump to sexual conclusions simply because the situation looks “intimate.”
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6. They are influenced by modern media tropes
The “prince and his loyal companion” dynamic is a major trope in fiction.
Fiction makes it romantic.
So modern viewers import that trope into real history:
“Beautiful prince + devoted friend = must be romance.”
But history doesn’t operate on TikTok storytelling logic.
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7. No historical rumor = no sexual relationship
If there had been sexual behavior, the Tudors would have:
• gossiped
• recorded accusations
• weaponized it politically
• used it in court intrigue
• noted “improper familiarity” in correspondence
But across:
• Edward VI’s journals
• Cecil’s papers
• ambassadorial reports
• council records
• household accounts
• Fitzpatrick family papers
• Ormond correspondence
• Elizabethan retrospectives
there is not one suggestion of sexual misconduct.
For the Tudors, even a hint would have been scandalous.
The complete absence of rumor is strong evidence they were simply boys raised together with a deep, fraternal bond.
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8. It erases Barnaby’s real marriage, his wife Joan, and their daughter Margaret
When modern audiences insist on sexualizing Barnaby and Edward’s childhood bond, it unintentionally pulls attention away from the real, documented, adult relationships in Barnaby’s life — especially:
• his wife, Joan Eustace
• their daughter, Margaret Fitzpatrick
It creates a distorted picture where Barnaby is viewed through a single speculative lens — instead of the rich, complicated reality of a man who:
✔ married
✔ had a child
✔ managed a politically significant household
✔ navigated alliances
✔ maintained loyalty to the Crown
✔ ran a lordship in one of the most turbulent regions of Ireland
By framing him as someone who must have been romantically or sexually devoted to Edward, modern reinterpretations often sideline:
• Joan’s place as his partner
• their documented domestic life
• Margaret’s existence as their daughter
• the emotional reality of his adult responsibilities
Instead of spotlighting Joan and Margaret — historical women already underrepresented in the record — the sexualized reading increases the overshadowing.
And ironically, it reinforces the very issue modern audiences claim to resist:
erasing real women from history.
Most importantly, this projection collapses Barnaby into a stereotype, rather than acknowledging him as a fully dimensional man whose loyalties, affections, and identity were broader than a single childhood friendship.
Okay I’m done, this took a while to type and a while to format have a good day!
I am new to Barney Fitzpatrick, and you seem to have quite the extensive knowledge on him. Would you care to enlighten me?
What did you want to know? He was born in the later end of the medieval era during the 16th century, 1535, in Ireland and was the son of an Irish King, his father surrendered to King Henry the eighth as a show of loyalty as Henry asserted his control over Ireland.
As a reward for that loyalty, King Henry bestowed the title of Barron onto Barnaby’s father.
And as a further show of loyalty Barnaby’s father sent him to England to be educated where he was raised beside Prince Edward, future Edward VI.
They became almost like brothers and were extremely close and they’re very fond of each other, Edward was isolated as a child so his bond with Barnaby was a very important one.
Barnaby went to France to serve under the French king under Edward’s orders at age 15, Edward was 13.
When Barnaby came back Edward had been battling tuberculosis and died at 15, Barnaby was 17.
He eventually in his mid 20s over threw his fathers reign as Baron cause his father was unstable, married his wife Joan, they had a baby named Margaret and became a knight and was involved in many battles.
There’s so much more I haven’t spoken of.
Currently I am heading My project: Finding Ossory: The Barnaby and Joan project and I’m searching for their bodies in hope to have them entombed together.
While also writing a heavily detailed biography, I’ll be documenting my trip to his lands and putting it on YouTube.
I have to go to England then to France to tell his full story.
It begins!
The more contemporary material I have that further reconstruct things I keep on having the realization “no wonder Barnaby trusted his wife so much.”
Gosh, I keep finding more and more. Joan is starting to become a person and not a name on paper like history tries to make her and from what I found it seems she is very close to her sister.
I’m on top of something big and I’m asking for prayers, fingers crossed, knocks on wood and all forms of luck.
✨ Exciting Update ✨
As part of my research for Finding Ossory: The Barnaby and Joan Project, I recently received a very special reply connected to Cullohill Castle. A kind friend of the castle’s long-time resident reached out to me, and I’ve been welcomed to visit during my trip next year.
What makes this so meaningful is that this person has lived in the shadow of Cullohill Castle for their entire life — nearly a century — and has kept its story alive by welcoming visitors and supporting the community.
I’m beyond grateful for this opportunity. It feels like one more step in truly retracing Barnaby Fitzpatrick’s path and shining a light on the Fitzpatrick story.